<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-34522485</id><updated>2012-01-26T22:01:01.203-06:00</updated><category term='James Porter'/><category term='Heilporn'/><category term='OURDSHOORN'/><category term='Deir al-Banat'/><category term='Turfan (China)'/><category term='Derveni papyrus'/><category term='Aegyptus'/><category term='Epigram'/><category term='Sappho Alcaeus'/><category term='Posidippus'/><category term='ZPE'/><category term='PSI XV'/><category term='Homer'/><category term='Khargeh oasis'/><category term='Callimachus'/><category term='Giessen'/><category term='Aramaic Ostraca'/><category term='New Comedy'/><category term='dissertations'/><category term='Didymus the Blind'/><category term='SB XXV'/><category term='Fayum'/><category term='Syria'/><category term='I PAPIRI DEL ROMANZO ANTICO'/><category term='Social History'/><category term='CLGP'/><category term='Auditoria'/><category term='Literary texts: Novel frr.'/><category term='Jongkind'/><category term='Al-Fayûm); Greek'/><category term='Ruffini'/><category term='Helsinki'/><category term='Artemidorus papyrus'/><category term='CPR XXVIII'/><category term='Ptolemaic Egypt'/><category term='BASP'/><category term='letters'/><category term='Handbuch'/><category term='exhibition in Vienna'/><category term='City of the Sharp-nosed Fishes'/><category term='Fikhman'/><category term='Epigraphy'/><category term='LUIJENDIJK'/><category term='P. Oxy. LXXII'/><category term='Illicit Papyri trade'/><category term='necrologies'/><category term='History of Papyrology'/><category term='The Book'/><category term='TV'/><category term='Philadelphia'/><category term='P. Ammon'/><category term='periodical'/><category term='Shenoute'/><category term='P. Count'/><category term='Bingen'/><category term='epidocs'/><category term='Western desert'/><category term='Life of a Saint (Pamoun); Docs: 22 from the Apiones Archive (5-6th AD); 1 from the 2nd AD'/><category term='Mueller'/><category term='Coptic Psalter'/><category term='Kerkeosiris'/><category term='CR'/><category term='Bridsall'/><category term='Trzcionka'/><category term='Cartonnage Papyri in Context'/><category term='Wednesday March 28 07'/><category term='Deir el-Bahari'/><category term='land transport'/><category term='Zenon'/><category term='Artficial Intelligence'/><category term='Demotic Epistolography'/><category term='Demotic Studies Congress'/><category term='P. Mil VIII'/><category term='Literary papyri'/><category term='Coptic'/><category term='Demotic'/><category term='P.Iand.'/><category term='tituli'/><category term='Archaeology'/><category term='Bookrolls and Scribes in Oxyrhynchus'/><category term='Moines'/><category term='Oxyrhynchus'/><category term='Summer Institute'/><category term='O. Abu Mina'/><category term='APF'/><category term='TEI'/><category term='ASP 40'/><category term='Manichaeism'/><category term='congress'/><category term='Review'/><category term='Heroninos Archive'/><category term='Archimedes Palimpsest'/><category term='onomasticon'/><category term='Syriac'/><category term='Arabic papyri'/><category term='strategos'/><category term='P. Naqlun 2'/><category term='Analecta Papyrologica'/><category term='Bodmer'/><category term='Berenike'/><category term='EES lecturers'/><category term='indexes of Documentary Papyri'/><category term='SB'/><category term='Herculaneum'/><category term='Parsons'/><category term='Vienna Papyrus Collection'/><category term='P. Worp'/><category term='Communicazioni 8'/><category term='Settlements  Ptolemaic Egypt'/><category term='Ancient Medicine'/><category term='Daris Dizionario'/><category term='McNamee'/><category term='8 from the 3rd AD'/><category term='Scholia'/><category term='irrigation'/><category term='Sappho (quoted)'/><category term='Manning'/><category term='KSB III'/><category term='Gammacurta'/><category term='congress today'/><category term='Magic'/><category term='Ancient Society'/><category term='demography'/><category term='women'/><category term='agriculture'/><category term='Oxyrhnychus'/><category term='New Testament P75?'/><category term='Demosthenes'/><category term='Terras'/><category term='Rathbone'/><category term='P.Oxy.'/><category term='P. Berl. Cohen'/><category term='Imaging'/><category term='ostraca'/><category term='Eastern desert'/><category term='Papyrussammlung ÖNB'/><category term='P.Cair. Salem'/><category term='Caroli'/><category term='Bagnall'/><category term='Analysis of Gild Ordinances in Tebtynis based on six Greek Papyri.'/><category term='Paraclausithyron'/><category term='P.Köln 9'/><category term='P.Grenfell I.1 (Fragmenum Grenfellianum)'/><category term='Digital Classicist'/><category term='JJP'/><category term='Hellenistic Poetry'/><category term='Chronique 2006'/><category term='Wm. A.  Johnson'/><category term='Codex Sinaiticus'/><category term='conrgess today'/><category term='prosopography Soknopaiu Nesos (Dimê'/><category term='Summer 2011'/><title type='text'>What's New in Papyrology</title><subtitle type='html'>Recent publications of papyri &amp; ostraca 4th BC-8th AD; conferences, lectures etc. from &lt;a href="http://www.listserv.hum.ku.dk/archives/papy.html"&gt;Papy-L &lt;/a&gt;and other sources as noted.
gregg.schwendner AT wichita.edu</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://papyrology.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default?start-index=101&amp;max-results=100'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>735</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-34522485.post-1640490221618539199</id><published>2012-01-26T22:00:00.001-06:00</published><updated>2012-01-26T22:01:01.212-06:00</updated><title type='text'>Die Berliner Papyrusdatenbank (BerlPap)</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-gLLjkZlxCoI/TyIhWQQMwSI/AAAAAAAABNI/iIqNUigtNP4/s1600/BerlPap_Logo_333366.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="54" src="http://2.bp.blogspot.com/-gLLjkZlxCoI/TyIhWQQMwSI/AAAAAAAABNI/iIqNUigtNP4/s320/BerlPap_Logo_333366.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://smb.museum/berlpap/?search-class=DB_CustomSearch_Widget-db_customsearch_widget&amp;amp;widget_number=preset-2&amp;amp;cs-Publikation-0=BGU+XVI+&amp;amp;search=Suchen"&gt;BGU&lt;/a&gt;&amp;nbsp;XVI&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://smb.museum/berlpap/?search-class=DB_CustomSearch_Widget-db_customsearch_widget&amp;amp;widget_number=preset-2&amp;amp;cs-Publikation-0=BGU+XVIII.1&amp;amp;search=Suchen"&gt;BGU&lt;/a&gt;&amp;nbsp;XVIII.1&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://smb.museum/berlpap/?search-class=DB_CustomSearch_Widget-db_customsearch_widget&amp;amp;widget_number=preset-2&amp;amp;cs-Publikation-0=BKT+IX+&amp;amp;search=Suchen"&gt;BGU&lt;/a&gt;&amp;nbsp;IX&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://smb.museum/berlpap/?search-class=DB_CustomSearch_Widget-db_customsearch_widget&amp;amp;widget_number=preset-2&amp;amp;cs-Publikation-0=P.Berl.Salmen.&amp;amp;search=Suchen"&gt;P.Berl.Salmen&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-1640490221618539199?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://smb.museum/berlpap/' title='Die Berliner Papyrusdatenbank (BerlPap)'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/1640490221618539199'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/1640490221618539199'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2012/01/die-berliner-papyrusdatenbank-berlpap.html' title='Die Berliner Papyrusdatenbank (BerlPap)'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-gLLjkZlxCoI/TyIhWQQMwSI/AAAAAAAABNI/iIqNUigtNP4/s72-c/BerlPap_Logo_333366.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-5039784554395153299</id><published>2012-01-22T08:58:00.000-06:00</published><updated>2012-01-22T08:58:10.364-06:00</updated><title type='text'>P. Buzi &amp; A. Camplani (eds.), Christianity in Egypt (Festschrift T. Orlandi)</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: verdana, sans-serif, helvetica; font-size: 11px; line-height: 12px;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-BgOsjyjqGXA/TxwgIrHR_LI/AAAAAAAABM8/ZGC3XnInqGk/s1600/17_publication_905_1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/-BgOsjyjqGXA/TxwgIrHR_LI/AAAAAAAABM8/ZGC3XnInqGk/s320/17_publication_905_1.jpg" width="218" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;h1 style="font-weight: normal; margin-bottom: 5px; margin-left: 0px; margin-right: 0px; margin-top: 5px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: 13.5pt; line-height: 1.2em;"&gt;&lt;h1 style="font-size: 13.5pt; font-weight: normal; line-height: 1.2em; margin-bottom: 5px; margin-left: 0px; margin-right: 0px; margin-top: 5px;"&gt;P. Buzi &amp;amp; A. Camplani (eds.),&lt;i&gt; Christianity in Egypt: Literary Production and Intellectual Trends in Late Antiquity. Studies in honor of Tito Orlandi&lt;/i&gt;,&amp;nbsp;&lt;/h1&gt;&lt;h1 style="font-size: 13.5pt; font-weight: normal; line-height: 1.2em; margin-bottom: 5px; margin-left: 0px; margin-right: 0px; margin-top: 5px;"&gt;&lt;a href="http://www.patristicum.org/index.php?option=com_content&amp;amp;view=article&amp;amp;id=93&amp;amp;Itemid=88"&gt;Studia Ephemeridis Augustinianum 125, Institutum Patristicum Augustinianum&lt;/a&gt;, Roma 2011,&amp;nbsp;&lt;/h1&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: 18px; line-height: 21px;"&gt;20 gennaio 2012&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #990000; font-family: Georgia, 'Times New Roman', serif; font-size: 13.5pt; line-height: 1.2em;"&gt;&lt;h1 style="color: #990000; font-size: 13.5pt; font-weight: normal; line-height: 1.2em; margin-bottom: 5px; margin-left: 0px; margin-right: 0px; margin-top: 5px;"&gt;&amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/h1&gt;&lt;/span&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="line-height: 1.2em;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;"&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Christianity in Egypt: Literary Production and Intellectual Trends" collects papers offered to&lt;a href="http://rmcisadu.let.uniroma1.it/~orlandi/"&gt; Tito Orlandi&lt;/a&gt;, in order to celebrate his long and fruitful academic and scientific life. Scholars of Coptic Egypt, who, in various ways, have interacted with him, offer a contribution on Christian Egypt and Coptic literary production. This volume has the ambition to be in line with Tito Orlandi's diverse efforts and includes the publication of partially or totally inedited texts, such as the new Ethiopic version of Traditio apostolica (&lt;i&gt;A. Bausi&lt;/i&gt;), or the Allocutio ad monachos attributed to Athanasius (&lt;i&gt;A. Boud'hors&lt;/i&gt;), the reconstruction of Coptic codices and texts with an analysis of related cultural and linguistic problems (&lt;i&gt;B. Layton, E. Lucchesi, A. Suciu – E. Thomassen, S. Torallas-Tovar&lt;/i&gt;); considerations about the Coptic manuscript tradition (&lt;i&gt;P. Buzi&lt;/i&gt;), the codicological method (&lt;i&gt;S. Emmel&lt;/i&gt;), Coptic literature in relation with Greek patristic literature and Greek rhetoric (&lt;i&gt;S. Voicu, M. Sheridan&lt;/i&gt;), as well as the presentation of new research studies in hagiography (&lt;i&gt;H. Behlmer, D. Johnson&lt;/i&gt;) and liturgy in its connection with magic and apocryphal literature &lt;i&gt;(J. van der Vliet&lt;/i&gt;). Some essays are tied to Tito Orlandi's traditional interest in Coptic history and historiography (&lt;i&gt;Ph. Blaudeau, A. Camplani, J. den Heijer – P. Pilette, M. Simonetti, E. Wipszycka&lt;/i&gt;), others, on the base of his critical investigations and editorial activity on monastic and theological texts, deal with monastic exegesis and spirituality (&lt;i&gt;Th. Baumeister, D. Bumazhnov, J.E. Goehring, J. Timbie&lt;/i&gt;) and Alexandrian hermeneutics and theology (&lt;i&gt;E. Prinzivalli&lt;/i&gt;), while the contributions on Gnosticism are connected to his attention to Gnostic texts (&lt;i&gt;C. Gianotto, G. Lettieri, J.D. Turner&lt;/i&gt;). At the end are to be mentioned the essays offered by eminent Egyptologists on Coptic papyri (&lt;i&gt;S. Donadoni&lt;/i&gt;) c&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 21px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;&lt;span class="Apple-style-span" style="line-height: 12px;"&gt;las&lt;/span&gt;&lt;span class="Apple-style-span" style="line-height: 12px;"&gt;sical Egyptology (&lt;i&gt;S. Pernigotti&lt;/i&gt;), and archaeology (&lt;i&gt;E. Bresciani&lt;/i&gt;).&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="font-weight: normal; margin-bottom: 5px; margin-left: 0px; margin-right: 0px; margin-top: 5px;"&gt;&lt;/h1&gt;&lt;h1 style="font-size: 13.5pt; font-weight: normal; line-height: 1.2em; margin-bottom: 5px; margin-left: 0px; margin-right: 0px; margin-top: 5px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;/span&gt;&lt;/h1&gt;&lt;span class="Apple-style-span" style="line-height: 1.2em;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: medium;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;h1 style="font-size: 13.5pt; font-weight: normal; line-height: 1.2em; margin-bottom: 5px; margin-left: 0px; margin-right: 0px; margin-top: 5px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;/span&gt;&lt;/h1&gt;&lt;span class="Apple-style-span" style="line-height: 1.2em;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: medium;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-5039784554395153299?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.archaeogate.org/egittologia/pubblicazione/905/p-buzi-a-camplani-eds-christianity-in-egypt-literary-pr.html' title='P. Buzi &amp; A. Camplani (eds.), Christianity in Egypt (Festschrift T. Orlandi)'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/5039784554395153299'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/5039784554395153299'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2012/01/p-buzi-camplani-eds-christianity-in.html' title='P. Buzi &amp; A. Camplani (eds.), Christianity in Egypt (Festschrift T. Orlandi)'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-BgOsjyjqGXA/TxwgIrHR_LI/AAAAAAAABM8/ZGC3XnInqGk/s72-c/17_publication_905_1.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-5568282163587755326</id><published>2012-01-20T19:14:00.001-06:00</published><updated>2012-01-20T19:14:55.458-06:00</updated><title type='text'>A. Arjava, M. Buchholz, T. Gagos, and M. Kaimio, P. Perta IV</title><content type='html'>&lt;table border="1" cellpadding="0" cellspacing="0" class="MsoNormalTable" style="border-collapse: collapse; border: none; mso-padding-alt: 0in 5.4pt 0in 5.4pt; mso-table-layout-alt: fixed;"&gt;&lt;tbody&gt;&lt;tr style="mso-yfti-irow: 2;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-zudKDXuHdYI/TxoQ3o5PhiI/AAAAAAAABM0/rCxk0toOOf8/s1600/p_papyri_iv_cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/-zudKDXuHdYI/TxoQ3o5PhiI/AAAAAAAABM0/rCxk0toOOf8/s320/p_papyri_iv_cover.jpg" width="232" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;/div&gt;&lt;table border="1" cellpadding="0" cellspacing="0" class="MsoNormalTable" style="border-bottom-style: none; border-collapse: collapse; border-color: initial; border-left-style: none; border-right-style: none; border-top-style: none; border-width: initial;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="border-bottom-style: none; border-color: initial; border-left-style: none; border-right-style: none; border-top-style: none; border-width: initial; padding-bottom: 0in; padding-left: 5.4pt; padding-right: 5.4pt; padding-top: 0in; width: 530pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Contents&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td colspan="2" style="border-bottom-style: none; border-color: initial; border-left-style: none; border-right-style: none; border-top-style: none; border-width: initial; padding-bottom: 0in; padding-left: 5.4pt; padding-right: 5.4pt; padding-top: 0in; width: 610pt;" valign="top" width="610"&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Preface and Acknowledgments by B. A. Porte … vii&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Foreword by A.   Arjava, M. Buchholz, T. Gagos, and M. Kaimio&amp;nbsp;… ix&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 3;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;A Selection of   Articles and Reports on the Petra Papyri 2007–2010 compiled by M. Buchholz … xi&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 4;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Bibliography and   Abbreviations compiled by M. Buchholz&amp;nbsp;… xiii&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 5;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Corrigenda in Volumes   I and III by A. Arjava and M. Buchholz … xix&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 6;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Introduction&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 7;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Legal Terminology in   the Petra Papyri by M. Buchholz&amp;nbsp;… 1&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 8;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Terms Connected with   Houses in 39 and Other Petra Papyri by J. Kaimio … 9&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 9;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Updated Synoptic   Chronological Table by A. Arjava and M. Lehtinen&amp;nbsp;… 23&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 10;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Map of Byzantine   Province of Palaestina Tertia Salutaris … 26&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 11;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;37. Tax Receipt by A.   Arjava and T. Gagos&amp;nbsp;&amp;nbsp;… 27&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 12;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;38. Receipt by T.   Gagos&amp;nbsp; … 39&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 13;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;39. Settlement of a   Dispute by Arbitration by M. Kaimio … 41&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 14;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;40. Defensio of the   Sale of an Outbuilding by J. Kaimio … 121&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 15;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;41. Deed Connected   with a Sale of Houses by J. Kaimio …127&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 16;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;42. Marriage Contract   by T. Gagos and C. A. Kuehn … 141&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 17;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;43. Agreement on   Marital Property by T. Gagos and C. A. Kuehn … 151&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 18;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;44. End of a Document   by T. Gagos … 163&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 19;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;45–47. Introduction:   Tax Receipts by A. Arjava&amp;nbsp;… 165 &amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 20;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;45. Tax Receipt by T.   Gagos … 167&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 21;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;46. Tax Receipt by A.   Arjava and T. Gagos … 171&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 22;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;47. Tax Receipt by T.   Gagos …173&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 23;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;48–49. Introduction:   Fragments of Ecclesiastical Documents by M. Buchholz and T. Gagos… 177&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 24;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;48. Fragments of One   or More Ecclesiastical Document(s) by M. Buchholz and T. Gagos … 179&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 25;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;49. Fragments of One   or More Ecclesiastical Document(s) by M. Buchholz and T. Gagos …183&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 26;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 27;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Index to Volumes I,   III and IV by T. Purola … 187&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 28;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Introduction to the   Plates by M. Buchholz&amp;nbsp;… 213&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 29;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Plates prepared by M.   Holappa and V. Vahtikari … 215&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 30;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Concordance … 289&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 31; mso-yfti-lastrow: yes;"&gt;   &lt;td style="border: none; padding: 0in 5.4pt 0in 5.4pt; width: 530.0pt;" valign="top" width="530"&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Illustration Credits …   291&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-5568282163587755326?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://acorjordan.org/index.php?option=com_content&amp;task=view&amp;id=166&amp;Itemid=37' title='A. Arjava, M. Buchholz, T. Gagos, and M. Kaimio, P. Perta IV'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/5568282163587755326'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/5568282163587755326'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2012/01/arjava-m-buchholz-t-gagos-and-m-kaimio.html' title='A. Arjava, M. Buchholz, T. Gagos, and M. Kaimio, P. Perta IV'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-zudKDXuHdYI/TxoQ3o5PhiI/AAAAAAAABM0/rCxk0toOOf8/s72-c/p_papyri_iv_cover.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-8854561059157197463</id><published>2012-01-13T09:14:00.001-06:00</published><updated>2012-01-13T09:15:16.449-06:00</updated><title type='text'>July 2-31, 2012: Papyrological Institute at the University of Chicago</title><content type='html'>&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Papyrological Institute at the University of Chicago&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="margin-top: 4pt; text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;July 2 - 31, 2012&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;An intensive summer institute in papyrology, jointly sponsored by the Departments of Classics of the University of Chicago and the University of Illinois at Urbana-Champaign, will be held on the campus of the University of Chicago in the summer of 2012.&amp;nbsp;&amp;nbsp;The program is aimed at advanced graduate students and junior faculty in Classics and associated fields, including history, Egyptology, classical and Near Eastern archaeology, history of religions, and biblical studies.&amp;nbsp;&amp;nbsp;The general theme of the 2012 papyrological institute is “Religion, Magic, and Early Christianity in the Papyri.” The primary materials will consist of Greek literary and documentary papyri from Roman and early byzantine Egypt on loan from the University of Michigan collection.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;The 2012 institute is the seventh&amp;nbsp;in a series of intensive summer programs held under the aegis of the American Society of Papyrologists.&amp;nbsp;&amp;nbsp;In keeping with the goals of previous years, the institute aims to provide participating scholars with direct experience of the papyri through close reading of individual texts, and with knowledge of the field of papyrology in general, so that they may employ this knowledge effectively in conducting their own future research and teaching.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;The summer institute will offer a combination of lectures and first-hand experience working with original textual materials. Students are expected to participate actively in all of the institute’s programs and activities; a full-time commitment is required while the institute is in session. Mornings will be dedicated to introductory lectures by the principal instructors, Professor James G. Keenan (Loyola University of Chicago), Director, and Professors David Martinez (University of Chicago), Maryline Parca (University of Illinois at Urbana-Champaign), and Peter van Minnen (University of Cincinnati).&amp;nbsp;&amp;nbsp;Afternoons will be devoted to advanced coursework, to workshops on select papyri, and to individual research.&amp;nbsp;&amp;nbsp;A series of guest lectures on topics related to the theme of the seminar will supplement the core presentations.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Admission to the summer papyrological institute is by application only, and approximately ten scholars will be selected to participate.&amp;nbsp;&amp;nbsp;Although previous experience with papyrology is not required, a high degree of competence in ancient Greek is essential. Participation in the institute is free of charge (no tuition) and not for credit.&amp;nbsp;&amp;nbsp;We anticipate offering modest grants for travel and/or living expenses, but applicants are expected to seek financial support from their home institutions, and from other sources, to facilitate their participation.&amp;nbsp;&amp;nbsp;&lt;span style="color: black;"&gt;The American Society of Papyrologists will deliver a certificate of participation to those completing the institute.&amp;nbsp;&amp;nbsp;&lt;/span&gt;Neither grades nor transcripts will be issued.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Application procedure: The application consists of the completed application form (&lt;a href="http://www.papyrology.org/"&gt;&lt;/a&gt;&lt;a href="http://www.papyrology.org/"&gt;http://www.papyrology.org&lt;/a&gt;), a curriculum vitae, and two letters of recommendation.&amp;nbsp;&amp;nbsp;All materials must be received by March 1, 2012 in order to be given full consideration.&amp;nbsp;&amp;nbsp;Notification of decisions will be issued in late March.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Send application materials to Prof. David Martinez at the following address:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-top: 4pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;The University of Chicago&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-top: 4pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Department of Classics&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;1115 E. 58&lt;sup&gt;th&lt;/sup&gt;&amp;nbsp;Street&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Chicago IL 60637.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: Optima;"&gt;&lt;span class="Apple-style-span" style="font-size: 12px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-8854561059157197463?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.papyrology.org' title='July 2-31, 2012: Papyrological Institute at the University of Chicago'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/8854561059157197463'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/8854561059157197463'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2012/01/papyrological-institute-at-university.html' title='July 2-31, 2012: Papyrological Institute at the University of Chicago'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-5288271149444524609</id><published>2012-01-09T10:43:00.001-06:00</published><updated>2012-01-09T10:43:47.906-06:00</updated><title type='text'>Chronqiue d' Égytpe LXXXVI (2011)</title><content type='html'>&lt;a href="http://www.aere-egke.be/chronique.fr.htm"&gt;CHRONIQUE D'EGYPTE LXXXVI (2011) - FASC. 171-172&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Nicole Braekman - Frederic Colin - Luc Delvaux - Françoise Labrique - Luc Limme - Bernard Van Rinsveld, Jean-Marie Kruchten (1944-2010) ... 2-11&lt;br /&gt;&lt;br /&gt;EGYPTE PHARAONIQUE&lt;br /&gt;&lt;br /&gt;Etudes:&lt;br /&gt;&lt;br /&gt;Tamas Mekis, L’equipement funeraire de la pretresse thebaine Nestaneteretten ... 41-81&lt;br /&gt;&lt;br /&gt;Danijela Stefanovic, When are children called "her children"? ... 15-31&lt;br /&gt;&lt;br /&gt;Jean Winand, A propos du P. Ambras ... 32-40&lt;br /&gt;&lt;br /&gt;Chronique:&lt;br /&gt;Marcus Mueller-Roth, "Mehr Licht". Anmerkungen zu den Vignetten von Tb 137 .. 82-107&lt;br /&gt;&lt;br /&gt;Livres ... 108-200&lt;br /&gt;&lt;br /&gt;EGYPTE GRECO-ROMAINE&lt;br /&gt;&lt;br /&gt;Etudes:&lt;br /&gt;&lt;br /&gt;Mohamed El-Ashiry, A Second-Century A.D. Petition in the Cairo Collection ... 223-227&lt;br /&gt;&lt;br /&gt;Roger S. Bagnall - Klaas A. Worp, with a contribution from Colin A. Hope, Family Papers from Second-Century A.D. Kellis ... 228-253&lt;br /&gt;&lt;br /&gt;Jean Bingen, Sur l'annone militaire pour le foin (P. Brux. inv. E. 7904) ... 254-258&lt;br /&gt;&lt;br /&gt;Audrey Eller - Sylvie Gindrat - Emeline Hedrich - Oceane Henri - Anais Marchiando - Yannick Zanetti - Paul Schubert, Un contrat de vente de terrain de la periode byzantine dans la collection de Geneve ... 259-267&lt;br /&gt;&lt;br /&gt;Elena Esposito, P. Brux. inv. E. 5927 r (= P. Oxy. III 416 r) ... 205-222&lt;br /&gt;&lt;br /&gt;Rachel Mairs, Acrostich Inscriptions at Kalabsha (Roman Talmis): Cultural Identities and Literary Games ... 281-297&lt;br /&gt;&lt;br /&gt;Diletta Minutoli, Odissea XIX 574-587 in un papiro trovato a Narmuthis ... 201-204&lt;br /&gt;&lt;br /&gt;Klaus Parlasca, Ein roemisches Leichentuch aus Aegypten in Genf ... 298-322&lt;br /&gt;&lt;br /&gt;Kersten Saenger-Boehm - Patrick Saenger, Ad chartam comficiendam. Zu diesem und anderen Sonderdiensten roemischer Soldaten in Rom.Mil.Rec. 10 ... 268-280&lt;br /&gt;&lt;br /&gt;Chronique:&lt;br /&gt;&lt;br /&gt;Salvatore Costanza, Il romanzo del potere: il prefetto d'Egitto e l'amministrazione della provincia ... 323-332&lt;br /&gt;&lt;br /&gt;Papyrus litteraires et documents ... 333-355&lt;br /&gt;&lt;br /&gt;Livres ... 356-382&lt;br /&gt;&lt;br /&gt;EGYPTE CHRETIENNE&lt;br /&gt;&lt;br /&gt;Etudes:&lt;br /&gt;&lt;br /&gt;Alain Delattre, Ostraca bibliques et scolaires de la region thebaine ... 386-391&lt;br /&gt;&lt;br /&gt;Nikolaos Gonis - Gesa Schenke, BKU III 340: An Unusual entagion ... 383-385&lt;br /&gt;&lt;br /&gt;Livres ... 392-396&lt;br /&gt;&lt;br /&gt;Prof. Alain MARTIN&lt;br /&gt;Redacteur en chef&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-5288271149444524609?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.aere-egke.be/chronique.fr.htm' title='Chronqiue d&apos; Égytpe LXXXVI (2011)'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/5288271149444524609'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/5288271149444524609'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2012/01/chronqiue-d-egytpe-lxxxvi-2011.html' title='Chronqiue d&apos; Égytpe LXXXVI (2011)'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-5331146114315114353</id><published>2012-01-06T00:06:00.005-06:00</published><updated>2012-01-06T00:11:04.642-06:00</updated><title type='text'>ZPE 179 (2011)</title><content type='html'>&lt;div class="page" title="Page 1"&gt;&lt;div class="section"&gt;&lt;div class="layoutArea"&gt;&lt;div class="column"&gt;&lt;br /&gt;&lt;br /&gt;INHALT&lt;br /&gt;Hinweis für die Leser der ZPE 1&lt;br /&gt;&lt;br /&gt;Adorjáni, Zs., Eine neue Konjektur zu Pind. fr. 52h (= Pae. 7b) 20 ... &amp;nbsp;48&lt;br /&gt;&lt;br /&gt;Agusta-Boularot, S. – Seigne, J. – Mujjali, A., Épigramme funéraire d’une jeune fille de Phrygie à Gerasa (Jerash, Jordanie) ... 103&lt;br /&gt;&lt;br /&gt;Alföldy, G., Eine führende Familie der Kolonie von Aquincum ... 271 &amp;nbsp; &lt;br /&gt;&lt;br /&gt;Antolinos Marin, J. A. – Díaz Ariño, B., Una inscripción funeraria republicana&lt;br /&gt;procedente de Los Beatos (Cartagena, Murcia) ... 291&lt;br /&gt;&lt;br /&gt;Arbabzadah, M., A Lexicographical Note on a Curse Tablet from Antioch ... 199&lt;br /&gt;&lt;br /&gt;Battistoni, F., Time(s) for Tauromenion. The Pilaster with the List of Stratagoi (IG XIV 421) –&lt;br /&gt;The Antikythera Mechanism ... 171&lt;br /&gt;&lt;br /&gt;Benaissa, A., Giro Transfers of Grain in the Oxyrhynchite Nome: A New Document in the Beinecke Library ...221&lt;br /&gt;&lt;br /&gt;Bongiovanni, R., P.Duk.inv. 4R: Homer, Iliad 22.111–149 with Marginalia ... 3 &amp;nbsp; &lt;br /&gt;&lt;br /&gt;Brissaud, L. – Rémy, B. – Mathieu, N. – Prisset, J.-L., Un service officiel des eaux (cura aquarum) à Vienne? Le témoignage d’un tuyau de plomb découvert à Saint-Romain-en-Gal (Rhône) ... 239&lt;br /&gt;&lt;br /&gt;Camia, F., Lykos, Son of Hermolaos, hiereus heptaeterikos of the Sebastoi.&amp;nbsp;Emperor Worship&amp;nbsp;and Traditional Cults at Thessalian Hypata (SEG 54, 556) ... 145&lt;br /&gt;&lt;br /&gt;Camodeca, G., Fufidia Clementiana, c(larissima) p(uella), e i suoi avi consolari&lt;br /&gt;in una nuova iscrizione da Teanum del tempo di M. Aurelio ... 231&lt;br /&gt;&lt;br /&gt;Ciongradi, C. – Zăgreanu, R., Ein Militärdiplom aus Gherla für die Truppen&lt;br /&gt;von Dacia Porolissensis ... 295&lt;br /&gt;&lt;br /&gt;Corfù, N. – Wachter, R., Eine böotische Scherbe mit Graffito ... 141&lt;br /&gt;&lt;br /&gt;Dale, A. – Ellis-Evans, A., A Cypriot Curser at Mytilene ... 189&lt;br /&gt;&lt;br /&gt;Eckerman, Ch. C., Teasing and Pleasing in Archilochus’ ‘First Cologne Epode’... &amp;nbsp;11&lt;br /&gt;&lt;br /&gt;Ehmig, U. – Haensch, R., Lateinische Inschriften aus Albanien: Nampame, Murcis&lt;br /&gt;und ihre Verwandten ... 279&lt;br /&gt;&lt;br /&gt;Ercoles, M. – Fiorentini, L., Giocasta tra Stesicoro (PMGF 222(b)) ed Euripide (Fenicie) ... 21&lt;br /&gt;&lt;br /&gt;Evans, T. V., The Optative at PMichZen 36. 3 ... 218 &lt;br /&gt;&lt;br /&gt;Ferrari, F., Rites without Frontiers: Magi and Mystae in the Derveni Papyrus ... 71&lt;br /&gt;&lt;br /&gt;Jones, C. P., An Inscription Seen by Agathias ... 107 &lt;br /&gt;&lt;br /&gt;Kantor, G., Procuratorial Jurisdiction in the lex portorii Asiae ... 155&lt;br /&gt;&lt;br /&gt;Kovács, P. – Lőrincz, B., Altäre aus dem Auxiliarlager Solva. Neue römische Inschriften aus Komitat Komárom–Esztergom II ... 247&lt;br /&gt;&lt;br /&gt;Kron, G., The Distribution of Wealth at Athens in Comparative Perspective ... 129&lt;br /&gt;&lt;br /&gt;Lewis, J. P., Hapax legomenon? A New Reading of Inscriptiones Latinae Jugoslaviae 3, 2119 ... 244 &lt;br /&gt;&lt;br /&gt;Livrea, E., Il sudore di Saffo ... 39&lt;br /&gt;&lt;br /&gt;– Elementi orfici in un threnos pindarico ... 51 &amp;nbsp; &lt;br /&gt;&lt;br /&gt;– Il Giambo IX di Callimaco ... 84&lt;br /&gt;&lt;br /&gt;Marchionni, R., Tricosus – Pertricosus. Ein epigraphischer Beitrag zu Lucilius und Partial ... 92 &lt;br /&gt;&lt;br /&gt;Mugnai, N., Due appliques militari iscritte, conservate in una collezione privata, e nuove osservazioni su alcuni esemplari da Thamusida (Mauretania Tingitana) ... 299&lt;br /&gt;&lt;br /&gt;Proietti, G., Osservazioni sul monumento degli ‘epigrammi di Maratona’ (IG I3 503–4). Il problema del Lapis B ... 41&lt;br /&gt;&lt;br /&gt;Puglia, E., L’ode saffica per Mika ... 35 &lt;br /&gt;&lt;br /&gt;Sánchez Natalías, C., The Bologna defixio(nes) Revisited ... 201 &lt;br /&gt;&lt;br /&gt;Schmitz, W., Der Verkauf einer Sklavenfamilie ... 54 &lt;br /&gt;&lt;br /&gt;Staab, G., Das Grabepigramm des Euelpistos aus Tomi ... 97&lt;br /&gt;&lt;br /&gt;Tracy, St., Line 6 of IG II2 1334 Revisited ... 139&lt;br /&gt;&lt;br /&gt;Uljas, S., A Fragment of the Life of Moses of Abydos in the British Library ... 117 &amp;nbsp; &lt;br /&gt;&lt;br /&gt;Valerio, F., Nota testuale su un’iscrizione tardo-antica da Gerasa (SGO 21/23/03) ... 116 &amp;nbsp; &lt;br /&gt;&lt;br /&gt;Walthall, D. A., Magistrate Stamps on Grain Measures in Early Hellenistic Sicily .... 159&lt;br /&gt;&lt;br /&gt;West, W. C., A Note on Greek Kitchenware for Eating Gruel ... 126 &lt;br /&gt;&lt;br /&gt;Wickkiser, B. L., IG II2 4963 and the Priesthood of Asklepios in Athens ... 123 &amp;nbsp; &lt;br /&gt;&lt;br /&gt;Wilson, N. G., Maasiana on Herodotus ... 57&lt;br /&gt;&lt;br /&gt;Zago, G., Per il testo del De Stoicis di Filodemo (cap. 3, col. XIII,12ss. Dor.) ... 89&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&amp;nbsp; &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="page" title="Page 2"&gt;&lt;div class="section"&gt;&lt;div class="layoutArea"&gt;&lt;div class="column"&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-5331146114315114353?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://ifa.phil-fak.uni-koeln.de/fileadmin/IfA/ZPE/17900III-IV.pdf' title='ZPE 179 (2011)'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/5331146114315114353'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/5331146114315114353'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2012/01/zpe-179-2011.html' title='ZPE 179 (2011)'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-7456346500800060016</id><published>2012-01-05T23:45:00.000-06:00</published><updated>2012-01-05T23:45:23.481-06:00</updated><title type='text'>John G. Pedley, The Life and Work of Francis Willey Kelsey:   Archaeology, Antiquity, and the Arts.</title><content type='html'>&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family: Verdana, Arial, sans-serif; font-size: 11px;"&gt;&lt;span class="h1" style="background-color: white; color: #333333; font-size: 23px; font-weight: bold; text-align: left;"&gt;The Life and Work of Francis Willey Kelsey&lt;/span&gt;&lt;br /&gt;&lt;span class="subtitlemain" style="color: #333333; font-size: 14px; text-align: left;"&gt;Archaeology, Antiquity, and the Arts&lt;/span&gt;&lt;br /&gt;&lt;span style="line-height: 6pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="auth" style="color: #666666; font-weight: bold;"&gt;John Griffiths Pedley&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333;"&gt;Cloth&lt;br /&gt;978-0-472-11802-1&lt;br /&gt;$75.00S&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family: Verdana, Arial, sans-serif; font-size: 11px;"&gt;&lt;span class="Apple-style-span" style="color: #333333;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; color: #333333; font-family: Verdana, Arial, sans-serif; font-size: 11px;"&gt;Ebook Formats&lt;br /&gt;978-0-472-02805-4&lt;/span&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family: Verdana, Arial, sans-serif; font-size: 11px;"&gt;&lt;span class="Apple-style-span" style="color: #333333;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="keynote" style="color: #333333; font-size: 12px;"&gt;If Indiana Jones had relied on trains . . .&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px;"&gt;&lt;span class="Apple-style-span"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;h4 style="background-color: white; color: #333333; font-family: Georgia, 'Times New Roman', serif; font-size: 12px; font-weight: bold; text-align: left;"&gt;&lt;span class="Apple-style-span"&gt;Description&lt;/span&gt;&lt;/h4&gt;&lt;table style="font-family: Georgia, 'Times New Roman', serif; font-size: 11px;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td align="left" valign="top"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-KYNpmhA4vnA/TwaKYK8UOHI/AAAAAAAABLw/75sgbhmWh-A/s1600/0472118021.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-KYNpmhA4vnA/TwaKYK8UOHI/AAAAAAAABLw/75sgbhmWh-A/s1600/0472118021.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;President of the Archaeological Institute of America, professor at the University of Michigan from 1889 to 1927, and president of the American Philological Association, Francis Kelsey was crucially involved in the founding or growth of major educational institutions. He came to maturity in a period of great technological change in communications, transportation, and manufacturing. Kelsey took full advantage of such innovations in his ceaseless drive to promote education for all, to further the expansion of knowledge, and to champion the benefits of the study of antiquity.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;A vigorous traveler around the United States, Europe, and the Mediterranean, Kelsey strongly believed in the value of personally viewing sites ancient and modern and collecting artifacts that could be used by the new museums and universities that were springing up in the United States. This collecting habit put him in touch with major financiers of the day, including Charles Freer, Andrew Carnegie, and J. P. Morgan, as he sought their help for important projects.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Drawing heavily on Kelsey's daily diaries now held at the University of Michigan's Bentley Historical Library, John Griffiths Pedley gives us a biography that records the wide-ranging activities of a gifted and energetic scholar whose achievements mirrored the creative and contributive innovations of his contemporary Americans.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;"Best known today for the museum that bears his name, Francis W. Kelsey is vividly brought to life in this thoroughly researched biography that meticulously conveys his unbounded energy and remarkable achievements as archaeologist, philologist, educator, author, editor, administrator, fund-raiser, campus planner, businessman, refugee advocate, and so much more. The indefatigable Kelsey was ahead of his time in insisting that the ancient world be studied and taught in its broadest contexts, and Pedley presents his subject in the same light, providing a richly detailed account of the many sides of this pioneering American intellectual in the late nineteenth and early twentieth centuries."&lt;br /&gt;—Kenneth Lapatin, Associate Curator of Antiquities, J. Paul Getty Museum&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;"How do universities make the world a better place? What should be the balance between teaching and research? What is the balance between private philanthropy and public funding? What role do the arts and humanities play in a modern society? We follow these issues, and more, in John Pedley's authoritative and beautifully written life of Francis Kelsey, classical scholar, educator, educational entrepreneur, and humanist in the broadest sense of the word. One of the towering figures of early twentieth-century American academe, Michigan's Francis Kelsey transformed Classical Studies in North America, and he transformed the University of Michigan in the broader world through his work with schools in the United States and young victims of the First World War in Europe. In so doing, he offered an example of an ultimately engaged life. The story of Francis Kelsey is not simply the story of an extraordinary man, it is the story of how modern American universities can reach their own fullest potential."&lt;br /&gt;—David Potter, Francis W. Kelsey Collegiate Professor of Greek and Roman History and Arthur F. Thurnau Professor, University of Michigan&lt;/span&gt;&lt;br /&gt;&lt;span class="auth" style="color: #666666; font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="auth" style="color: #666666; font-weight: bold;"&gt;John Griffiths Pedley&lt;/span&gt;&amp;nbsp;is Emeritus Professor of Classical Archaeology and Greek at the University of Michigan.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Jacket images: Francis Kelsey in a classroom at the University of Michigan, ca. 1900. Kelsey Museum of Archaeology, University of Michigan.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Isabelle and Francis on the quay at Palermo, Sicily, en route to Carthage. Bentley Historical Library, University of Michigan. Photo: Enoch Peterson.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Karanis, houses under excavation. Kelsey Museum of Archaeology, University of Michigan. Photo: George R. Swain.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-7456346500800060016?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/7456346500800060016'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/7456346500800060016'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2012/01/john-g-pedley-life-and-work-of-francis.html' title='John G. Pedley, The Life and Work of Francis Willey Kelsey:   Archaeology, Antiquity, and the Arts.'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-KYNpmhA4vnA/TwaKYK8UOHI/AAAAAAAABLw/75sgbhmWh-A/s72-c/0472118021.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-1507135549823502141</id><published>2011-12-28T18:20:00.000-06:00</published><updated>2011-12-28T18:20:24.523-06:00</updated><title type='text'>Panels at the APA on papyri</title><content type='html'>&lt;div class="column"&gt;    &lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;                &lt;/span&gt;&lt;br /&gt;&lt;div class="column"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;    &lt;div style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;SECTION 20 &lt;/span&gt;&lt;/div&gt;&lt;div style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;GRECO-EGYPTIAN RELIGION &lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;IN &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;LIGHT &lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;OF THE &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;DEMOTIC SOURCES &lt;/span&gt;&lt;/div&gt;&lt;div style="font-size: 14pt;"&gt;&lt;span style="font-size: 11pt;"&gt;1:30pm-4:00pm&lt;/span&gt;&lt;/div&gt;&lt;div style="font-size: 14pt;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;br /&gt;Franziska Naether, &lt;/span&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;University of Leipzig, &lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;and Gil H. Renberg, &lt;/span&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;Institute for Advanced Study, &lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;Organizers &lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: 19px;"&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;This panel aims to explore aspects of religion in Greco-Roman Egypt that are best understood by studying the Greek and Demotic documents &lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;together, &lt;/span&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;demonstrating the importance of employing this inclusive approach to various aspects of post-Pharaonic Egyptian culture and history. Though focusing on religion, the papers will touch on other sub-fields -- including Hellenistic and Roman history, historiography, the ancient novel, epistolography, ethnicity and bilingualism, and onomastics -- that likewise are illuminated by some of the 15000 edited Demotic texts. Additionally, the panel will showcase certain new methodologies and technical applications that have uses beyond Demotic studies.&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;div class="column"&gt;&lt;div style="font-size: 14pt;"&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-size: 14pt;"&gt;&lt;span style="font-size: 11pt;"&gt;Gil H. Renberg, &lt;/span&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;Institute for Advanced Study &lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;Introduction (5 mins.) &lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="column" style="font-size: 14pt;"&gt;    &lt;ol style="list-style-type: decimal;"&gt;&lt;li style="font-size: 11pt;"&gt;      &lt;span style="font-size: 11pt;"&gt;Heinz-Josef Thissen, &lt;/span&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;University of Cologne&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;Ptolemaic Decrees and the Relation between Priests and the King (15 mins.) &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 11pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;li style="font-size: 11pt;"&gt;      &lt;span style="font-size: 11pt;"&gt;Joachim Quack, &lt;/span&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;University of Heidelberg&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;The Manual of the Ideal Egyptian Temple (20 mins.) &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 11pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;li style="font-size: 11pt;"&gt;      &lt;span style="font-size: 11pt;"&gt;Kim Ryholt, &lt;/span&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;University of Copenhagen&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;Egyptian Historical Literature from the Tebtunis Temple Library (20 mins.) &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 11pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;li style="font-size: 11pt;"&gt;      &lt;span style="font-size: 11pt;"&gt;Franziska Naether, &lt;/span&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;University of Leipzig&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;Oracles, Dreams, Magical Spells: Bilingualism in Religious Texts (15 mins.) &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 11pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;li style="font-size: 11pt;"&gt;      &lt;span style="font-size: 11pt;"&gt;Mark Depauw, &lt;/span&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;University of Leuven&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;The Rise of Egyptian Religion in Roman Egypt: Two Studies in Cultural Interaction (15 mins.) &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 11pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 11pt;"&gt;Robert Ritner, &lt;/span&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;University of Chicago/Oriental Institute &lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;Respondent (10 mins.)&amp;nbsp;&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;/div&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="font-size: 14pt;"&gt;             &lt;span style="font-size: 14pt;"&gt;SECTION 53 &amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="font-size: 14pt;"&gt;SPONSORED &lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;BY THE &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;AMERICAN SOCIETY &lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;OF &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;PAPYROLOGISTS &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="font-size: 15px;"&gt;Sunday, January 8, 2012&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;8:30am-11:00am&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;br /&gt;Raffaella Cribiore, &lt;/span&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;New York University, &lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;Organizer &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;This panel presents a challenging mixture of papers concerning socio-economic and cultural issues. The first paper represents the work of a team that has found a large amount of papyri that belong to a well- known archive. The second paper sheds some light on the use of slave labor in skilled trades in late antiquity. The following concerns horoscopes designated as “deluxe” that so far have attracted little&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: 15px; font-style: italic;"&gt;attention. From there the panel moves to handbooks for interpreting dreams and to two late papyri with interlinear musical notations that appear to be directly related to the origin of Byzantine musical notation.&lt;/span&gt;&lt;/div&gt;&lt;div class="section"&gt;&lt;div class="layoutArea"&gt;&lt;div class="column"&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="layoutArea"&gt;     &lt;div class="column"&gt;      &lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="font-size: 11pt;"&gt;1. Michel Cottier and George Bevan, &lt;/span&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;University of Toronto &lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;New Documents from the &lt;/span&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;Epagathus &lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;Archive (15 mins.)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="column"&gt;      &lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="font-size: 11pt;"&gt;2. Ryan McConnell, &lt;/span&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;University of Illinois at Urbana-Champaign&lt;br /&gt;Servi Callidi: P. Cornell &lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;127 and Slave &lt;/span&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;tarsikarioi &lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;in Late Antique Egypt (15 mins.) &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="font-size: 11pt;"&gt;3. Alexander Jones, &lt;/span&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;Institute for the Study of the Ancient World, New York University &lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;An Enduring Genre of Deluxe Horoscopes (15 mins.) &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="font-size: 11pt;"&gt;4. Luigi Prada, &lt;/span&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;University of Oxford&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;Interpreting Dreams in Roman Egypt and Beyond: New Papyrological Evidence in Demotic from the Fayum (15 mins.) &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="font-size: 11pt;"&gt;5. Celine Grassien and Alan Gampel, &lt;/span&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;Sorbonne University&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;Two Unpublished Christian Liturgical Hymns with Musical Notations (15 mins.) \&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="font-size: 11pt;"&gt;                &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="column"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;    &lt;span style="font-size: 14pt;"&gt;SECTION 23 &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt; font-weight: 700;"&gt;RECONSTRUCTING HERCULANEUM PAPYRI: A PRACTICAL INTRODUCTION &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt; font-weight: 700;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 11pt; font-style: italic; font-weight: 700;"&gt;Seminar (Advance registration required) &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 11pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 11pt;"&gt;1:30pm-4:30pm &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 11pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 11pt;"&gt;Richard Janko, &lt;/span&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;University of Michigan &lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;and Jeffrey Fish, &lt;/span&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;Baylor University, &lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;Organizers &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: 15px; font-style: italic;"&gt;conjectural restorations will be very welcome, and care will be taken to ensure, in the eventual publications, that they are credited to those who first suggested them. Expert knowledge of philosophical Greek is not a prerequisite.&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: 15px;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: 15px;"&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;Illustrated presentations will reveal the methods used to reconstruct two different Herculaneum rolls by Philodemus, &lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;On the Good King According to Homer &lt;/span&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;and &lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;On Poems &lt;/span&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;II. Time will be allowed for reading and discussing unpublished fragments of each work, which will be distributed in advance. New&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;div class="column"&gt;    &lt;ol style="list-style-type: decimal;"&gt;&lt;li style="font-size: 11pt;"&gt;      &lt;span style="font-size: 11pt;"&gt;Jeffrey Fish, &lt;/span&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;Baylor University&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;The Reconstruction of Philodemus’ &lt;/span&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;On the Good King According to Homer &lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;(20 mins.) &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 11pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;li style="font-size: 11pt;"&gt;      &lt;span style="font-size: 11pt;"&gt;Richard Janko, &lt;/span&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;University of Michigan&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;Reconstructing Philodemus’ &lt;/span&gt;&lt;span style="font-size: 11pt; font-style: italic;"&gt;On Poems &lt;/span&gt;&lt;span style="font-size: 11pt;"&gt;Book 2 (20 mins.)&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;/ol&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-1507135549823502141?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.apaclassics.org/images/uploads/documents/meeting/143/All_Sessions_Updated.pdf' title='Panels at the APA on papyri'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/1507135549823502141'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/1507135549823502141'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/12/panels-at-apa-on-papyri.html' title='Panels at the APA on papyri'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-2349771367721939854</id><published>2011-12-28T13:26:00.002-06:00</published><updated>2011-12-29T11:01:20.369-06:00</updated><title type='text'>First Circular: 27th INTERNATIONAL CONGRESS OF PAPYROLOGY</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;img height="400" src="webkit-fake-url://47E6223B-FE73-4424-BB01-C483752A58F3/image.tiff" width="363" /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="section"&gt;&lt;div class="layoutArea"&gt;&lt;div class="column"&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt; font-style: italic; font-weight: 700;"&gt;First Circular &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt; font-weight: 700;"&gt;27th INTERNATIONAL CONGRESS OF PAPYROLOGY &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt;29 July ‐ 3 August 2013 Warsaw, Poland &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt;On behalf of the Organising Committee, we are pleased to invite you to take part in the 27th International Congress of Papyrology in 2013 in Warsaw, Poland. The Congress is organised under the patronage and in close cooperation with the International Association of Papyrologists. &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt;The Polish capital hosted scholars interested in papyrology, history of Graeco‐Roman Egypt, and ancient laws during the 10th International Congress of Papyrology already over a half a century ago, in 1961. Bringing this event again to Poland’s capital shows the strength and vitality of the Warsaw papyrological milieu centred around &lt;/span&gt;&lt;span style="font-family: Calibri; font-size: 12pt; font-style: italic;"&gt;The Journal of Juristic Papyrology. &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt;All relevant information concerning the venue and registration is to be found on the Congress website: www.papyrocongress2013.wpia.uw.edu.pl. Further information on accommodation, programme and events will be posted at a later date. &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt;All correspondence will be sent by e‐mail: papyrocongress2013@uw.edu.pl &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt; font-weight: 700;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt; font-weight: 700;"&gt;&lt;a href="http://www.papyrocongress2013.wpia.uw.edu.pl/venue.htm"&gt;Venue &lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt;The Congress will be held between Monday, 29 July, and Saturday, 3 August 2013. All sessions will take place in the Con&lt;ference&gt; Centre at the Collegium Novum, the old Library of the University of Warsaw located at the heart of the main University Campus at 26‐28, Krakowskie Przedmieście Street.&amp;nbsp;&lt;/ference&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Calibri; font-size: 16px;"&gt;The campus is found in the very centre of Warsaw, near its historical quarter, and it can be accessed easily by bus. The venue boasts modern auditoria and conference rooms fully equipped with audio‐visual facilities. At the disposal of the Congress participants will be 8 conference rooms seating up to 50 persons (convertible into 4 rooms seating 100 persons), as well as a spacious auditorium for up to 300 persons.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Calibri;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt; font-weight: 700;"&gt;Accommodation &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt;The Congress venue is located in the neighbourhood of several hotels representing a selection of standards. The accommodation offer with special rates for Congress participants will be posted on the website and included in the second circular. &lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="section" style="text-align: left;"&gt;&lt;img alt="page2image17592" height="0.720001" src="file:///page2image17592" width="208.320000" /&gt;    &lt;/div&gt;&lt;div class="section" style="text-align: left;"&gt;&lt;img alt="page2image17864" height="0.720001" src="file:///page2image17864" width="160.800000" /&gt;    &lt;/div&gt;&lt;div class="layoutArea"&gt;&lt;div class="column"&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="page" title="Page 3"&gt;&lt;div class="section"&gt;&lt;div class="layoutArea"&gt;&lt;div class="column"&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt; font-weight: 700;"&gt;Sessions &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt;Five days of sessions will be scheduled. The sixth day will be reserved for the General Assembly of the AIP devoted to obituaries and a general discussion of current problems in our discipline. &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt;The papers will be presented in one of the following languages: English, French, German, and Italian. &lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Calibri; font-size: 16px;"&gt;The sessions will be divided into two categories:&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Calibri; font-size: 16px;"&gt;1) Plenary sessions, held in the morning, with papers read by invited scholars and devoted to the presentation of the results of recent work in the main fields of papyrology.&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt;2) Parallel sessions held in the afternoon, with papers grouped according to subject matter. Two types of presentations will be accepted: &lt;/span&gt;&lt;/div&gt;&lt;ul style="list-style-type: disc;"&gt;&lt;li style="font-family: 'Symbol'; font-size: 12.000000pt;"&gt;         &lt;div style="text-align: left;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt;Papers (20 minutes) &lt;/span&gt;&lt;/div&gt;&lt;/li&gt;&lt;li style="font-size: 12pt;"&gt;         &lt;div style="font-family: Symbol; text-align: left;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt;Short papers (10 minutes) &lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Symbol; text-align: left;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt;Posters will be exhibited in addition to the sessions. &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;div style="font-family: Symbol;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt;The Participants are required to submit abstracts (max. 200 words) of papers and poster presentations by e‐mail to papyrocongress2013@uw.edu.pl.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Symbol;"&gt;&lt;span class="Apple-style-span" style="font-family: Calibri; font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Symbol; text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Calibri; font-weight: bold;"&gt;Social events&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-family: Symbol; text-align: left;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt;The city of Warsaw and the surrounding areas have numerous interesting places to visit, and the cultural offer of the Polish capital is extremely rich. The organizing committee will arrange several attractive tours open for participants and accompanying persons to be taken place in the days immediately following the Congress. Details will be published on the Congress website. A dinner and a farewell party will be offered for all participants (dates to be confirmed). &lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Symbol; text-align: left;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt; font-weight: 700;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt; font-weight: 700;"&gt;&lt;a href="http://www.papyrocongress2013.wpia.uw.edu.pl/registration.htm"&gt;Registration &lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-family: Symbol; text-align: left;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt;The congress registration form and account details are provided on the website. &lt;/span&gt;&lt;/div&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="section" style="text-align: left;"&gt;&lt;img alt="page3image14160" height="0.720001" src="file:///page3image14160" width="160.800000" /&gt;     &lt;/div&gt;&lt;div class="layoutArea"&gt;&lt;div class="column"&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Calibri; font-size: 16px;"&gt;Regular fee:&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Calibri;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="column"&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt;150 EUR &amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Calibri; font-size: 16px;"&gt;Registration fees&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt;230 EUR &amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Calibri; font-size: 16px;"&gt;Preferential fee&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt;50 EUR &amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Calibri; font-size: 16px;"&gt;Student fee&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt;100 EUR&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Calibri; font-size: 16px;"&gt;Accompanying perso&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="section" style="text-align: left;"&gt;&lt;img alt="page3image16600" height="0.720001" src="file:///page3image16600" width="85.199990" /&gt;     &lt;/div&gt;&lt;div class="layoutArea"&gt;&lt;div class="column"&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="section"&gt;&lt;div class="layoutArea"&gt;&lt;div class="column"&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt;Payment of fees shall be made by bank transfer and by credit card after registration. &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt; font-weight: 700;"&gt;Important dates &lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Calibri; font-size: 16px;"&gt;Payment of Congress fees received from: 1 March 2012 Distribution of Second Circular: 30 April 2012&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Calibri; font-size: 16px;"&gt;Deadline for preferential fees: 28 February 2013 Deadline for payment of fees: 31 May 2013&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt;Deadline for abstract submission: 28 February 2013 &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt; font-weight: 700;"&gt;Organising bodies &lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Calibri; font-size: 16px;"&gt;Department of Roman and Antique Law of the University of Warsaw&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Calibri; font-size: 16px;"&gt;Department of Papyrology of the University of Warsaw&lt;/span&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt; Raphael Taubenschlag Foundation (publisher of &lt;/span&gt;&lt;span style="font-family: Calibri; font-size: 12pt; font-style: italic;"&gt;The Journal of Juristic Papyrology)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt; font-weight: 700;"&gt;Contact &lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Calibri; font-size: 16px;"&gt;Maria Nowak – Secretary of the 27th International Congress of Papyrology Department of Roman and Antique Law&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Calibri; font-size: 16px;"&gt;University of Warsaw&lt;/span&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt; Krakowskie Przedmieście 26/28&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt;00‐927 Warsaw Poland &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Calibri; font-size: 12pt;"&gt;Tel: +48‐22‐5520388, +48‐22‐5522815 Fax: +48‐22‐5524319 &lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Calibri; font-size: 16px;"&gt;E‐mail: papyrocongress2013@uw.edu.pl&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Calibri; font-size: 16px;"&gt;Website: www.papyrocongress2013.wpia.uw.edu.pl&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="section" style="text-align: left;"&gt;&lt;img alt="page4image9096" height="0.719971" src="file:///page4image9096" width="160.800000" /&gt;    &lt;/div&gt;&lt;div class="section" style="text-align: left;"&gt;&lt;img alt="page4image9368" height="0.720001" src="file:///page4image9368" width="208.320000" /&gt;    &lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-2349771367721939854?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.papyrocongress2013.wpia.uw.edu.pl/' title='First Circular: 27th INTERNATIONAL CONGRESS OF PAPYROLOGY'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/2349771367721939854'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/2349771367721939854'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/12/first-circular-27th-international.html' title='First Circular: 27th INTERNATIONAL CONGRESS OF PAPYROLOGY'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-8276518159755904936</id><published>2011-12-21T10:20:00.002-06:00</published><updated>2011-12-21T10:21:31.997-06:00</updated><title type='text'>C. BENNETT, Alexandria and the Moon</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-bxVX2xge7jY/TvIHEFb6U6I/AAAAAAAABLE/I0Bm9hJQuWg/s1600/9789042925052.gif" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;table border="0" cellpadding="0" cellspacing="15" id="Table_01" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family: Garamond, 'Apple Garamond light', Times, 'Times New Roman', serif;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="margin-right: 10%; text-align: justify;"&gt;&lt;strong&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;table border="0" cellpadding="0" cellspacing="15" id="Table_01"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: justify; vertical-align: top;" width="65%"&gt;&lt;div style="font-size: 1.5em; font-variant: small-caps; font-weight: bold; text-align: left;"&gt;Alexandria and the Moon&lt;/div&gt;&lt;div style="font-size: 1em; font-weight: bold; text-align: left;"&gt;An Investigation into the Lunar Macedonian Calendar of Ptolemaic Egypt&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;strong&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;table border="0" cellpadding="0" cellspacing="15" id="Table_01"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: justify; vertical-align: top;" width="65%"&gt;&lt;div style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;a href="http://www.peeters-leuven.be/search_serie_book.asp?nr=31" style="font-weight: 200; text-decoration: none;"&gt;&lt;span class="Apple-style-span" style="color: black;"&gt;Studia&amp;nbsp;Hellenistica&lt;/span&gt;&lt;/a&gt;, 52&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;table border="0" cellpadding="0" cellspacing="15" id="Table_01"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td cellspacing="10" rowspan="2" style="text-align: justify; vertical-align: top;" width="25%"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;strong&gt;Year:&amp;nbsp;&lt;/strong&gt;2011&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;strong&gt;ISBN:&amp;nbsp;&lt;/strong&gt;978-90-429-2505-2&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;strong&gt;Pages:&amp;nbsp;&lt;/strong&gt;XXXVI-276 p.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;strong&gt;Price:&amp;nbsp;&lt;/strong&gt;68 EURO&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; font-family: Times;"&gt;&lt;a href="http://2.bp.blogspot.com/-bxVX2xge7jY/TvIHEFb6U6I/AAAAAAAABLE/I0Bm9hJQuWg/s1600/9789042925052.gif" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-bxVX2xge7jY/TvIHEFb6U6I/AAAAAAAABLE/I0Bm9hJQuWg/s1600/9789042925052.gif" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;strong&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Summary:&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;This book is the first comprehensive study of the lunar Macedonian calendar in two decades. The mechanics of the calendar are examined in detail, and a new approach for reconstructing the sequence of intercalary months and years is proposed which, for the first time, permits a consistent interpretation of the papyrological data of the middle Ptolemaic period. It is shown that in c. 265 BC Ptolemy II deliberately set in motion a process to realign the calendar over an extended period, which ended early in the reign of Ptolemy IV. The results have implications for the origins of the financial year, the date of the Ptolemaieia, and the history of the Canopic reform of the Egyptian calendar, among other topics. Appendices consider the nature of Macedonian intercalation and the New Year outside Egypt.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;The study is of interest to students of ancient calendars, Ptolemaic chronology, and Hellenistic history.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-8276518159755904936?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.peeters-leuven.be/boekoverz.asp?nr=8989' title='C. BENNETT, Alexandria and the Moon'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/8276518159755904936'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/8276518159755904936'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/12/c-bennett-alexandria-and-moon.html' title='C. BENNETT, Alexandria and the Moon'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-bxVX2xge7jY/TvIHEFb6U6I/AAAAAAAABLE/I0Bm9hJQuWg/s72-c/9789042925052.gif' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-8635788412182093574</id><published>2011-12-21T10:11:00.000-06:00</published><updated>2011-12-21T10:11:33.269-06:00</updated><title type='text'>«PALABRAS BIEN DICHAS»: ESTUDIOS FILOLÓGICOS DEDICADOS AL P. PIUS RAMON TRAGAN</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;a href="http://scriptoriumbiblicum.wordpress.com/2011/12/07/palabras-bien-dichas-estudios-filologicos-dedicados-al-p-pius-ramon-tragan-3/"&gt;«PALABRAS BIEN DICHAS»: ESTUDIOS FILOLÓGICOS DEDICADOS AL P. PIUS RAMON TRAGAN&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; line-height: 22px;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Amb ocasió del X Aniversari de l’Estudi&amp;nbsp; i Publicació del Fons Papirològic Roca-Puig, l’equip de filòlegs del Consell Superior d’Investigacions Científiques (CSIC) ha volgut oferir al responsable de la col·lecció en nom de la Comunitat benedictina de Montserrat un conjunt d’estudis filològics sota el nom de “Palabras bien dichas”.&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-Rd2RqBaXkX0/TvIFJcm1ugI/AAAAAAAABK8/GStbbIBbncU/s1600/portada-web3.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-Rd2RqBaXkX0/TvIFJcm1ugI/AAAAAAAABK8/GStbbIBbncU/s320/portada-web3.jpg" width="220" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;El diumenge dia 27 de novembre va tenir lloc a la Sala de Romeries l’entrega del mencionat llibre amb l’assistència dels autors i la presència del P. Abad i del P. Prior, així com d’altres monjos de la Comunitat.&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;L’acte expressa la vitalitat i l’impuls per a continuar en l’estudi i la publicació dels textos manuscrits existents en hebreu, àrab i siríac; i sobretot dels papirs encara no editats.&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Tot ha estat gràcies a que a les qualitats intel·lectuals, se’ls ha afegit el valor humà de la comprensió mútua i&amp;nbsp;de la profunda&amp;nbsp;amistat.&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: center;"&gt;&lt;a href="http://scriptoriumbiblicum.files.wordpress.com/2011/12/indice_-_palabras_bien_dichas.pdf" style="color: #772124; font-weight: bold; text-decoration: none;" target="_blank"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Vegeu l’índex d’autors i els seus textos.&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: center;"&gt;&lt;/div&gt;&lt;div style="margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;strong&gt;Versión en castellano.&lt;/strong&gt;&lt;br /&gt;&lt;span id="more-371"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;/div&gt;&lt;div style="margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Con ocasión del X Aniversario del Estudio y Publicación del Fondo Papirológico Roca-Puig, el equipo de filólogos del Consejo Superior de Investigaciones Científicas (CSIC) ha querido ofrecer al responsable de la colección en nombre de la Comunidad benedictina de Montserrat un conjunto de estudios filológicos bajo el nombre de “Palabras Bien Dichas”.&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;El domingo día 27 de noviembre tuvo lugar en la Sala de Romerías la entrega del mencionado libro con la asistencia de los autores y la presencia del P. Abad y el P. Prior, así como de otros monjes de la Comunidad.&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;El acto expresa la vitalidad y el impulso para continuar en el estudio y la publicación de los textos manuscritos existentes en hebreo, árabe y siríaco; y sobretodo de los papiros todavía no editados.&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Todo esto ha sido gracias a que a las cualidades intelectuales se le ha añadido el valor humano de la compresión mutua y de la profunda amistad.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-size: 1em; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: center;"&gt;&lt;a href="http://scriptoriumbiblicum.files.wordpress.com/2011/12/indice_-_palabras_bien_dichas.pdf" style="color: #772124; font-weight: bold; text-decoration: none;" target="_blank"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ved el índice de autores y sus textos.&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;Publicacions de l’Abadia de Montserrat, Barcelona 2011&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="column"&gt;    &lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;ÍNDICE&lt;br /&gt;Damià Roure: &lt;span style="font-style: italic;"&gt;Pius-Ramon Tragan: La persona i l'obra &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Barbara Böck: &lt;span style="font-style: italic;"&gt;Die medizinischen Texte der Tontafelsammlung des Klostermuseums Montserrat. MM 501 (BAM IV 381) und MM 478 (BAM IV 392) &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ignacio Màrquez Rowe: &lt;span style="font-style: italic;"&gt;Un documento casi desconocido de principios de la primera dinastía de Babilonia en el Museu Bíblic de Montserrat &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Raquel Martín Hernández: &lt;span style="font-style: italic;"&gt;El fondo papirológico del Pad&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="font-style: italic;"&gt;re Ubach de la Biblioteca de Montserrat &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;M.a Teresa Ortega Monasterio: &lt;span style="font-style: italic;"&gt;El Instituto Papirológico Roca-Puig y el CSIC: ¿Proyecto o realidad? &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Klaas A. Worp: &lt;span style="font-style: italic;"&gt;Female professionals in the Hellenistic World&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;Alberto Nodar Domínguez: &lt;span style="font-style: italic;"&gt;Los papiros carbonizados de Bubastis de la &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;colección Palau Ribes: un estudio preliminar &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;María Jesús Albarrán Martínez - Sofía Torallas Tovar: &lt;span style="font-style: italic;"&gt;Unas cuentas coptas en una tabla proveniente del Fondo Roca-Puig en Montserrat &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;M.a Victoria Spottorno: &lt;span style="font-style: italic;"&gt;Prefacio al Nuevo Testamento de la Biblia Políglota Complutense &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Javier del Barco: &lt;span style="font-style: italic;"&gt;Los manuscritos hebreos de la Biblioteca de Montserrat robados en 1996 &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Francisco del Rio Sànchez: &lt;span style="font-style: italic;"&gt;Ishaq bar Armalto, el escribano siríaco de Buenaventura Ubach. Colofones de algunos manuscritos del Fondo Oriental de Montserrat &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Amalia Zomeño: &lt;span style="font-style: italic;"&gt;Sobre el Ms.Or. 91 de la Biblioteca de Montserrat y las versiones árabes de los Evangelios&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-8635788412182093574?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.pamsa.cat/pamsa/inici.html' title='«PALABRAS BIEN DICHAS»: ESTUDIOS FILOLÓGICOS DEDICADOS AL P. PIUS RAMON TRAGAN'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/8635788412182093574'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/8635788412182093574'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/12/palabras-bien-dichas-estudios.html' title='«PALABRAS BIEN DICHAS»: ESTUDIOS FILOLÓGICOS DEDICADOS AL P. PIUS RAMON TRAGAN'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-Rd2RqBaXkX0/TvIFJcm1ugI/AAAAAAAABK8/GStbbIBbncU/s72-c/portada-web3.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-6871558265088997333</id><published>2011-12-21T09:56:00.000-06:00</published><updated>2011-12-21T09:56:45.113-06:00</updated><title type='text'>IOSSIF P.P., CHANKOWSKI A.S., LORBER C.C. (eds.), MORE THAN MEN, LESS THAN GODS:</title><content type='html'>&lt;div class="column"&gt;    &lt;span style="font-family: 'GarBasis'; font-size: 14.000000pt; font-weight: 700;"&gt;MORE THAN MEN, LESS THAN GODS: &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: 'GarBasis'; font-size: 14.000000pt; font-weight: 700;"&gt;STUDIES ON ROYAL CULT AND IMPERIAL WORSHIP &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Proceedings of the International Colloquium Organized by the Belgian School at Athens (November 1-2, 2007) &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family: Garamond, 'Apple Garamond light', Times, 'Times New Roman', serif;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;table border="0" cellpadding="0" cellspacing="15" id="Table_01"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td cellspacing="10" rowspan="2" style="text-align: justify; vertical-align: top;" width="25%"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;IOSSIF P.P., CHANKOWSKI A.S., LORBER C.C. (eds.)&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-8-moCHnifIs/TvIBSJHwxwI/AAAAAAAABK0/HznP4KjyQwo/s1600/9789042924703.gif" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-8-moCHnifIs/TvIBSJHwxwI/AAAAAAAABK0/HznP4KjyQwo/s1600/9789042924703.gif" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family: Garamond, 'Apple Garamond light', Times, 'Times New Roman', serif;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;table border="0" cellpadding="0" cellspacing="15" id="Table_01"&gt;&lt;/table&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 15px; -webkit-border-vertical-spacing: 15px; font-family: Garamond, 'Apple Garamond light', Times, 'Times New Roman', serif;"&gt;&lt;strong&gt;Year:&amp;nbsp;&lt;/strong&gt;2011&lt;br /&gt;&lt;strong&gt;ISBN:&amp;nbsp;&lt;/strong&gt;978-90-429-2470-3&lt;br /&gt;&lt;strong&gt;Pages:&amp;nbsp;&lt;/strong&gt;XVI-728 p.&lt;br /&gt;&lt;strong&gt;Price:&amp;nbsp;&lt;/strong&gt;97 EURO&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family: Garamond, 'Apple Garamond light', Times, 'Times New Roman', serif;"&gt;&lt;table border="0" cellpadding="0" cellspacing="15"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="margin-right: 10%; text-align: justify;"&gt;&lt;strong&gt;&lt;br /&gt;Summary:&lt;/strong&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;i&gt;More Than Men, Less Than Gods&lt;/i&gt;&amp;nbsp;is conceived as a demonstration project, with the goal of opening new perspectives in the study of Graeco-Roman ruler worship. A principal emphasis is placed on the effectiveness of a multidisciplinary approach to the subject. The present volume points to some possible forerunners to Hellenistic royal cult and emperor worship, or at least to the concept of the divine king, to supplement the well-studied roots of ruler worship in the cultic life of the Greek polis and in pharaonic Egypt.&amp;nbsp;&lt;i&gt;More than Men...&lt;/i&gt;&amp;nbsp;aspires to contribute to the debate relative to divine kingship, royal cult and emperor worship by opening new perspectives or reopening old ones. The focus is in eliciting some audacious and innovative approaches to such a complex phenomenon. All questions are not raised and certainly most of them are not answered here. In abandoning the sterile opposition between “political” and “religious,” the volume’s perspective transcends established notions conditioned by the Judeo-Christian model of western societies and scholarship, to consider the problem under different perspectives: there is no need to oppose “Greek” vs. “oriental,” “rational” vs. “emotional” to understand the birth of the phenomenon.&lt;br /&gt;The diversity of approaches draws attention to the variety of sources that provide evidence relating to ruler worship, or that can enhance our understanding of the broader phenomenon of the divinization of powerful men. These include myth and historical accounts preserved by ancient authors; dedicatory inscriptions; clay tablets; papyri; architectural decoration and other archaeological remains; statuary, cameos, gems and various minor arts; seal impressions; and coins.&amp;nbsp;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-6871558265088997333?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.peeters-leuven.be/boekoverz.asp?nr=8951' title='IOSSIF P.P., CHANKOWSKI A.S., LORBER C.C. (eds.), MORE THAN MEN, LESS THAN GODS:'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/6871558265088997333'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/6871558265088997333'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/12/iossif-pp-chankowski-as-lorber-cc-eds.html' title='IOSSIF P.P., CHANKOWSKI A.S., LORBER C.C. (eds.), MORE THAN MEN, LESS THAN GODS:'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-8-moCHnifIs/TvIBSJHwxwI/AAAAAAAABK0/HznP4KjyQwo/s72-c/9789042924703.gif' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-9074445746874428670</id><published>2011-12-21T09:43:00.000-06:00</published><updated>2011-12-21T09:43:19.496-06:00</updated><title type='text'>Hagedorns WörterListen (WL) Update</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;O.Taxes II&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;P.Dime III&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;P.Mich. XX&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;P.Prag. III&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;P.Sorb. III&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;P.Vet. Aelii&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;PSI Com. IX&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;Tyche 25&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-9074445746874428670?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.uni-heidelberg.de/fakultaeten/philosophie/zaw/papy/projekt/woerterlisten.html' title='Hagedorns WörterListen (WL) Update'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/9074445746874428670'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/9074445746874428670'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/12/hagedorns-worterlisten-wl-update.html' title='Hagedorns WörterListen (WL) Update'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-5287223224135548590</id><published>2011-12-21T09:40:00.001-06:00</published><updated>2011-12-21T09:40:24.868-06:00</updated><title type='text'>Popular Media: Atlantic Monthly, "Digital Excavations of Ancient Analog"</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-rmnD52__zd0/TvH9oqN8d3I/AAAAAAAABKo/BGHCENKVSaQ/s1600/Roman_writing_tablet_03-+body.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="163" src="http://3.bp.blogspot.com/-rmnD52__zd0/TvH9oqN8d3I/AAAAAAAABKo/BGHCENKVSaQ/s320/Roman_writing_tablet_03-+body.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'times new roman', times, serif; font-size: 13px; line-height: 19px;"&gt;&lt;span class="date" style="color: #5c5c5c; font-family: arial, sans-serif; text-transform: uppercase; white-space: nowrap;"&gt;OCT 17 2011, 12:07 PM ET&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'times new roman', times, serif; font-size: 13px; line-height: 19px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'times new roman', times, serif; font-size: 13px; line-height: 19px;"&gt;&lt;a class="comments" disqus="mt246676" href="http://www.theatlantic.com/technology/archive/2011/10/digital-excavations-of-ancient-analog/246676/#disqus_thread" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: url(http://cdn.theatlantic.com/static/front/images/commentIcon.gif?v=3); background-origin: initial; background-position: 0% 50%; background-repeat: no-repeat no-repeat; color: #5c5c5c; display: inline; padding-left: 14px; text-decoration: none;"&gt;1&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="font-family: Georgia, 'times new roman', times, serif; font-size: 13px; line-height: 19px;"&gt;&lt;/div&gt;&lt;div class="articleContent" style="clear: both; font-family: Georgia, 'times new roman', times, serif; font-size: 13px; line-height: 19px;"&gt;&lt;div&gt;&lt;i&gt;Physical documents can be incredibly durable, retaining ancient information through earthquakes, fires, and damage by insects and mold&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-5287223224135548590?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.theatlantic.com/technology/archive/2011/10/digital-excavations-of-ancient-analog/246676/' title='Popular Media: Atlantic Monthly, &quot;Digital Excavations of Ancient Analog&quot;'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/5287223224135548590'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/5287223224135548590'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/12/popular-media-atlantic-monthlt-digital.html' title='Popular Media: Atlantic Monthly, &quot;Digital Excavations of Ancient Analog&quot;'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-rmnD52__zd0/TvH9oqN8d3I/AAAAAAAABKo/BGHCENKVSaQ/s72-c/Roman_writing_tablet_03-+body.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-3702830039682541649</id><published>2011-12-21T09:35:00.000-06:00</published><updated>2011-12-21T09:35:52.121-06:00</updated><title type='text'>The Fire at the Institut d'Egypte (Le  Caire) Updates</title><content type='html'>&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-3702830039682541649?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://ancientworldbloggers.blogspot.com/2011/12/fire-at-institut-degypte-cairo.html' title='The Fire at the Institut d&apos;Egypte (Le  Caire) Updates'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/3702830039682541649'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/3702830039682541649'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/12/fire-at-institut-degypte-le-caire.html' title='The Fire at the Institut d&apos;Egypte (Le  Caire) Updates'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-2852859019663723527</id><published>2011-12-16T13:57:00.000-06:00</published><updated>2011-12-16T13:57:02.679-06:00</updated><title type='text'>M.Herrero de Jáuregui (et al.), Tracing Orpheus: Studies of Orphic Fragments In Honour of Alberto Bernabé</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;span&gt;&lt;span&gt;Tracing&lt;/span&gt;&lt;/span&gt;&amp;nbsp;&lt;span&gt;&lt;span&gt;Orpheus&lt;/span&gt;&lt;/span&gt;: Studies of Orphic Fragments In Honour of Alberto Bernabé, De Gruyter (col. Sozomena 10), Berlin New York, 2011 (Edited by M.Herrero de Jáuregui, A. I. Jiménez San Cristóbal, E.R. Luján, R. Martín Hernández, M.A. Santamaría,&amp;nbsp; S. Torallas Tovar).&lt;br /&gt;&lt;br /&gt;Contents:&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;Ad Orphicorum Fragmenta&lt;/b&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Jan N. Bremmer 1.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;The Place of Performance of Orphic Poetry (OF 1) . 1&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Claude Calame 2.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;L’écriture de la voix enchanteresse d’Orphée (OF 1) . 7&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Fritz Graf 3.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Exclusive Singing (OF 1a/b) . 11&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Mª Dolores Lara 4.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;El buen médico y el médico ignorante (OF 1) . 15&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Sara Macías Otero 5.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Echoes of the Formula “Let the Profane Shut the Doors” (OF 1) in&lt;br /&gt;two Passages by Euripides . 21&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Julia Mendoza 6.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ζεὺς μοῦνος: Philosophical Monism and Mythological Monism (OF 12) 27&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Pilar Boned 7.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Orphic Theogonies and the Goddess Isis in Apuleius (OF 14, 31 and 243) 33&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Tomás Calvo Martínez 8.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Aristotle, Metaphysics 14.4: a Problematic Reference to Orphism&lt;br /&gt;(OF 20 IV) 39&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Gregory Nagy 9.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Comments on OF 22 . 47&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Manuel Sánchez Ortiz de Landaluce 10.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;ΑΙΓΥΠΤΙΩΝ ΙΕΡΟΣ ΛΟΓΟΣ (OF 40–63) 53&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Albert Henrichs 11. Dionysos Dismembered and Restored to Life: The Earliest Evidence&amp;nbsp;(OF 59 I–II) . 59&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Paola Corrente 12.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;The Gods who Die and Come Back to Life: the Orphic Dionysus&amp;nbsp;and his Parallels in the Near-East (OF 59 I–III and 327 II) 67&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Christoph Riedweg 13.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Teilt Kaiser Julian die kritische Sicht auf monströse orphischeMythologeme mit den Christen? Beobachtungen zu Adversus Galilaeos&amp;nbsp;fr. 4 Masaracchia (= OF 59 VII = Kyrill von Alexandrien Contra&amp;nbsp;Iulianum 2.11) . 75&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Eugenio R. Luján 14.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;The Cosmic Egg (OF 64, 79, 114) 83&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Roxana Beatriz Martínez Nieto&amp;nbsp; 15.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;OF 111: Χρόνος ἀγήραος . 91&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Carolina López-Ruiz 16.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;A Hangover of Cosmic Proportions: OF 222 and its Mythical Context 97&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Glenn W. Most 17.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Heraclitus Fragment B 52 DK (on OF 242) 103&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Rosa García-Gasco Villarrubia&amp;nbsp; 18.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Titans in Disguise: the Chalk in Myth and Ritual (OF 308) 109&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Óscar Patón Cordero 19.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;The Role of Gypsum in Orphism (OF 308) . 117&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Sarah Iles Johnston 20.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Hecate, Leto’s Daughter, in OF 317 121&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Silvia Porres Caballero 21.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Dionysus’ Definitive Rebirth (OF 328 I) 125&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Fátima Díez Platas 22.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;From the Heart and with a Serpent: on OF 329 . 131&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Carlos Megino González 23.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Presence in Stoicism of an Orphic Doctrine on the Soul quoted by&amp;nbsp;Aristotle (De Anima 410b 27 = OF 421) . 137&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Francisco Molina Moreno 24.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Non-musical Notes on the Orphic Lyra (OF 417) 145&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Madayo Kahle 25.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;OF 437 and the Transformation of the Soul . 151&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Emilio Suárez de la Torre 26.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;OF 443.2: ἐνάτωι ἔτεϊ. The Delphic Key 157&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ana Isabel Jiménez San Cristóbal 27.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Do not Drink the Water of Forgetfulness (OF 474–477) . 163&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;José Joaquín Caerols 28.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Adnotatiunculae in lamellam Hipponensem (OF 474) . 169&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Marisa Tortorelli Ghidini 29.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;La limne divina della lamina di Petelia (OF 476.8–10) 177&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Radcliffe G. Edmonds III 30.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Festivals in the Afterlife: A New Reading of the Petelia Tablet&amp;nbsp;(OF 476.11) 183&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Miguel Herrero de Jáuregui 31.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;OF 485–486: “On this Day” . 187&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Paloma Cabrera 32.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;“Ram, You Fell into the Milk” (OF 485.5–486.4). Possible Orphic&amp;nbsp;Echoes in an Apulian Image . 195&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Aurelio Pérez Jiménez 33.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;En las redes de χρόνος. La peregrinación inicial de las almas contaminadas&amp;nbsp;(Plu. De facie 943C): sobre OF 487.6 . 203&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Marco Antonio Santamaría Álvarez 34.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;“I Have Reached the Desired Crown with Swift Feet” (OF 488.6) 211&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Gábor Betegh 35.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;The “Great Tablet” from Thurii (OF 492) 217&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Emilio Crespo 36.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;OF 496: Dialectal Diversity in Macedon at the End of the Fourth&lt;br /&gt;Century BC 225&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Yannis Z. Tzifopoulos 37.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ad OF 496 . 229&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Rosa Ma Aguilar 38.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Reflejos del orfismo en Plutarco (OF 524, 358 II, 31 V; Epimen. fr. 43) . &amp;nbsp;&amp;nbsp;&amp;nbsp; 235&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Elvira Gangutia 39.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;OF 531 I, Sapph. fr. 58 Voigt y la «nueva Safo» . 239&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Gabriella Ricciardelli 40.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Un dio dai molti nomi (OF 540) . 247&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Giulia Sfameni Gasparro 41.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;OF 540 = Macrobio, Sat. 1.18.12 e Inno orfico 52: Dioniso tra teogonia&amp;nbsp;e attualità religiosa . 253&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Attilio Mastrocinque 42.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Orfismo nel culto romano di Bona Dea (OF 584) 259&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Juan Rodríguez Somolinos 43.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Note to OF 586: κρανιάρχης 267&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Alberto Nodar Dominguez 44.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Theophrastus, Characters 16.12: Orphism or Rhetoric? (OF 654) . 273&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;María Paz López Martínez 45.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Synesius, Dio 7 (OF 674) . 281&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Felipe G. Hernández Muñoz 46.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Critical Notes to OF 683 287&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Juan Antonio Álvarez-Pedrosa Núñez 47.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;The Etymology of Gk. ῎Εμπουσα (OF 713–716) 291&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Helena Rodríguez Somolinos 48.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;OF 750: Frost or Snow? 295&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;José Antonio Berenguer-Sánchez 49.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Greek ἐπηετανός and Other Possible Compounds of ἔτος ‘year’ in&amp;nbsp;Ancient Greek (OF 773) 301&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Raquel Martín Hernández 50.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Τύχα in Two Lead Tablets from Selinous (OF 830) 309&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Marcos Martínez 51.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Música y Palabra en Orfeo (sobre OF 960) 315&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ricardo Olmos 52.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Heracles y Orfeo. Una relación de por vida (sobre OF 1018 I) . 323&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Irene Pajón Leyra 53.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Extraordinary Orpheus. The Image of Orpheus and Orphism in&amp;nbsp;the Texts of the Paradoxographers (OF 1065, 787, 790, 793, and 794) 331&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Fernando García Romero 54.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;ἀμουσότερος Λειβηθρίων (OF 1069) . 337&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;David Konstan and Pura Nieto 55.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Orpheus Reunited with Eurydice (on OF 1076–1077) 343&amp;nbsp;ad Musaei Linique Fragmenta&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Dirk Obbink 56.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Orphism, Cosmogony, and Genealogy (Mus. fr. 14) 349&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Mercedes Aguirre 57.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Linus, fr. 2: Music and Death 353&amp;nbsp;ad Papyrum Derveni&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Walter Burkert 58.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;The Derveni Papyrus on Heraclitus (col. IV) . 359&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Franco Ferrari 59.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Eraclito e i Persiani nel Papiro di Derveni (col. IV 10–14) . 363&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;José Luis Calvo Martínez 60.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Col. VI of the Derveni Papyrus and the Ritual Presence of Poultry&amp;nbsp;(OF 471)&amp;nbsp; 369&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Francesc Casadesús Bordoy 61.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;The Castration of Uranus and its Physical Consequences in the Derveni&amp;nbsp;Papyrus (cols. XIII and XIV) and the First Stoic Philosophers 375&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Luc Brisson 62.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Okéanos dans la colonne XXIII du Papyrus de Derveni 383&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Anton Bierl 63.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Enigmatic Hints at the Hidden Meaning of Two Central Homeric&amp;nbsp;Passages. The Derveni-Author as Homeric Philologist in PDerv. col.&amp;nbsp;XXVI . 391&amp;nbsp;ad Hymnos Orphicos&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Christopher A. Faraone 64.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Orphic Hymn 37 397&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Sofía Torallas Tovar 65.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Orphic Hymn 86 “To Dream”: On Orphic Sleep and Philo 403&amp;nbsp;de Orpheo in Moderna Aetate&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Carlos García Gual&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;La decisión de Orfeo (según Cesare Pavese) . 411&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;Carmina Orphica Hispanica&lt;/b&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Luis Alberto de Cuenca Himno órfico a Zeus . 417&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Vicente Cristóbal El Orfeo de Ovidio en hexámetros castellanos 419&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-2852859019663723527?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/2852859019663723527'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/2852859019663723527'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/12/mherrero-de-jauregui-et-al-tracing.html' title='M.Herrero de Jáuregui (et al.), Tracing Orpheus: Studies of Orphic Fragments In Honour of Alberto Bernabé'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-6324085411676170140</id><published>2011-12-04T12:09:00.003-06:00</published><updated>2011-12-04T12:11:44.682-06:00</updated><title type='text'>Updates to papyri.info searches for DDbDP</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-ltanqD70OTA/Ttuvj1bypvI/AAAAAAAABJg/U45cbcOuO6A/s1600/Screen+shot+2011-12-04+at+11.35.48+AM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="362" src="http://4.bp.blogspot.com/-ltanqD70OTA/Ttuvj1bypvI/AAAAAAAABJg/U45cbcOuO6A/s400/Screen+shot+2011-12-04+at+11.35.48+AM.png" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14px; line-height: 20px;"&gt;(1) By now you will have noticed that we have rolled out the new search interface. This is an entirely new way of doing search and will take some getting used to.&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14px; line-height: 20px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14px; line-height: 20px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14px; line-height: 20px;"&gt;Go to&amp;nbsp;&lt;a href="http://papyri.info/search" style="color: #cc3300; text-decoration: none;"&gt;http://papyri.info/search&lt;/a&gt;&amp;nbsp;. The search screen is divided into two parts. Search results appear on the right and search filters appear on the left.&lt;br /&gt;The primary difference between the old and the new is that rather than coming up with a single search query that aims to give you exactly what you want, it is now possible to begin with a more open-ended search and successively narrow and expand it until you reach a desired end.&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-pjdWEzmVM9A/Ttuw9cSkLeI/AAAAAAAABJo/1D4Mdlb8eg4/s1600/Screen+shot+2011-12-04+at+11.39.33+AM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="243" src="http://1.bp.blogspot.com/-pjdWEzmVM9A/Ttuw9cSkLeI/AAAAAAAABJo/1D4Mdlb8eg4/s400/Screen+shot+2011-12-04+at+11.39.33+AM.png" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14px; line-height: 20px;"&gt;So, let's say your class is interested in literacy. Run an initial search for #αγραμματ: enter #αγραμματ in the search box or select "Convert from betacode as you type" and enter #agrammat (by the way, this is a good option if you want to run searches from your smartphone, which probably does not have Unicode Greek); click 'Search'. This will give you words beginning with αγραμματ (# indicates a boundary; you will not find διαγρραμματ).&amp;nbsp;You get 446 hits--too many to show your class.&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-zHO10UFmJp0/TtuxVEIjKrI/AAAAAAAABJw/vU__HareAkE/s1600/Screen+shot+2011-12-04+at+11.41.15+AM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="270" src="http://1.bp.blogspot.com/-zHO10UFmJp0/TtuxVEIjKrI/AAAAAAAABJw/vU__HareAkE/s400/Screen+shot+2011-12-04+at+11.41.15+AM.png" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14px; line-height: 20px;"&gt;You select (toward the bottom) "Show only records with images from:" / "Papyri.info" and click 'Go'. This will narrow your found set down to the 16 texts that contain a word beginning with αγραμματ and are known (via APIS) to Papyri.info.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: 14px; line-height: 20px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-VyL54NPXzuM/Ttu1fm72KBI/AAAAAAAABJ4/-5MTPDLpI2Y/s1600/Screen+shot+2011-12-04+at+11.47.04+AM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="217" src="http://3.bp.blogspot.com/-VyL54NPXzuM/Ttu1fm72KBI/AAAAAAAABJ4/-5MTPDLpI2Y/s400/Screen+shot+2011-12-04+at+11.47.04+AM.png" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14px; line-height: 20px;"&gt;But there must be more: HGV knows about a great many links to other sites (external to papyri.info). So, you select "Other sites" and 'Go'. Now you have 221 records for which some digital image is known, whether via APIS or HGV.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: 14px; line-height: 20px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: 14px; line-height: 20px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-x_cCy7Cqd9Y/Ttu18YF5GEI/AAAAAAAABKI/CXcaXlcnLjk/s1600/Screen+shot+2011-12-04+at+11.48.03+AM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="235" src="http://1.bp.blogspot.com/-x_cCy7Cqd9Y/Ttu18YF5GEI/AAAAAAAABKI/CXcaXlcnLjk/s400/Screen+shot+2011-12-04+at+11.48.03+AM.png" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14px; line-height: 20px;"&gt;Add "Print publications" and you will see that papyri.info knows of a total of 337 texts that have *some* image associated with them, whether digital or print.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: 14px; line-height: 20px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-xf5uaiOruR0/Ttu2QBFXX3I/AAAAAAAABKQ/Im5ncz17zYQ/s1600/Screen+shot+2011-12-04+at+11.49.09+AM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="223" src="http://4.bp.blogspot.com/-xf5uaiOruR0/Ttu2QBFXX3I/AAAAAAAABKQ/Im5ncz17zYQ/s400/Screen+shot+2011-12-04+at+11.49.09+AM.png" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14px; line-height: 20px;"&gt;Your class is working on texts from the first 2 centuries CE. So, you set "Date on or after" at "1 CE" and "Date on or before" to "200 CE" and click Go. That's 45 hits.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: 14px; line-height: 20px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-H8c9ijxl7lY/Ttu2cbxE3SI/AAAAAAAABKY/Z1ZxU_2PIbw/s1600/Screen+shot+2011-12-04+at+11.49.34+AM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="230" src="http://4.bp.blogspot.com/-H8c9ijxl7lY/Ttu2cbxE3SI/AAAAAAAABKY/Z1ZxU_2PIbw/s400/Screen+shot+2011-12-04+at+11.49.34+AM.png" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14px; line-height: 20px;"&gt;The classroom where you are teaching has digital projection, but no access to books. So, you *remove* the "Print images exist" filter by clicking it away from the top of the right side of your screen. That's 28 hits; you can actually look at several of these in class.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: 14px; line-height: 20px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: 14px; line-height: 20px;"&gt;Etc. at &lt;a href="http://digitalpapyrology.blogspot.com/2011/12/papyriinfo-updates.html"&gt;Digital Papyrology&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-6324085411676170140?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://digitalpapyrology.blogspot.com/2011/12/papyriinfo-updates.html' title='Updates to papyri.info searches for DDbDP'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/6324085411676170140'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/6324085411676170140'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/12/updates-to-papyriinfo-searches-for.html' title='Updates to papyri.info searches for DDbDP'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-ltanqD70OTA/Ttuvj1bypvI/AAAAAAAABJg/U45cbcOuO6A/s72-c/Screen+shot+2011-12-04+at+11.35.48+AM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-1380169666906660434</id><published>2011-12-04T11:29:00.002-06:00</published><updated>2011-12-04T11:31:16.768-06:00</updated><title type='text'>DM Manfredo Manfredi</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-Exlr7Lp6iXc/TtuuUeKUNXI/AAAAAAAABJY/vPtMWeTXo1o/s1600/manfredi.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://3.bp.blogspot.com/-Exlr7Lp6iXc/TtuuUeKUNXI/AAAAAAAABJY/vPtMWeTXo1o/s400/manfredi.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-1380169666906660434?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/1380169666906660434'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/1380169666906660434'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/12/dm-manfredo-manfredi.html' title='DM Manfredo Manfredi'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-Exlr7Lp6iXc/TtuuUeKUNXI/AAAAAAAABJY/vPtMWeTXo1o/s72-c/manfredi.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-3635064714419939048</id><published>2011-12-02T09:08:00.007-06:00</published><updated>2011-12-03T20:18:07.134-06:00</updated><title type='text'>BASP 28 (2011)</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Six Homeric Papyri from Oxyrhynchus at Columbia University&lt;br /&gt;Charles Bartlett, Susan Boland, Lauren Carpenter, Stephen Kidd, Inger&lt;br /&gt;Kuin, and Melanie Subacus ... 7&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Two More Pages of Crosby-Schøyen Codex MS 193: A Pachomian Easter Lectionary?&lt;br /&gt;Albert Pietersma and Susan Comstock ... 27&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Apprenticeship Contract for Carpentry&lt;br /&gt;Chris Eckerman. ... 47&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Letter from Hermias to Apollon&lt;br /&gt;Athanassios Vergados ... 51&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Petition to Appoint an epitropos: A New Document from the Archive of&lt;br /&gt;Aurelius Adelphios&lt;br /&gt;Ryan Boehm ... 61&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;A Byzantine Loan of Money&lt;br /&gt;Klaas A. Worp&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;...&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;71&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;A Marriage-Gift of Part of a Monastery from Byzantine Egypt&lt;br /&gt;Jason Robert Combs and Joseph G. Miller&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;...&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;79&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Receipt from the Holy Church of God at Hermopolis&lt;br /&gt;Philip Venticinque&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;...&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;89&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;The Dossier of Flavia Anastasia, Part One: Document Prescripts&lt;br /&gt;T.M. Hickey and Brendan J. Haug&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;...&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;99&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Dreams in Bilingual Papyri from the Ptolemaic Period&lt;br /&gt;Stephen Kidd&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;...&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;113&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Two Texts of the dioiketes Apollonius&lt;br /&gt;Kent J. Rigsby&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;...&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;131&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Departure without Saying Goodbye: A Lexicographical Study&lt;br /&gt;Willy Clarysse&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;...&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;141&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt; Grenfell and Hunt on the Dates of Early Christian Codices: Setting the&lt;br /&gt;Record Straight&lt;br /&gt;Brent Nongbri&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;...&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;149&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Greek Amulets and Formularies from Egypt Containing Christian Elements:&lt;br /&gt;A Checklist of Papyri, Parchments, Ostraka, and Tablets&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Theodore S. de Bruyn and Jitse H.F. Dijkstra&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;...&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;163&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;The Date of the Dendur Foundation Inscription Reconsidered&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt; Grzegorgz Ochala&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;...&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;217&lt;br /&gt;Notes on Papyri&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;...&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;225&lt;br /&gt;Review Article&lt;br /&gt;Byzantine Egypt Revisited&lt;br /&gt;Giuseppina Azzarello&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;...&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;233&lt;br /&gt;&lt;br /&gt;Reviews&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Holger Kockelmann, &lt;i&gt;Untersuchungen zu den späten Totenbuch-Handschriften&lt;br /&gt;auf Mumienbinden. &lt;/i&gt;Vol. 1 (in two parts): &lt;i&gt;Die Mumienbinden und&lt;br /&gt;Leinenamulette des memphitischen Priesters Hor.&lt;/i&gt; Vol. 2: &lt;i&gt;Handbuch zu&lt;br /&gt;den Mumienbinden und Leinenamuletten&lt;/i&gt;&lt;br /&gt;(Richard Jasnow)&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;...&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;245&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Maren Schentuleit and Günter Vittmann, „&lt;i&gt;Du hast mein Herz zufriedengestellt...“&lt;br /&gt;Ptolemäerzeitliche demotische Urkunden aus Soknopaiu Nesos&lt;/i&gt;&lt;br /&gt;(Andrew Monson)&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;...&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;251&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Stanley E. und Wendy J. Porter, &lt;i&gt;New Testament Greek Papyri and Parchments:&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;i&gt;New Editions. &lt;/i&gt;Mitteilungen aus der Papyrussammlung der Österreichischen&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt; Nationalbibliothek, N.S. 29 (Text) und 30 (Tafeln)&lt;br /&gt;(Amphilochios Papathomas)&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;...&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;255&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Adam Bülow-Jacobsen, &lt;i&gt;Mons Claudianus. Ostraca graeca et latina IV: The&lt;br /&gt;Quarry-Texts. O. Claud. 632-896&lt;/i&gt;&lt;br /&gt;(Amphilochios Papathomas)&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;...&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;259&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;D. Obbink and N. Gonis (eds.),&lt;i&gt; The Oxyrhynchus Papyri 73&lt;/i&gt;&lt;br /&gt;(Athanassios Vergados)&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;...&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;265&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;H. Maehler, C.E. Römer, and R. Hatzilambrou (eds.), &lt;i&gt;The Oxyrhynchus&lt;br /&gt;Papyri 75&lt;/i&gt;&lt;br /&gt;(Jennifer Sheridan Moss)&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;...&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;271&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Federico Morelli, &lt;i&gt;L’ archivio di Senouthios anystes e testi connessi. Lettere e&lt;br /&gt;documenti per la costruzione di una capitale&lt;/i&gt;&lt;br /&gt;(James G. Keenan)&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;...&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;273&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Anne Boud’hors, James Clackson, Catherine Louis, and Petra Sijpesteijn&lt;br /&gt;(eds.), &lt;i&gt;Monastic Estates in Late Antique and Early Islamic Egypt: Ostraca,&lt;br /&gt;Papyri, and Essays in Memory of Sarah Clackson &lt;/i&gt;(P.Clackson)&lt;br /&gt;(L.S.B. MacCoull)&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;...&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;277&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Francesca Schironi, &lt;i&gt;From Alexandria to Babylon: Near Eastern Languages&lt;br /&gt;and Hellenistic Erudition in the Oxyrhynchus Glossary (P.Oxy. 1802 +4812)&lt;/i&gt;&lt;br /&gt;(Sofía Torallas Tovar)&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;...&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;283&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;A. Magnani, &lt;i&gt;Il processo di Isidoro. Roma e Alessandria nel primo secolo&lt;/i&gt;&lt;br /&gt;(Sandra Gambetti)&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;...&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;285&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Richard L. Phillips,&lt;i&gt; In Pursuit of Invisibility: Ritual Texts from Late Roman&lt;br /&gt;Egypt&lt;/i&gt;&lt;br /&gt;(Sarah L. Schwarz)&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;...&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;289&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Franziska Naether, &lt;i&gt;Die Sortes Astrampsychi. Problemlösungsstrategien durch&lt;br /&gt;Orakel im römischen Ägypten&lt;/i&gt;&lt;br /&gt;(Willy Clarysse)&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;...&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;293&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Jan Krzysztof Winnicki,&lt;i&gt; Late Egypt and Her Neighbours: Foreign Population&lt;br /&gt;in Egypt in the First Millennium BC&lt;/i&gt;&lt;br /&gt;(Günter Vittmann) ... 297&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;J.G. Manning,&lt;i&gt; The Last Pharaohs: Egypt Under the Ptolemies, 305-30 BC&lt;/i&gt;&lt;br /&gt;(Arthur Verhoogt) ... 305&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Sitta von Reden, &lt;i&gt;Money in Ptolemaic Egypt: From the Macedonian Conquest&lt;br /&gt;to the End of the Third Century BC&lt;/i&gt;&lt;br /&gt;(Bart Van Beek) ... 307&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Heinz Heinen, &lt;i&gt;Kleopatra-Studien. Gesammelte Schriften zur ausgehenden&lt;br /&gt;Ptolemäerzeit&lt;/i&gt;&lt;br /&gt;(Dorothy J. Thompson) ... 311&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Inge Uytterhoeven, &lt;i&gt;Hawara in the Graeco-Roman Period: Life and Death in a&lt;br /&gt;Fayum Village, with an Appendix on the Pottery from Hawara by Sylvie&lt;br /&gt;Marchand&lt;/i&gt;&lt;br /&gt;(Eugene Cruz-Uribe)&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;...&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;315&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Gihane Zaki, Le Premier &lt;i&gt;Nome de Haute-Égypte du IIIe siècle avant J.-C.&lt;br /&gt;VIIe siècle après J.-C. d’après les sources hiéroglyphiques des temples&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;i&gt;ptolémaïques et romains&lt;/i&gt;&lt;br /&gt;(Jitse H.F. Dijkstra)&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;...&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;317&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Leslie S.B. MacCoull, &lt;i&gt;Coptic Legal Documents: Law as Vernacular Text and&lt;br /&gt;Experience in Late Antique Egypt&lt;/i&gt;&lt;br /&gt;(Michael Peppard)&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;...&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;321&lt;br /&gt;&lt;br /&gt;Books Received&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;...&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;325&lt;br /&gt;&lt;br /&gt;American Studies in Papyrology .. 327&lt;br /&gt;&lt;br /&gt;_______________&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-3635064714419939048?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.papyrology.org/index.php/basptocs' title='BASP 28 (2011)'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/3635064714419939048'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/3635064714419939048'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/12/basp-28-2011.html' title='BASP 28 (2011)'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-8963870949874934205</id><published>2011-11-25T10:16:00.001-06:00</published><updated>2011-11-25T10:17:04.234-06:00</updated><title type='text'>Gent Papyrus Collection Online</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-5p8UcO8LDGc/Ts-_aTWL6GI/AAAAAAAABJI/7AZzjPM8VMM/s1600/Screen+Shot+2011-11-25+at+10.16.08+AM.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="230" src="http://4.bp.blogspot.com/-5p8UcO8LDGc/Ts-_aTWL6GI/AAAAAAAABJI/7AZzjPM8VMM/s320/Screen+Shot+2011-11-25+at+10.16.08+AM.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-8963870949874934205?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://adore.ugent.be/?q=BHSL.PAP&amp;language=nl' title='Gent Papyrus Collection Online'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/8963870949874934205'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/8963870949874934205'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/11/gent-papyrus-collction-online.html' title='Gent Papyrus Collection Online'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-5p8UcO8LDGc/Ts-_aTWL6GI/AAAAAAAABJI/7AZzjPM8VMM/s72-c/Screen+Shot+2011-11-25+at+10.16.08+AM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-887279975143449843</id><published>2011-11-23T17:37:00.003-06:00</published><updated>2011-11-23T17:45:19.075-06:00</updated><title type='text'>Karanis: the Virtual and the Reality by Willeke Wendrich |J.E.M.F. Bos, K.M. Pansire</title><content type='html'>Abstract&lt;br /&gt;Since Fall 2005, a team at the Experiential Technology Center of the University of California, Los Angeles (UCLA), and archaeologists from the UCLA and the Rijksuniversiteit Groningen (RUG) expedition to Fayum have been creating a Virtual Reality model of the ancient town of Karanis. The model has multiple purposes, perhaps the most innovative being its future use as a management tool for the archaeological site. The model will aide in monitoring the decay of the town since the early 20th century, and in reconstructing the buildings, but it will also be used to study aspects of routing and the use of space, as well as a way of explaining architecture, principles of stratigraphy, and life in the ancient town to students. These seemingly disparate aspects of the VR model all aid the compilation of a site management plan for Karanis. This short paper presents a work in progress, envisioning the full potential that 3D technology implies.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-887279975143449843?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://ucla.academia.edu/WillekeWendrich/Papers/897682/Karanis_the_Virtual_and_the_Reality' title='Karanis: the Virtual and the Reality by Willeke Wendrich |J.E.M.F. Bos, K.M. Pansire'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/887279975143449843'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/887279975143449843'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/11/karanis-virtual-and-realityby-willeke.html' title='Karanis: the Virtual and the Reality by Willeke Wendrich |J.E.M.F. Bos, K.M. Pansire'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-4234351589464223830</id><published>2011-11-23T17:36:00.000-06:00</published><updated>2011-11-23T17:36:00.434-06:00</updated><title type='text'>Karanis 3D</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-4234351589464223830?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www-personal.umich.edu/~jmharrin/Karanis/' title='Karanis 3D'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/4234351589464223830'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/4234351589464223830'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/11/karanis-3d.html' title='Karanis 3D'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-4180474411042965798</id><published>2011-11-23T17:31:00.000-06:00</published><updated>2011-11-23T17:31:29.271-06:00</updated><title type='text'>SALE: CLarysse - Vandorpe, Zénon, un homme d'affaires grec à l'ombre des pyramides</title><content type='html'>&lt;div class="title" style="color: #333333; font-family: Georgia, 'Times New Roman', Times, serif; font-size: 14px; line-height: 17px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;h2 style="font-size: 22px; font-weight: normal; line-height: 28px; margin-bottom: 15px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Zénon, un homme d'affaires grec à l'ombre des pyramides&lt;/h2&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-_YvS0BM_rYI/Ts2CNb61JwI/AAAAAAAABIw/dmcJC7kALP4/s1600/zenon-un-homme.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-_YvS0BM_rYI/Ts2CNb61JwI/AAAAAAAABIw/dmcJC7kALP4/s1600/zenon-un-homme.png" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="author" style="color: #333333; font-family: Georgia, 'Times New Roman', Times, serif; font-size: 14px; line-height: 17px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;a href="http://upers.kuleuven.be/en/titel/9789061866749#" id="authorlink" style="color: #027ac6; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;"&gt;Willy Clarysse, Katelijn Vandorpe&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-4180474411042965798?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://upers.kuleuven.be/en/titel/9789061866749' title='SALE: CLarysse - Vandorpe, Zénon, un homme d&apos;affaires grec à l&apos;ombre des pyramides'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/4180474411042965798'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/4180474411042965798'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/11/sale-clarysse-vandorpe-zenon-un-homme.html' title='SALE: CLarysse - Vandorpe, Zénon, un homme d&apos;affaires grec à l&apos;ombre des pyramides'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-_YvS0BM_rYI/Ts2CNb61JwI/AAAAAAAABIw/dmcJC7kALP4/s72-c/zenon-un-homme.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-6988802517205527376</id><published>2011-11-12T10:00:00.000-06:00</published><updated>2011-11-12T10:00:46.199-06:00</updated><title type='text'>P.Geneva I-III online</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-TEZ7VfHYfZY/Tr6XrPi8m8I/AAAAAAAABIQ/uh_GeY1ZCKE/s1600/Screen+shot+2011-11-12+at+9.58.12+AM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/-TEZ7VfHYfZY/Tr6XrPi8m8I/AAAAAAAABIQ/uh_GeY1ZCKE/s400/Screen+shot+2011-11-12+at+9.58.12+AM.png" width="247" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-RjckMTmje98/Tr6YD_awWPI/AAAAAAAABIg/YFEjg9PGtxE/s1600/Screen+shot+2011-11-12+at+9.59.53+AM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/-RjckMTmje98/Tr6YD_awWPI/AAAAAAAABIg/YFEjg9PGtxE/s400/Screen+shot+2011-11-12+at+9.59.53+AM.png" width="243" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-KXFNa3hLA7g/Tr6X16q6gdI/AAAAAAAABIY/BTIa5ui-hUc/s1600/Screen+shot+2011-11-12+at+9.58.59+AM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/-KXFNa3hLA7g/Tr6X16q6gdI/AAAAAAAABIY/BTIa5ui-hUc/s400/Screen+shot+2011-11-12+at+9.58.59+AM.png" width="252" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-6988802517205527376?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://doc.rero.ch/search?ln=fr&amp;cc=BGE&amp;p=papyrus+geneve&amp;f=title&amp;c=BGE.BOOK' title='P.Geneva I-III online'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/6988802517205527376'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/6988802517205527376'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/11/pgeneva-i-iii-online.html' title='P.Geneva I-III online'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-TEZ7VfHYfZY/Tr6XrPi8m8I/AAAAAAAABIQ/uh_GeY1ZCKE/s72-c/Screen+shot+2011-11-12+at+9.58.12+AM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-5243250579409167344</id><published>2011-11-04T09:52:00.002-05:00</published><updated>2011-11-05T09:45:21.636-05:00</updated><title type='text'>"IMAGING the ILIAD" Ipad App for Venetus A Ilias Homeri</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-MhdkYO5Pbag/TrP8NoFYNeI/AAAAAAAABII/dYyfetofblI/s1600/mzl-ktqfsmal-480x480-75.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="291" src="http://3.bp.blogspot.com/-MhdkYO5Pbag/TrP8NoFYNeI/AAAAAAAABII/dYyfetofblI/s400/mzl-ktqfsmal-480x480-75.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;Touching Antiquities: Undergraduate Research puts ancient manuscripts in the hands of the public&lt;br /&gt;&lt;br /&gt;Homer’s Iliad is back at the publishing house, but turning these pages involves only a light tap on an iPad screen. With each digital page turn, the Imaging the Iliad iPad app transports the revered, but fragile, Venetus A Iliad manuscript from an inaccessible Venetian library into the hands of students, researchers, and classical enthusiasts around the world.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-5243250579409167344?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://viscenter.wordpress.com/' title='&quot;IMAGING the ILIAD&quot; Ipad App for Venetus A Ilias Homeri'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/5243250579409167344'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/5243250579409167344'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/11/ipad-app-for-venetus-ilias-homeri.html' title='&quot;IMAGING the ILIAD&quot; Ipad App for Venetus A Ilias Homeri'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-MhdkYO5Pbag/TrP8NoFYNeI/AAAAAAAABII/dYyfetofblI/s72-c/mzl-ktqfsmal-480x480-75.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-7835569492777539041</id><published>2011-11-04T09:48:00.000-05:00</published><updated>2011-11-04T09:48:54.921-05:00</updated><title type='text'>Mantha Zarmakoupi (ed.), The Villa of the Papyri at Herculaneum: Archaeology, Reception, and Digital Reconstruction</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-CPEpeCaI7Cw/TrP7OPmCo5I/AAAAAAAABIA/Hle4AdLydHM/s1600/9783110203882.gif" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-CPEpeCaI7Cw/TrP7OPmCo5I/AAAAAAAABIA/Hle4AdLydHM/s1600/9783110203882.gif" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;h3&gt;Mantha Zarmakoupi (ed.),&amp;nbsp;&lt;i&gt;The Villa of the Papyri at Herculaneum: Archaeology, Reception, and Digital Reconstruction. Sozomena: studies in the recovery of ancient texts: edited on behalf of the Herculaneum Society, 1&lt;/i&gt;. &amp;nbsp; Berlin/New York: &amp;nbsp;Walter de Gruyter, 2010. &amp;nbsp;Pp. ix, 221, 78 p. of plates. &amp;nbsp;ISBN 9783110203882. &amp;nbsp;$147.00/€98.00. &amp;nbsp;&amp;nbsp;&lt;/h3&gt;&lt;hr align="left" width="50%" /&gt;&lt;br /&gt;&lt;b&gt;Reviewed by Jan P. Stronk, Oude Geschiedenis – Universiteit van Amsterdam (j.p.stronk@uva.nl)&lt;/b&gt;&lt;br /&gt;&lt;a href="http://books.google.com/books?id=1hG4q10O1LQC"&gt;Table of Contents&lt;/a&gt;.&lt;br /&gt;This volume presents ten contributions by various authors on different aspects of the ‘Villa of the Papyri’ at Herculaneum, including investigation of the villa itself and of objects recovered from it. The first two chapters focus on new research (including the first open air excavations) conducted on the villa between the mid 1980s and 2009. Next follow two chapters on the wall paintings and the sculptural collection; two more chapters deal with questions related with the papyri recovered in the Villa; and two chapters discuss the reception of the Villa in the 18th century (when the building was first discovered and explored) and the 20th century. Two chapters on its real and on its virtual reconstruction conclude the contributions. The volume is the result of an Oxford conference held in 2007; all contributions are in English, with two chapters translated from the original Italian. Though the volume is clearly not aimed at a general audience, it is suitable for an informed readership from undergraduate level onwards. The&amp;nbsp;&lt;a href="http://www.degruyter.com/cont/fb/at/detailEn.cfm?isbn=9783110203882"&gt;blurb itself on the publisher’s website&lt;/a&gt;&amp;nbsp;informs us that this volume is aimed at “Academics, Libraries, Institutes.” This is a noncommittal phrase. Nevertheless, the book is a welcome addition to the literature available on Herculaneum in general and the ‘Villa dei Papiri’ in particular.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://bmcr.brynmawr.edu/2011/2011-10-58.html"&gt;etc at BMCR&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-7835569492777539041?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://bmcr.brynmawr.edu/2011/2011-10-58.html' title='Mantha Zarmakoupi (ed.), The Villa of the Papyri at Herculaneum: Archaeology, Reception, and Digital Reconstruction'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/7835569492777539041'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/7835569492777539041'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/11/mantha-zarmakoupi-ed-villa-of-papyri-at.html' title='Mantha Zarmakoupi (ed.), The Villa of the Papyri at Herculaneum: Archaeology, Reception, and Digital Reconstruction'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-CPEpeCaI7Cw/TrP7OPmCo5I/AAAAAAAABIA/Hle4AdLydHM/s72-c/9783110203882.gif' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-5253981849384722474</id><published>2011-10-25T07:34:00.001-05:00</published><updated>2011-10-25T07:34:40.995-05:00</updated><title type='text'>Papyri Groninganae online</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-vXRsrkZp8Hs/TqasyFoaLpI/AAAAAAAABHw/Moik4XMKzI8/s1600/Screen+shot+2011-10-25+at+7.33.46+AM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="253" src="http://4.bp.blogspot.com/-vXRsrkZp8Hs/TqasyFoaLpI/AAAAAAAABHw/Moik4XMKzI8/s320/Screen+shot+2011-10-25+at+7.33.46+AM.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-5253981849384722474?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://facsimile.ub.rug.nl/cdm/landingpage/collection/Papyri' title='Papyri Groninganae online'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/5253981849384722474'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/5253981849384722474'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/10/papyri-groninganae-online.html' title='Papyri Groninganae online'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-vXRsrkZp8Hs/TqasyFoaLpI/AAAAAAAABHw/Moik4XMKzI8/s72-c/Screen+shot+2011-10-25+at+7.33.46+AM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-3641202028453908144</id><published>2011-10-17T09:56:00.000-05:00</published><updated>2011-10-17T09:56:00.543-05:00</updated><title type='text'>"Bringing ancient Greek papyri to life through AR"</title><content type='html'>&lt;a href="http://youtu.be/UzI1dtSQ7ac"&gt;Jaunaio video &lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-3641202028453908144?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://teamscarlet.wordpress.com/' title='&quot;Bringing ancient Greek papyri to life through AR&quot;'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/3641202028453908144'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/3641202028453908144'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/10/bringing-ancient-greek-papyri-to-life.html' title='&quot;Bringing ancient Greek papyri to life through AR&quot;'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-2827805978264756660</id><published>2011-10-12T08:10:00.003-05:00</published><updated>2011-10-12T08:11:40.724-05:00</updated><title type='text'>«Quaderni di storia» 74, luglio-dicembre 2011</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-WcYkwzYvAqw/TpWSA3W7QTI/AAAAAAAABHk/rQx2oLDljBI/s1600/9788822025746.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-WcYkwzYvAqw/TpWSA3W7QTI/AAAAAAAABHk/rQx2oLDljBI/s1600/9788822025746.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Sommario&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Saggi&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;LUCIANO CANFORA, Il corpusculum degli Epitafi ateniesi&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;MASSIMO STELLA, La filologia classica (e gli antichi) di Leo Spitzer: un caso di negazione nietzschiana&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;MARIOPANI, Individuo e Stato: gli auxilia istituzionali del cittadino romano&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;ANNALISA CAPRISTO, Fascismo e antisemitismo: nuove prospettive di ricerca&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Miscellanea&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;FRANCESCO DONADI, Il raglio dell’asino&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;LUCIANO CANFORA, P. Berol. 21313, MP31522.04: un frammento inedito di commento a Tucidide&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;SABINE SZIDAT, Die Landkarte des Artemidor-Papyrus (P. Artemid.): Südliches Nildelta statt Hispanien&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;GIORGIO IERANÒ, L’ombra e il dipinto (Eschilo, Agamennone, vv.1327-1329)&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;RENATA RONCALI, Il Ludus Senecae nel codice Haarlem 187 C 14&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;MANFRED LOSSAU, Marathon –Rettung des Abendlandes&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Inediti&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;LUIGI LEHNUS, Contributi inediti di Paul Maas al testo dell’Epitafio per i  caduti ateniesi del 480-479&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;NUNZIOBIANCHI, «...Malgrado la compagnia di Caritone».Lettere di Aristide Calderini a Giuseppe Fraccaroli (1908-1913)&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Strumenti&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;FEDERICO CONDELLO, “Artemidoro” 2006-2011”: l’ultima vita, in breve&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Recensioni&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Repertorio delle traduzioni umanistiche a stampa. Seccoli XV-XVI, a cura di M. Cortesi e S. Fiaschi (Luciano Bossina)&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;MARIA CIOTTI E ANDREA TRUBBIANI, Istituzioni economiche e sociali a San Marino in età moderna (Diego Davide)&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;AUGUSTO S. CACOPARDO, Natale pagano. Feste d’inverno nello Hindu Kush (Nunzio Bianchi)&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Rassegna bibliografica&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Recensioni&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Repertorio delle traduzioni umanistiche a stampa. Secoli XV-XVI, a cura di M. Cortesi e S. Fiaschi (Luciano Bossina) MARIA CIOTTI E ANDREA TRUBBIANI, Istituzioni economiche e sociali a San Marino in età moderna (Diego Davide) AUGUSTO S.  CACOPARDO, Natale pagano. Feste d’inverno nello Hindu Kush (Nunzio Bianchi) Rassegna bibliografica&lt;/span&gt;&lt;br /&gt;&lt;div class="purple" style="color: #8d4764; font-size: 12px; line-height: 17px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-2827805978264756660?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.edizionidedalo.it/site/riviste-attive.php?categories_id=30&amp;attive=1' title='«Quaderni di storia» 74, luglio-dicembre 2011'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/2827805978264756660'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/2827805978264756660'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/10/quaderni-di-storia-74-luglio-dicembre.html' title='«Quaderni di storia» 74, luglio-dicembre 2011'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-WcYkwzYvAqw/TpWSA3W7QTI/AAAAAAAABHk/rQx2oLDljBI/s72-c/9788822025746.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-6892545222463071869</id><published>2011-10-12T08:09:00.000-05:00</published><updated>2011-10-12T08:09:00.172-05:00</updated><title type='text'>PAPIRI FILOSOFICI Miscellanea di Studi VI</title><content type='html'>Studi e Testi&lt;br /&gt;per il Corpus dei Papiri Filosofici Greci e Latini 16&lt;br /&gt;&lt;br /&gt;Firenze, Olschki 2011&lt;br /&gt;&lt;br /&gt;ISBN 9788822261151&lt;br /&gt;&lt;br /&gt;INDICE&lt;br /&gt;&lt;br /&gt;Parte I – Studi sul Papiro di Derveni&lt;br /&gt;&lt;br /&gt;Collocazioni dei frammenti di P.Derveni, pp. 3-4&lt;br /&gt;&lt;br /&gt;V. PIANO, Ricostruendo il rotolo di Derveni. Per una revisione papirologica di P.Derveni coll. I-III, pp. 5-38&lt;br /&gt;&lt;br /&gt;F. FERRARI, Frustoli erranti. Per una ricostruzione di P.Derveni coll. I-III, pp. 39-54&lt;br /&gt;&lt;br /&gt;M. SCERMINO, P.Derveni coll. XIII-XVI: un mito, due frammenti, un rompicapo, pp. 55-90&lt;br /&gt;&lt;br /&gt;L. LULLI, La lingua del Papiro di Derveni. Interrogativi ancora irrisolti, pp. 91-104&lt;br /&gt;&lt;br /&gt;Parte II – Studi vari&lt;br /&gt;&lt;br /&gt;S. AZZARÀ, Una rilettura di P.Berol. inv. 17027, pp. 107-136&lt;br /&gt;&lt;br /&gt;M. CARDIN – L. OZBEK, Orfeo e Dioniso: nuove indagini su un frammento mitografico trascurato (PSI VII 850), pp. 137-162&lt;br /&gt;&lt;br /&gt;E. FALSCHI, PSI 152: una rilettura, pp. 163-182&lt;br /&gt;&lt;br /&gt;G. MENCI, Frammento di «Vita» illustrata del filosofo Secondo (P.Lond.Lit. 198), pp. 183-193&lt;br /&gt;&lt;br /&gt;Parte III – Studi su testi di logica antica&lt;br /&gt;&lt;br /&gt;M.S.FUNGHI, Paleografia e bibliologia dei testi logici trasmessi su papiro, pp. 195-210&lt;br /&gt;&lt;br /&gt;W. CAVINI – E.V. DI LASCIO – M.S. FUNGHI, Testi dei papiri adespoti di logica antica, pp. 211-226&lt;br /&gt;&lt;br /&gt;D. SEDLEY, P.Hibeh II 184: Platonist logic in the third century BC?, pp. 227-239&lt;br /&gt;&lt;br /&gt;W. CAVINI, Un nuovo papiro delle «Categorie». PHarris I 2 e Arist. Cat. 10, pp. 241-251&lt;br /&gt;&lt;br /&gt;G. MENCI, Un nuovo frammento papiraceo dei «Topici», pp. 253-264&lt;br /&gt;&lt;br /&gt;E.V. DI LASCIO, Papyrus Michigan 2906: an afterthought, pp. 265-279&lt;br /&gt;&lt;br /&gt;F. ADEMOLLO, Il principio di bivalenza in Aristotele, «De interpretatione», pp. 281-296&lt;br /&gt;&lt;br /&gt;P. CRIVELLI, Semantiche per la sillogistica di Aristotele, pp. 297-317&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-6892545222463071869?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.deastore.com/libro/papiri-filosofici-miscellanea-di-studi-olschki/9788822261151.html' title='PAPIRI FILOSOFICI Miscellanea di Studi VI'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/6892545222463071869'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/6892545222463071869'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/10/papiri-filosofici-miscellanea-di-studi.html' title='PAPIRI FILOSOFICI Miscellanea di Studi VI'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-5433180868484092369</id><published>2011-10-11T09:46:00.001-05:00</published><updated>2011-10-11T09:47:02.593-05:00</updated><title type='text'>Worp - Sijpesteijn (et al.), A Transportation Archive from Fourth-Century Oxyrhynchus (P.Mich. XX)</title><content type='html'>edited by P.J. Sijpesteijn and Klaas A. Worp, &lt;br /&gt;with the assistance of Traianos Gagos and Arthur Verhoogt&lt;br /&gt;&lt;br /&gt;This volume publishes 27 Greek papyri concerned with the transport of grain from Oxyrhynchus to Alexandria and Pelusium. Each text is presented with introduction, Greek text, English translation, and explanatory notes. In the general introduction the authors discuss the process of grain transport in fourth century C.E. Egypt as illustrated by the texts published here and by others, previously published, from Oxyrhynchus. 240p (American Society of Papyrologists 2011)&lt;br /&gt;&lt;br /&gt;ISBN-13: 978-0-9799758-3-7&lt;br /&gt;ISBN-10: 0-9799758-3-2&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-5433180868484092369?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.oxbowbooks.com/bookinfo.cfm/ID/158655' title='Worp - Sijpesteijn (et al.), A Transportation Archive from Fourth-Century Oxyrhynchus (P.Mich. XX)'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/5433180868484092369'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/5433180868484092369'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/10/worp-sijpesteijn-et-al-transportation.html' title='Worp - Sijpesteijn (et al.), A Transportation Archive from Fourth-Century Oxyrhynchus (P.Mich. XX)'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-2526047583388475972</id><published>2011-10-02T09:45:00.001-05:00</published><updated>2011-10-02T09:45:49.870-05:00</updated><title type='text'>«Studi di Egittologia e di Papirologia» 8 (2011)</title><content type='html'>&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Nuova Pubblicazione del Centro di Studi Papirologici dell’Università del Salento, Lecce.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-poi0LDCgc20/Toh4JIV4keI/AAAAAAAABHg/VDeeTwCJBWs/s1600/2.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-poi0LDCgc20/Toh4JIV4keI/AAAAAAAABHg/VDeeTwCJBWs/s1600/2.JPG" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;«Studi di Egittologia e di Papirologia» 8 (2011), Fabrizio Serra Editore, Pisa-Roma 2011, pp. 118.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Direttore: Mario Capasso.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;SOMMARIO&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;FRANCESCA ANGIÒ,&amp;nbsp;&lt;i&gt;Il Nuovo Posidippo (2010)&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;FRANCESCO CASTELLANI,&amp;nbsp;&lt;i&gt;I papiri e gli&amp;nbsp;&lt;/i&gt;ostraka&lt;i&gt;&amp;nbsp;meroitici: un&amp;nbsp;&lt;/i&gt;survey&lt;i&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;TRISTANO GARGIULO,&amp;nbsp;&lt;i&gt;Papiri e lirici Greci&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;SIMONE MUSSO-SIMONE PETACCHI,&amp;nbsp;&lt;i&gt;Alcuni ushabti della collezione egizia dell’Accademia dei Concordi di Rovigo&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;ENZO PUGLIA,&amp;nbsp;&lt;i&gt;Potamone nell’antologia gnomologica di PSI&amp;nbsp;&lt;span style="font-variant: small-caps;"&gt;xv&lt;/span&gt;&amp;nbsp;1476. Chi era costui?&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;PAOLO RADICIOTTI,&amp;nbsp;&lt;i&gt;Il particolarismo grafico nelle testimonianze papiracee: una nuova riflessione.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;PAOLO RADICIOTTI, Interpretatio&lt;i&gt;&amp;nbsp;del Codice teodosiano in un papiro di Ginevra.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;WOLFGANG WEGNER,&amp;nbsp;&lt;i&gt;Ein bislang unerkannter Beleg für eine Personalunion der Prophetenstellen der Tempel von Tebtynis und Akoris&lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;ISSN 1724-6156&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;ISSN ELETTRONICO 1824-7326&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Distribuzione: Fabrizio Serra Editore&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-2526047583388475972?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.libraweb.net/sommari.php?chiave=2' title='«Studi di Egittologia e di Papirologia» 8 (2011)'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/2526047583388475972'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/2526047583388475972'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/10/studi-di-egittologia-e-di-papirologia-8.html' title='«Studi di Egittologia e di Papirologia» 8 (2011)'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-poi0LDCgc20/Toh4JIV4keI/AAAAAAAABHg/VDeeTwCJBWs/s72-c/2.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-1992765130585129123</id><published>2011-09-23T15:41:00.000-05:00</published><updated>2011-09-23T15:41:35.310-05:00</updated><title type='text'>U-Mich: Papyrus Conservation Seminar</title><content type='html'>&lt;div class="MsoNormal" style="font-family: Helvetica;"&gt;&lt;span style="font-size: 11pt;"&gt;Papyrus Conservation Seminar&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Helvetica;"&gt;&lt;span style="font-size: 11pt;"&gt;Papyrus Collection, University of Michigan Library&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Helvetica;"&gt;&lt;span style="font-size: 11pt;"&gt;Ann Arbor, Michigan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Helvetica;"&gt;&lt;span style="font-size: 11pt;"&gt;18-29 June 2012&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Helvetica;"&gt;&lt;span style="font-size: 11pt;"&gt;The Papyrus Collection of the University of Michigan Library will host a two-week seminar in papyrus conservation, from Monday, June 18 to Friday, June 29, 2012, directed by Ms. Leyla Lau-Lamb. Participants will receive a hands-on introduction to papyrus conservation. They will learn about equipment and materials used in papyrus conservation and the theory and methodology behind current conservation techniques. They will then utilize these techniques to perform a range of treatment on actual papyri from the University of Michigan’s Papyrus Collection, including written documentation, digital photo-documentation, mechanical cleaning, damp treatments, reduction of folds, alignment of fibers, alignment of fragments, and methods of housing and storage.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Helvetica;"&gt;&lt;span style="font-size: 11pt;"&gt;The number of participants is limited to eight. Preference will be given to scholars and students who are directly involved with papyrus conservation, whether in the setting of a papyrus collection or archaeological excavations.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Helvetica;"&gt;&lt;span style="font-size: 11pt;"&gt;There is no course fee for the seminar, which is supported by the University of Michigan Papyrus Collection. Participants are responsible for their own travel, lodging and meals. Participants will have the option of purchasing the conservation tools they will use during the seminar. A certificate of participation will be provided at the end of the seminar.&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: 15px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Helvetica;"&gt;&lt;span style="font-size: 11pt;"&gt;Ms. Leyla Lau-Lamb is a senior conservator in the University of Michigan Library and has been conservator for the Michigan Papyrus Collection since 1990. Author of the Advanced Papyrological System (APIS)&amp;nbsp;&lt;i&gt;Guidelines for Conservation of Papyrus&lt;/i&gt;, she has been invited by various collections worldwide, including the Hermitage in St. Petersburg and the Carlsberg Papyrus Collection of the University of Copenhagen, to assist in the conservation of papyrus.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Helvetica;"&gt;&lt;span style="font-size: 11pt;"&gt;To apply please send contact information, a statement summarizing relevant conservation or papyrology experience and responsibilities (maximum 600 words), and one letter of recommendation to:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Helvetica;"&gt;&lt;span style="font-size: 11pt;"&gt;Prof. Arthur Verhoogt&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Helvetica;"&gt;&lt;span class="Apple-style-span" style="font-size: 15px;"&gt;Acting Archivist, University of Michigan Papyrus Collection,&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Helvetica;"&gt;&lt;span style="font-size: 11pt;"&gt;807 Hatcher Graduate Library South,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Helvetica;"&gt;&lt;span style="font-size: 11pt;"&gt;913 S. University Avenue&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Helvetica;"&gt;&lt;span style="font-size: 11pt;"&gt;Ann Arbor MI 48109-1190&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Helvetica;"&gt;&lt;span style="font-size: 11pt;"&gt;or email the application as a pdf-file to verhoogtATumichDOTedu.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Helvetica;"&gt;&lt;span style="font-size: 11pt;"&gt;Deadline for applications is 1 December 2011.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-1992765130585129123?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www-personal.umich.edu/~laulamb/' title='U-Mich: Papyrus Conservation Seminar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/1992765130585129123'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/1992765130585129123'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/09/u-mich-papyrus-conservation-seminar.html' title='U-Mich: Papyrus Conservation Seminar'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-6777316041321487512</id><published>2011-09-23T15:36:00.001-05:00</published><updated>2011-09-23T15:38:53.240-05:00</updated><title type='text'>Byzantine News Weblog</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;object class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="http://3.gvt0.com/vi/A24NuGvK5cc/0.jpg" height="266" width="320"&gt;&lt;param name="movie" value="http://www.youtube.com/v/A24NuGvK5cc&amp;fs=1&amp;source=uds" /&gt;&lt;param name="bgcolor" value="#FFFFFF" /&gt;&lt;embed width="320" height="266"  src="http://www.youtube.com/v/A24NuGvK5cc&amp;fs=1&amp;source=uds" type="application/x-shockwave-flash"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;object class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="http://0.gvt0.com/vi/erxqLP3WKTw/0.jpg" height="266" width="320"&gt;&lt;param name="movie" value="http://www.youtube.com/v/erxqLP3WKTw&amp;fs=1&amp;source=uds" /&gt;&lt;param name="bgcolor" value="#FFFFFF" /&gt;&lt;embed width="320" height="266"  src="http://www.youtube.com/v/erxqLP3WKTw&amp;fs=1&amp;source=uds" type="application/x-shockwave-flash"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;object width="320" height="266" class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="http://1.gvt0.com/vi/VcFxxRsVAD0/0.jpg"&gt;&lt;param name="movie" value="http://www.youtube.com/v/VcFxxRsVAD0&amp;fs=1&amp;source=uds" /&gt;&lt;param name="bgcolor" value="#FFFFFF" /&gt;&lt;embed width="320" height="266"  src="http://www.youtube.com/v/VcFxxRsVAD0&amp;fs=1&amp;source=uds" type="application/x-shockwave-flash"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;object width="320" height="266" class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="http://1.gvt0.com/vi/GryhwMJAjoU/0.jpg"&gt;&lt;param name="movie" value="http://www.youtube.com/v/GryhwMJAjoU&amp;fs=1&amp;source=uds" /&gt;&lt;param name="bgcolor" value="#FFFFFF" /&gt;&lt;embed width="320" height="266"  src="http://www.youtube.com/v/GryhwMJAjoU&amp;fs=1&amp;source=uds" type="application/x-shockwave-flash"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-6777316041321487512?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://byzantinenews.blogspot.com/' title='Byzantine News Weblog'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/6777316041321487512'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/6777316041321487512'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/09/byzantine-news-weblog.html' title='Byzantine News Weblog'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-2837960027526758998</id><published>2011-09-23T15:29:00.000-05:00</published><updated>2011-09-23T15:29:10.457-05:00</updated><title type='text'>Trismegistos People</title><content type='html'>&lt;h2 style="color: #50aa1e; font-family: verdana, helvetica, arial, sans-serif; font-size: 1em; font-style: italic; font-weight: bold; padding-top: 5px;"&gt;Introduction&lt;/h2&gt;&lt;div style="font-family: verdana, helvetica, arial, sans-serif; font-size: 11px;"&gt;Trismegistos People is a tool dealing with&amp;nbsp;&lt;b&gt;personal names of non-royal individuals attested as living in Egypt in documentary texts between BC 800 and AD 800&lt;/b&gt;, including all languages and scripts written on any surface. Not included are pharaohs, emperors, and saints; people attested in texts outside Egypt (with the exception of some&amp;nbsp;&lt;i&gt;Prosopographia Ptolemaica&lt;/i&gt;&amp;nbsp;entries) or people living outside Egypt (no consuls!); and names from non-documentary texts (e.g. narratives).&lt;/div&gt;&lt;div style="font-family: verdana, helvetica, arial, sans-serif; font-size: 11px;"&gt;Trismegistos People consists of a complex set of prosopographical and onomastic databases. At the heart of the structure is the REF database, which lists attestations of people identified by personal names. It is linked to PER, a database of individuals, and to NAMVAR, a database of personal name variants which is in turn linked to NAM, a database of names. The current figures for each of these databases are as follows:&amp;nbsp;&lt;/div&gt;&lt;center style="font-family: verdana, helvetica, arial, sans-serif; font-size: 11px;"&gt;&lt;img src="http://www.trismegistos.org/img/about_ref_diagram.jpg" style="border-bottom-width: 0px; border-left-width: 0px; border-right-width: 0px; border-top-width: 0px; vertical-align: text-bottom;" /&gt;&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-2837960027526758998?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.trismegistos.org/ref/index.php' title='Trismegistos People'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/2837960027526758998'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/2837960027526758998'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/09/trismegistos-people.html' title='Trismegistos People'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-7735279397424046206</id><published>2011-09-20T19:57:00.000-05:00</published><updated>2011-09-20T19:57:49.156-05:00</updated><title type='text'>Desktop Multispectral imaging?</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 12px; line-height: 21px;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;h1 style="color: #6a83b2; font-family: Helvetica, Arial, sans-serif; font-size: 1.5em; font-weight: bold; line-height: 1.3; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-transform: uppercase;"&gt;OXFORD SCANNER REVEALS SECRETS OF DOCUMENTS, ANCIENT AND MODERN&lt;/h1&gt;&lt;h2 style="color: #6a83b2; font-family: Helvetica, Arial, sans-serif; font-size: 1.2em; font-weight: bold; line-height: 1.3; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0.25em;"&gt;13 September 2011&lt;/h2&gt;&lt;div style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 1em; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;A scanner which combines the convenience of a desktop scanner with the functionality of a powerful laboratory imaging device has been developed at the University of Oxford’s Classics Department, and is now being commercialised by a new company Oxford Multi Spectral Limited which was today spun out by the University’s technology transfer company Isis Innovation.&lt;/div&gt;&lt;div style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 1em; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;a href="http://www.isis-innovation.com/news/news/OxfordScannerRevealsSecrets.html"&gt;Etc at Isis Innovation&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-7735279397424046206?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.isis-innovation.com/news/news/OxfordScannerRevealsSecrets.html' title='Desktop Multispectral imaging?'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/7735279397424046206'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/7735279397424046206'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/09/desktop-multispectral-imaging.html' title='Desktop Multispectral imaging?'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-2146235514205846010</id><published>2011-09-15T07:26:00.001-05:00</published><updated>2011-09-15T07:28:40.143-05:00</updated><title type='text'>"New “Unknown Gospel” Fragment Identified" P.Oxy.</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-sjVv6_cP4oM/TnHu9wh_DoI/AAAAAAAABHc/JGrX3FXVkh0/s1600/12836_Papyrus_lost_gospel.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="315" src="http://4.bp.blogspot.com/-sjVv6_cP4oM/TnHu9wh_DoI/AAAAAAAABHc/JGrX3FXVkh0/s320/12836_Papyrus_lost_gospel.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.ox.ac.uk/media/news_releases_for_journalists/110725.html"&gt;Mentioned at Oxford U. News Site&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-2146235514205846010?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://cscoedinburgh.wordpress.com/2011/07/30/new-unknown-gospel-fragment-identified/' title='&quot;New “Unknown Gospel” Fragment Identified&quot; P.Oxy.'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/2146235514205846010'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/2146235514205846010'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/09/new-unknown-gospel-fragment-identified.html' title='&quot;New “Unknown Gospel” Fragment Identified&quot; P.Oxy.'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-sjVv6_cP4oM/TnHu9wh_DoI/AAAAAAAABHc/JGrX3FXVkh0/s72-c/12836_Papyrus_lost_gospel.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-2219095346221280655</id><published>2011-09-10T10:36:00.000-05:00</published><updated>2011-09-10T10:36:05.557-05:00</updated><title type='text'>Papyri Graecae Wessely Pragenses : (PPrag. III)</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-xDF8dImbmRA/TmuDu2-BjGI/AAAAAAAABHY/ahw7RJC4Zrw/s1600/d1107067.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/-xDF8dImbmRA/TmuDu2-BjGI/AAAAAAAABHY/ahw7RJC4Zrw/s200/d1107067.JPG" width="138" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;table border="0" cellpadding="5" cellspacing="5" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class="textsmall" style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: 7pt; text-decoration: none;"&gt;Titolo:&lt;/td&gt;&lt;td class="textb" style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: 9pt; text-decoration: none;"&gt;&lt;span style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;span style="color: #006600;"&gt;Papyrologica Florentina, 41 : Papyri Graecae Wessely Pragenses (PPrag.III).&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="textsmall" style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: 7pt; text-decoration: none;"&gt;Autore:&lt;/td&gt;&lt;td class="textb" style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: 9pt; text-decoration: none;"&gt;&lt;a href="http://www.liberdomus.it/cgi-bin/liberdomus/details.cgi"&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;&lt;b&gt;&lt;span style="color: #b6b66b;"&gt;Pintaudi, Rosario&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="textsmall" style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: 7pt; text-decoration: none;"&gt;Pubblicazione:&lt;/td&gt;&lt;td class="textb" style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: 9pt; text-decoration: none;"&gt;&lt;span style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;Firenze : Edizioni Gonnelli, 2011&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="textsmall" style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: 7pt; text-decoration: none;"&gt;ISBN/ISSN:&lt;/td&gt;&lt;td class="textb" style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: 9pt; text-decoration: none;"&gt;9788874680344&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="textsmall" style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: 7pt; text-decoration: none;"&gt;Stato:&lt;/td&gt;&lt;td class="textb" style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: 9pt; text-decoration: none;"&gt;&lt;span class="textv" style="color: #006600; font-family: Arial, Helvetica, sans-serif; font-size: 9pt; text-decoration: none;"&gt;Disponibile&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="textsmall" style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: 7pt; text-decoration: none;"&gt;Prezzo:&lt;/td&gt;&lt;td class="textb" style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: 9pt; text-decoration: none;"&gt;€ 180.00&amp;nbsp;&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="textsmall" style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: 7pt; text-decoration: none;"&gt;Codice identificativo:&lt;/td&gt;&lt;td class="textb" style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: 9pt; text-decoration: none;"&gt;D1107067&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="textsmall" style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: 7pt; text-decoration: none;"&gt;Descrizione fisica:&lt;/td&gt;&lt;td class="textb" style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: 9pt; text-decoration: none;"&gt;x,231 p.,47 p. of plates : ill. ; 31 cm.&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-2219095346221280655?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.liberdomus.it/cgi-bin/liberdomus/details.cgi' title='Papyri Graecae Wessely Pragenses : (PPrag. III)'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/2219095346221280655'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/2219095346221280655'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/09/papyri-graecae-wessely-pragenses-pprag.html' title='Papyri Graecae Wessely Pragenses : (PPrag. III)'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-xDF8dImbmRA/TmuDu2-BjGI/AAAAAAAABHY/ahw7RJC4Zrw/s72-c/d1107067.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-4360223048135878570</id><published>2011-09-10T10:20:00.002-05:00</published><updated>2011-09-10T10:22:01.847-05:00</updated><title type='text'>REVIEW of Hannah M. Cotton (ed.), Corpus inscriptionum Iudaeae/Palaestinae. Volume 1</title><content type='html'>&lt;center&gt;&lt;span style="font-family: 'Trebuchet MS', Arial, 'Andale Mono';"&gt;Bryn Mawr Classical Review 2011.09.12&lt;/span&gt;&lt;/center&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-Yw_9qdw8G5E/Tmt_2YeihuI/AAAAAAAABHQ/XCJ6_FOYdqQ/s1600/scaled-600x0_cotton_hannah_collage_vol_1_small.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="180" src="http://2.bp.blogspot.com/-Yw_9qdw8G5E/Tmt_2YeihuI/AAAAAAAABHQ/XCJ6_FOYdqQ/s320/scaled-600x0_cotton_hannah_collage_vol_1_small.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;h3&gt;Hannah M. Cotton (ed.),&amp;nbsp;&lt;i&gt;Corpus inscriptionum Iudaeae/Palaestinae. Volume 1: Jerusalem, Part 1: 1 - 704. Corpus inscriptionum Iudaeae/Palestinae. A multi-lingual corpus of the inscriptions from Alexander to Muhammad&lt;/i&gt;. &amp;nbsp; &lt;a href="http://www.degruyter.de/cont/fb/at/detailEn.cfm?id=IS-9783110222197-1"&gt;Berlin: &amp;nbsp;Walter de Gruyter, 2010&lt;/a&gt;. &amp;nbsp;Pp. xxiv, 694. &amp;nbsp;ISBN 9783110222197. &amp;nbsp;$182.00. &amp;nbsp;&amp;nbsp;&lt;/h3&gt;&lt;b&gt;Contributors:&lt;/b&gt;&amp;nbsp;Additional editors: Leah Di Segni, Werner Eck, Benjamin Isaac, Alla Kushnir-Stein, Haggai Misgav, Jonathan Price, Israel Roll and Ada Yardeni.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Reviewed by Hagith Sivan (dinah01@ku.edu)&lt;/b&gt;&lt;br /&gt;&lt;a href="http://books.google.com/books?id=s4NMuZf3o4QC"&gt;Preview&lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-QBInAbET2KE/Tmt__d9zaXI/AAAAAAAABHU/_aaZIhBz4lQ/s1600/scaled-600x0_cotton_hannah_jacket_small.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="212" src="http://1.bp.blogspot.com/-QBInAbET2KE/Tmt__d9zaXI/AAAAAAAABHU/_aaZIhBz4lQ/s320/scaled-600x0_cotton_hannah_jacket_small.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;This is the first volume in a projected series of nine volumes dedicated to the classical epigraphy of Israel, a modern state with somewhat fluctuating borders that do not, however, correspond to either ancient Judaea or to Roman Palestine. The corpus's uniqueness, according to the brief introduction, resides in its multi-lingual aspect. Its chronological spectrum embraces nearly a millennium (c. 300 BCE to c. 640 CE), and the editors ought to be commended for attempting to break away from the traditional chronologies that have dominated the field of Jewish studies. Thus, instead of "Second Temple" and the "Mishnah" and "Talmud" eras (c. 450 BCE to 70 CE; c. 70 to c. 200 CE; and c. 200 to 400/600 CE, respectively), the editors have adopted the conventional classical boundaries of the "Hellenistic" period (which they do, however, terminate with the destruction of the Second Temple in 70 CE); the "Roman Period" (from 70 to Constantine), and "Late Antiquity" (from Constantine to the Arab Conquest). The inscriptions themselves do not appear to lend support to these temporal divisions, at least not in part 1 of volume 1 which, according to page 39, solely covers "inscriptions from the Hellenistic period up to the destruction of the Second Temple." Perhaps, for the sake of clarification, this important piece of information should have been placed on the title page.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://bmcr.brynmawr.edu/2011/2011-09-12.html"&gt;Etc. at BMCR&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-4360223048135878570?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://bmcr.brynmawr.edu/2011/2011-09-12.html' title='REVIEW of Hannah M. Cotton (ed.), Corpus inscriptionum Iudaeae/Palaestinae. Volume 1'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/4360223048135878570'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/4360223048135878570'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/09/review-of-hannah-m-cotton-ed-corpus.html' title='REVIEW of Hannah M. Cotton (ed.), Corpus inscriptionum Iudaeae/Palaestinae. Volume 1'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-Yw_9qdw8G5E/Tmt_2YeihuI/AAAAAAAABHQ/XCJ6_FOYdqQ/s72-c/scaled-600x0_cotton_hannah_collage_vol_1_small.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-169007147201605727</id><published>2011-09-07T08:53:00.000-05:00</published><updated>2011-09-07T08:53:10.161-05:00</updated><title type='text'>The 9th Arabic Papyrology Webclass (Winter Term 2011/12): Documents from  al-Andalus</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-SE2GNI69PTQ/Tmd2jizPW1I/AAAAAAAABHM/pytf8_tZ95s/s1600/67296_161767853845583_100000371097492_372497_1467010_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/-SE2GNI69PTQ/Tmd2jizPW1I/AAAAAAAABHM/pytf8_tZ95s/s400/67296_161767853845583_100000371097492_372497_1467010_n.jpg" width="288" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;The 9th Arabic Papyrology Webclass (Winter Term 2011/12): Documents from&lt;br /&gt;al-Andalus&lt;br /&gt;&lt;br /&gt;Arabic papyrology mostly deals with documents from Egypt and the East.&lt;br /&gt;However, documents from Muslim Spain have their regional peculiarities&lt;br /&gt;in paleography, terminology, diplomatics, etc. In this webclass, we will&lt;br /&gt;focus on offical letters and agreements kept in the Barcelona "Archivo&lt;br /&gt;General de la Corona de Aragón".&lt;br /&gt;&lt;br /&gt;This is an on-line webclass. We will mostly read unpublished documents.&lt;br /&gt;A scan of the document to be discussed will be sent to you in advance.&lt;br /&gt;Estimated time for preparation: 1-2 hours/week. Communication will be in&lt;br /&gt;English.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-169007147201605727?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.naher-osten.uni-muenchen.de/studium_lehre/weiterbildung/apw/index.html' title='The 9th Arabic Papyrology Webclass (Winter Term 2011/12): Documents from  al-Andalus'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/169007147201605727'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/169007147201605727'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/09/9th-arabic-papyrology-webclass-winter.html' title='The 9th Arabic Papyrology Webclass (Winter Term 2011/12): Documents from  al-Andalus'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-SE2GNI69PTQ/Tmd2jizPW1I/AAAAAAAABHM/pytf8_tZ95s/s72-c/67296_161767853845583_100000371097492_372497_1467010_n.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-677331949276181411</id><published>2011-09-07T08:25:00.001-05:00</published><updated>2011-09-07T08:28:19.393-05:00</updated><title type='text'>S. BUCKING, Practice Makes Perfect P. Cotsen-Princeton 1 and the Training of Scribes in Byzantine Egypt</title><content type='html'>&lt;span class="Apple-style-span" style="color: #424038; font-size: 13px; line-height: 15px;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-dPaM_yyEab4/TmdwrNWuS7I/AAAAAAAABHI/76tBv26dSkg/s1600/practice-makes-perfect-p-cotsen-princeton-1-and-the-training-of-scribes-in-byzantine-egypt_large.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-dPaM_yyEab4/TmdwrNWuS7I/AAAAAAAABHI/76tBv26dSkg/s1600/practice-makes-perfect-p-cotsen-princeton-1-and-the-training-of-scribes-in-byzantine-egypt_large.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #424038; font-size: 13px; line-height: 16px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;This book by papyrologist Scott Bucking is about a 7th century Sahidic Coptic manuscript including a syllabary and simple text indicating its use for elementary instruction in a monastery. The text provides a papyrological description of the manuscript, with a text describing its historical and social context and discusses current issues in papyrology relating to papyri as archaeological objects.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #424038; font-size: 13px; line-height: 16px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #424038; font-family: Georgia, 'Times New Roman', serif; font-size: 13px; line-height: 16px;"&gt;ISBN: 9780974516844&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #424038; font-size: 13px; line-height: 16px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #424038; font-size: 13px; line-height: 16px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Year: 2011&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #424038; font-size: 13px; line-height: 16px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Size: 23 x 18 cm&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #424038; font-size: 13px; line-height: 16px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Binding: Hardcover. In slipcase.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #424038; font-size: 13px; line-height: 16px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Illustration: With a 61-page colour facsimile of the manuscript and additional illustrations in the text.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #424038; font-size: 13px; line-height: 16px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Pages: 266 p&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-677331949276181411?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.hesdegraaf.com/Book/Detail/practice-makes-perfect-p-cotsen-princeton-1-and-the-training-of-scribes-in-byzantine-egypt' title='S. BUCKING, Practice Makes Perfect P. Cotsen-Princeton 1 and the Training of Scribes in Byzantine Egypt'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/677331949276181411'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/677331949276181411'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/09/s-bucking-practice-makes-perfect-p.html' title='S. BUCKING, Practice Makes Perfect P. Cotsen-Princeton 1 and the Training of Scribes in Byzantine Egypt'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-dPaM_yyEab4/TmdwrNWuS7I/AAAAAAAABHI/76tBv26dSkg/s72-c/practice-makes-perfect-p-cotsen-princeton-1-and-the-training-of-scribes-in-byzantine-egypt_large.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-7469687817116977192</id><published>2011-09-05T09:13:00.001-05:00</published><updated>2011-09-05T09:15:56.148-05:00</updated><title type='text'>Indice delle COMUNICAZIONI dell'Istituto Papirologico "G. Vitelli" 9,</title><content type='html'>COMUNICAZIONI dell'Istituto Papirologico "G. Vitelli" 9,&lt;br /&gt;Firenze, Istituto Papirologico "G. Vitelli" 2011,&lt;br /&gt;pp. 134 + XVI tavv.&lt;br /&gt;ISBN 978 88 87829 46 4&lt;br /&gt;prezzo 40 euro&lt;br /&gt;&lt;br /&gt;contenuto:&lt;br /&gt;&lt;br /&gt;Dai Papiri della Società Italiana, pp. 1- 55:&lt;br /&gt;1. Preghiera dalla liturgia bizantina di S. Basilio (M. Stroppa)&lt;br /&gt;2. Ricevuta dei sitologi (S. Russo)&lt;br /&gt;3. Ricevuta di dazio (S. Russo)&lt;br /&gt;4. Ricevuta d’imposta su un vigneto (S. Russo)&lt;br /&gt;5. Frammento di restituzione di un mutuo (S. Russo)&lt;br /&gt;6. Contratto di affitto di terreno (S. Russo)&lt;br /&gt;7. Intestazione di documento (S. Russo)&lt;br /&gt;8. Intestazione di documento (S. Russo)&lt;br /&gt;9. Frammento di documento (S. Russo)&lt;br /&gt;10. Intestazione di lettera (S. Russo)&lt;br /&gt;&lt;br /&gt;11-12. Two astronomical tables from the Tebtunis Temple Library (A. Jones – M. Perale)&lt;br /&gt;&lt;br /&gt;T.M. Hickey, A private extract from a weaver’s census return, pp. 57-60&lt;br /&gt;&lt;br /&gt;M. Stroppa, Testi cristiani scritti transversa charta nei PSI: alcuni esempi, pp. 61-72&lt;br /&gt;&lt;br /&gt;G. Rosati, Schiaparelli, Giglioli e la Nuova Zelanda, pp. 73-77&lt;br /&gt;&lt;br /&gt;A. Lopez Garcia, I PSI inv. già editi non ricompresi nella serie dei PSI, pp. 79-130&lt;br /&gt;&lt;br /&gt;Thanks again to Prof. Bastianini for providing me the TOC.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-7469687817116977192?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.ibs.it/code/9788887829464//comunicazioni-dell-istituto.html' title='Indice delle COMUNICAZIONI dell&apos;Istituto Papirologico &quot;G. Vitelli&quot; 9,'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/7469687817116977192'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/7469687817116977192'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/09/indice-delle-comunicazioni-dellistituto.html' title='Indice delle COMUNICAZIONI dell&apos;Istituto Papirologico &quot;G. Vitelli&quot; 9,'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-4275415543547779408</id><published>2011-09-05T09:06:00.001-05:00</published><updated>2011-09-05T09:08:02.061-05:00</updated><title type='text'>F.Krüpe, Die Damnatio Memoriae</title><content type='html'>&lt;div style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px; color: #4e4e4e; font-family: 'Segoe UI', Arial, Verdana, Helvetica, sans-serif; font-size: 10pt; line-height: 1.2em;"&gt;&lt;span style="font-size: large;"&gt;&lt;strong&gt;Die Damnatio Memoriae&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px; color: #4e4e4e; font-family: 'Segoe UI', Arial, Verdana, Helvetica, sans-serif; font-size: 10pt; line-height: 1.2em;"&gt;&lt;span style="font-size: larger;"&gt;&lt;strong&gt;Über die Vernichtung von Erinnerung –&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px; color: #4e4e4e; font-family: 'Segoe UI', Arial, Verdana, Helvetica, sans-serif; font-size: 10pt; line-height: 1.2em;"&gt;&lt;span style="font-size: larger;"&gt;&lt;strong&gt;Eine Fallstudie zu Publius Septimius Geta&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: larger;"&gt;&lt;strong&gt;(189&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size: larger;"&gt;&lt;strong&gt;–&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size: larger;"&gt;&lt;strong&gt;211 n. Chr.)&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px; color: #4e4e4e; font-family: 'Segoe UI', Arial, Verdana, Helvetica, sans-serif; font-size: 10pt; line-height: 1.2em;"&gt;&lt;span style="font-size: larger;"&gt;von Florian Krüpe&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: larger;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; font-family: Arial; line-height: normal;"&gt;Erscheinungsdatum: 06. Juli 201&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; font-family: Arial; line-height: normal;"&gt;Gebunden, Fadenheftung&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; font-family: Arial; line-height: normal;"&gt;Maße: 17 cm x 24 cm&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; font-family: Arial; line-height: normal;"&gt;336 S. mit 33 Abbildungen&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; font-family: Arial; line-height: normal;"&gt;Preis: 78,00 Euro (portofrei in D; in die EU, nach Europa oder in die Welt zzgl. Porto)&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; font-family: Arial; line-height: normal;"&gt;ISBN: 978-3-940598-01-1&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; font-family: Arial; line-height: normal;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Publisher's blurb:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-xC932FkBu0o/TmTXEhgeO7I/AAAAAAAABHA/YBKyFga4C-Y/s1600/Screen+shot+2011-09-05+at+9.04.39+AM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-xC932FkBu0o/TmTXEhgeO7I/AAAAAAAABHA/YBKyFga4C-Y/s1600/Screen+shot+2011-09-05+at+9.04.39+AM.png" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="color: #4e4e4e; font-size: 10pt; line-height: 1.2em;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;»Er grollte auch den Steinen, weil sie einstmals seine Statuen getragen hatten, und ließ die Münzen mit seinem Bilde einschmelzen…« (Cassius Dio)&lt;br /&gt;&lt;br /&gt;Die Bedeutung des Publius Septimius Geta liegt nicht in seiner Biographie, seiner »Karriere« zum Princeps oder einer mehr oder minder erfolgreichen Regentschaft begründet, sondern in den Folgen eines jahrelangen Bruderzwistes und eines etwa neunmonatigen, chaotischen Interregnums, an dessen Ende ihn sein Bruder Caracalla unter brutalen Umständen ermorden ließ. Denn daraufhin verhängte dieser jene Memoriastrafe über ihn, die gemäß der&amp;nbsp;&lt;em&gt;opinio communis&lt;/em&gt;&amp;nbsp;als&amp;nbsp;&lt;em&gt;damnatio memoriae&lt;/em&gt;bezeichnet wird.&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #4e4e4e; font-size: 10pt; line-height: 1.2em;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Die vorliegende Studie analysiert in eine ersten Abschnitt den Forschungsstand und die juristischen Grundlagen dieser typisch römischen Ausformung einer antiken Memoriastrafe und widmet sich dann in einem chronologischen Durchgang ausgewählten Einzelfällen, die eine Weiterentwicklung des Verfahrens erkennen lassen.&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #4e4e4e; font-size: 10pt; line-height: 1.2em;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Getas&amp;nbsp;&lt;em&gt;damnatio memoriae&lt;/em&gt;, die in vielerlei Hinsicht exzeptionell für die römische Kaiserzeit und die Dynastie der Severer ist, steht im Mittelpunkt des systematischen zweiten Teils. Sie fußt auf einer intensiven Analyse des epigraphischen und papyrologischen Materials und wird exemplarisch zeigen, daß die »Vernichtung von Erinnerung« nicht unbedingt das Ziel der herrschenden Autoritäten war – sehr wohl aber der Eingriff in das kollektive Gedächtnis eines multiethnischen Vielvölkersstaates und die Befriedigung persönlicher Rachegelüste.&lt;/span&gt;&lt;/div&gt;&lt;div style="color: #4e4e4e; font-size: 10pt; line-height: 1.2em;"&gt;&lt;strong&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="color: #4e4e4e; font-size: 10pt; line-height: 1.2em;"&gt;&lt;strong&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Der Autor&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div style="color: #4e4e4e; font-size: 10pt; line-height: 1.2em;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Florian Krüpe, Jahrgang 1973 studierte Alte Geschichte, Klassische Archäologie und Neuere Geschichte. Der Magisterarbeit über den römischen Kaiser als Leichenredner folgte als Promotion die vorliegende Studie. Die Römische Kaiserzeit mitsamt ihren zahlreichen Facetten gehört ebenso zu seinen Forschungsinteressen wie aktuelle EDV-Projekte in den Geschichtswissenschaften. Der Autor ist Akademischer Rat am Fachbereich Geschichte und Kulturwissenschaften der Philipps-Universität Marburg.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-4275415543547779408?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://verlag.computus-druck.com/?Verlagsprogramm:Damnatio_memoriae' title='F.Krüpe, Die Damnatio Memoriae'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/4275415543547779408'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/4275415543547779408'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/09/fkrupe-die-damnatio-memoriae.html' title='F.Krüpe, Die Damnatio Memoriae'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-xC932FkBu0o/TmTXEhgeO7I/AAAAAAAABHA/YBKyFga4C-Y/s72-c/Screen+shot+2011-09-05+at+9.04.39+AM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-7229801021988118481</id><published>2011-09-05T08:59:00.002-05:00</published><updated>2011-09-05T09:02:20.547-05:00</updated><title type='text'>Conference: DEMOSTHENICA. LIBRIS MANU SCRIPTIS TRADITA (Uni-WIEN)</title><content type='html'>&lt;div style="text-align: center;"&gt;DEMOSTHENICA. LIBRIS MANU SCRIPTIS TRADITA &lt;/div&gt;&lt;div style="text-align: center;"&gt;INTERNATIONALES SYMPOSIUM ZUR TEXTÜBERLIEFERUNG DES CORPUS DEMOSTHENICUM&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;Aktueller Forschungsstand und weitere Perspektiven&lt;/div&gt;&lt;div style="text-align: center;"&gt;Wien, 22.-24. September 2011&lt;/div&gt;&lt;div style="text-align: center;"&gt;Veranstalter: Institut für Klassische Philologie, Mittel- und Neulatein der Universität Wien  |   Institut für Byzanzforschung der Österreichischen Akademie der Wissenschaften&lt;/div&gt;&lt;div style="text-align: center;"&gt;Im Rahmen des FWF-Projekts P20049-G02 (Projektbeschreibung) und mit Unterstützung der Stadt Wien, MA 7 - Wissenschafts- und Forschungsförderung&lt;/div&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-BYCtLWOUgeA/TmTVTWBLTGI/AAAAAAAABG8/nBremHo47Lg/s320/Screen+shot+2011-09-05+at+8.57.00+AM.png" style="margin-left: auto; margin-right: auto;" width="302" /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;a href="http://www.oeaw.ac.at/byzanz/pdf/Demosthenes.pdf"&gt;FULL SIZE poster click here&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;PROGRAMM&lt;br /&gt;Donnerstag 22. 9. (Herbert Hunger-Haus der ÖAW, Theatersaal)&lt;br /&gt;&lt;br /&gt;17.00–17.15 Begrüßung:&lt;br /&gt;Sigrid JALKOTZY-DEGER Präsidentin der phil.-hist. Klasse der Österreichischen Akademie der Wissenschaften&lt;br /&gt;&lt;br /&gt;Otto KRESTEN Institut für Byzanzforschung der Österreichischen Akademie der Wissenschaften&lt;br /&gt;&lt;br /&gt;17.15–18.30 Eröffnungsvortrag:&lt;br /&gt;LucianoCANFORA (Bari)&lt;br /&gt;Textgeschichte des Demosthenes im Wandel der Jahrhunderte&lt;br /&gt;&lt;br /&gt;18.30–20.00 Empfang im Innenhof des Herbert Hunger-Hauses&lt;br /&gt;Freitag 23. 9. (ÖAW, Wohllebengasse 12–14, Seminarraum) Moderation: Herbert BANNERT&lt;br /&gt;&lt;br /&gt;9.15–9.25 Begrüßung:&lt;br /&gt;Herbert BANNERT Institut für Klassische Philologie, Mittel- und Neulatein der Universität Wien&lt;br /&gt;&lt;br /&gt;9.25–10.10 (incl. Diskussion) HerwigMAEHLER (Wien)&lt;br /&gt;Demosthenes-Kommentare auf Papyrus&lt;br /&gt;&lt;br /&gt;10.10–10.40 Kaffeepause&lt;br /&gt;&lt;br /&gt;10.40–11.10 (incl. Diskussion)&lt;br /&gt;LászlóHORVÁTH (Budapest)&lt;br /&gt;Ps.-Demosthenes XVII. Hypereides als Verfasser?&lt;br /&gt;&lt;br /&gt;11.10–11.45 (incl. Diskussion) LucianoCANFORA (Bari)&lt;br /&gt;Demosthenes’ und Hypereides’ Epitaphioi logoi&lt;br /&gt;&lt;br /&gt;11.45–12.15 Kaffeepause&lt;br /&gt;&lt;br /&gt;12.15–12.55 (incl. Diskussion) KonstantinosA.KAPPARIS (Gainesville,Florida)&lt;br /&gt;The transmission of Apollodoros in the edition of M. Dilts&lt;br /&gt;&lt;br /&gt;12.55–15.10 Mittagspause&lt;br /&gt;&lt;br /&gt;Moderation: Otto KRESTEN&lt;br /&gt;15.10–15.40 (incl. Diskussion)&lt;br /&gt;LisaBENEDETTI (Mailand)&lt;br /&gt;L’interpunzione di Philippica III, 28–40; 59–68, nei manoscritti Par. gr. 2934, Par. gr. 2935, Monac. gr. 485, Marc. gr. 416&lt;br /&gt;&lt;br /&gt;15.40–16.20 (incl. Diskussion) BrigitteMONDRAIN (Paris)&lt;br /&gt;Le rôle de quelques manuscrits dans l’histoire du texte de Démosthène&lt;br /&gt;&lt;br /&gt;16.20–16.50 Kaffeepause&lt;br /&gt;&lt;br /&gt;16.50–17.20 (incl. Diskussion) SofiaKOTZABASSI (Thessaloniki)&lt;br /&gt;Demosthenes im 13. Jahrhundert&lt;br /&gt;&lt;br /&gt;17.20–17.50 (incl. Diskussion)&lt;br /&gt;Jana GRUSKOVÁ (Wien)&lt;br /&gt;Paläographisch-kodikologische Betrachtungen zu den „vetustissimi“ des Demosthenes: Textkritische und textgeschichtliche Auswertung&lt;br /&gt;&lt;br /&gt;17.50–19.00 BuffetSamstag 24. 9. (Institut für Klassische Philologie, Mittel- und Neulatein der UW) Moderation: Herwig MAEHLER&lt;br /&gt;&lt;br /&gt;9.10–9.50 (incl. Diskussion) FelipeG.HERNÁNDEZMUÑOZ (Madrid)&lt;br /&gt;The transmission of the text of Demosthenes: some issues&lt;br /&gt;&lt;br /&gt;9.50–10.20 (incl. Diskussion) DonalSpenceMCGAY (Radnor,Pennsylvania)&lt;br /&gt;Reflections on the manuscript tradition of Demosthenes, Or. 54&lt;br /&gt;&lt;br /&gt;10.20–10.50 Kaffeepause&lt;br /&gt;&lt;br /&gt;10.50–11.20 (incl. Diskussion) LorenzoMariaCIOLFI (Rom)&lt;br /&gt;Demostene nel X secolo. Il caso del Laur. 59.9&lt;br /&gt;&lt;br /&gt;11.20–12.00 (incl. Diskussion)&lt;br /&gt;Stefano MARTINELLI TEMPESTA (Mailand)&lt;br /&gt;Some remarks about the relationships between the primary witnesses of the Corpus Demosthenicum&lt;br /&gt;&lt;br /&gt;12.00–14.00 Mittagspause&lt;br /&gt;&lt;br /&gt;14.00–15.45 Round-table-Gespräch&lt;br /&gt;&lt;br /&gt;Moderation: Herbert BANNERT, Ernst GAMILLSCHEG, Otto KRESTEN, Herwig MAEHLER&lt;br /&gt;15.45–16.00 Schlussworte: Herbert BANNERT, Otto KRESTEN&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-7229801021988118481?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.oeaw.ac.at/byzanz/' title='Conference: DEMOSTHENICA. LIBRIS MANU SCRIPTIS TRADITA (Uni-WIEN)'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/7229801021988118481'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/7229801021988118481'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/09/conference-demosthenica-libris-manu.html' title='Conference: DEMOSTHENICA. LIBRIS MANU SCRIPTIS TRADITA (Uni-WIEN)'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-BYCtLWOUgeA/TmTVTWBLTGI/AAAAAAAABG8/nBremHo47Lg/s72-c/Screen+shot+2011-09-05+at+8.57.00+AM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-455541659797366664</id><published>2011-09-03T09:44:00.001-05:00</published><updated>2011-09-03T09:44:20.462-05:00</updated><title type='text'>ZPE 178 (2011)</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;INHALT&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Alexandru, S., A Never Yet Deciphered Greek Palimpsest: Codex Athous Zographou Il’inskiy 40 &amp;nbsp; 159 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Alföldy, G., Griechische Inschriften und griechische Kultur in Tarraco &amp;nbsp; 87 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ameling, W., Epigraphische Kleinigkeiten (II) &amp;nbsp; 185 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Avram, A. – Jones, C. P., An Actor from Byzantium in a New Epigram from Tomis &amp;nbsp; 126 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Awianowicz, B., A New Hellenistic Ostracon from Nikonion &amp;nbsp; 237 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Bernsdorff, H., Notes on P.Oxy. 3722 (Commentary on Anacreon) &amp;nbsp; 29 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Brackmann, S., Ein Votivtäfelchen mit einer ungewöhnlichen Weihinschrift für Zeus &amp;nbsp; 221 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Brown, Ch. G., To the Ends of the Earth: Sappho on Tithonus &amp;nbsp; 21 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Caldelli, M. L., La titolatura di Plauziano – Una messa a punto &amp;nbsp; 261 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Christol, M., A propos d’inscriptions latines d’Uthina (Oudhna, Tunisie) &amp;nbsp; 285&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Dąbrowa, E., The Date of the Census of Quirinius and the Chronology of the Governors&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;of the Province of Syria &amp;nbsp; 137 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Descat, R., Autour de la tombe d’Hékatomnos. Nouvelle lecture d’une inscription de Mylasa &amp;nbsp; 195 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Eck, W., Zwei Diplome für Rätien und Thrakien &amp;nbsp; 247 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Facella, M., Twin Peaks: On a New Royal Hellenistic Coin from the Auction Marke &amp;nbsp; 223&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Fishwick, D., L. Cornelius L. f. Bocchus and the Office of [curator templi Divi] Augusti &amp;nbsp; 252 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Fortson, B. W. – Potter, D. S., A Fragmentary Early Republican Public Inscription from Gabi &amp;nbsp; 255 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Glock, A., Hermann Dessaus Grabinschrift &amp;nbsp; 300 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;González González, M., Un eco de Semónides Fr. 7 en CEG II 530 &amp;nbsp; 26 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Gorostidi Pi, D. – Ruiz Valderas, E., Un nuevo aedilis lustralis procedentee Tusculum (Lacio, Italia)  273&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Gronewald, M., Nachlese zu P.Macq. inv. 586 (1) (ZPE 177, 2011, 58) &amp;nbsp; 84 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Hagedorn, D. – Hagedorn, U., Monotheletisch interpretierte Väterzitate und eine Anleihe bei Johannes Chrysostomus in dem Kölner Osterfestbrief (P. Köln V 215) &amp;nbsp; 143&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Handley, E. W., The Date of Menander’s Epitrepontes &amp;nbsp; 51 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Hickey, T. M., A Penthēmeros Certificate from the Reign of Caracalla (P.Lund inv. 12) &amp;nbsp; 240 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Higginbotham, J. – Muccigrosso, J. D., A New Archaic Dipinto from Poseidonia &amp;nbsp; 191 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Huß, W., Zur Datierung von O. dem. Stras. 283 &amp;nbsp; 236 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Iasiello, I. – Solin, H., Due iscrizioni dal territorio di Morcone &amp;nbsp; 279 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Jones, C. P., Julius Nicanor Again &amp;nbsp; 79 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Jones, C. P. – Avram, A., An Actor from Byzantium in a New Epigram from Tomis &amp;nbsp; 126 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Jordan, D. R. – Kotansky, R. D., Ritual Hexameters in the Getty Museum: Preliminary Edition &amp;nbsp; 54 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Karamanou, I., The Hektor–Deiphobos Agon in Euripides’ Alexandros (frr. 62a–b K.: P. Stras. 2342, 2 and 2343 &amp;nbsp; 35&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Kirov, S., Gaius Iulius Rhascos &amp;nbsp; 215 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Kotansky, R. D. – Jordan, D. R., Ritual Hexameters in the Getty Museum: Preliminary Edition &amp;nbsp; 54 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Kounouclas, P. – Summa, D., A New Dedication from Eastern Lokris &amp;nbsp; 203&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Lundon, J., PSI XV 1464 e P.Oxy. LXXI 4821. Due frammenti di uno stessocommentario omerico da Ossirinco &amp;nbsp; 1&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Luppe, W., Nochmals zu Β̅ Μήδεια = Μήδεια δευτέρα	48 –	Zum Grab-Epigramm GV 2093 &amp;nbsp; 135 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;MacCoull, L. S. B., Monastic and Church Landholding in the Aphrodito Cadaster &amp;nbsp; 243 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Marchand, F., A New Profession in a Funerary Inscription from Tanagra &amp;nbsp; 207 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Muccigrosso, J. D. – Higginbotham, J., A New Archaic Dipinto from Poseidonia &amp;nbsp; 191 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Pirovano, L., Un “nuovo” foglio manoscritto delle Interpretationes Vergilianae&amp;nbsp;di Tiberio Claudio&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Donato (Beinecke Library MS 1020) &amp;nbsp; 85&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Potter, D. S. – Fortson, B. W., A Fragmentary Early Republican Public Inscription from Gabii &amp;nbsp; 255 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Prignitz, S., Ein Augustuspriester des Jahres 27 v. Chr.	210 Ruiz Valderas, E. – Gorostidi Pi, D., Un nuevo aedilis lustralis procedente&amp;nbsp;de Tusculum (Lacio, Italia) &amp;nbsp; 273&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Solin, H. – Iasiello, I., Due iscrizioni dal territorio di Morcone &amp;nbsp; 279 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Squire, M. J., Three New Tabulae Iliacae Reconstructions (Tablets 2NY, 9D, 20Par) &amp;nbsp; 63 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Summa, D. – Kounouclas, P., A New Dedication from Eastern Lokris &amp;nbsp; 203 &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Uljas, S., A Leaf of the Coptic Martyrdom of Ptolemy in Cambridge &amp;nbsp; 179&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-455541659797366664?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://ifa.phil-fak.uni-koeln.de/fileadmin/IfA/ZPE/17800III-00IV.pdf' title='ZPE 178 (2011)'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/455541659797366664'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/455541659797366664'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/09/zpe-178-2011.html' title='ZPE 178 (2011)'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-460806337258139166</id><published>2011-09-03T09:32:00.001-05:00</published><updated>2011-09-03T09:32:36.859-05:00</updated><title type='text'>REVIEW: G. Weber (ed.), Alexandreia und das ptolemäische Ägypten: Kulturbegegnungen in hellenistischer Zeit.</title><content type='html'>&lt;br /&gt;&lt;center&gt;&lt;span style="font-family: Georgia, 'Times New Roman', serif;"&gt;Bryn Mawr Classical Review 2011.09.07&lt;/span&gt;&lt;/center&gt;&lt;br /&gt;&lt;hr /&gt;&lt;h3&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Gregor Weber (ed.),&amp;nbsp;&lt;i&gt;Alexandreia und das ptolemäische Ägypten: Kulturbegegnungen in hellenistischer Zeit&lt;/i&gt;. &amp;nbsp;&lt;a href="http://www.verlag-antike.de/va/titel/978-3-938032-37-4"&gt; Berlin: &amp;nbsp;Verlag Antike, 2010. &lt;/a&gt;&amp;nbsp;Pp. 232. &amp;nbsp;ISBN 9783938032374. &amp;nbsp;€ 49.90. &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/h3&gt;&lt;hr align="left" width="50%" /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;b&gt;Reviewed by M. Weiskopf (mnweiskopf@aol.com)&lt;/b&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-I7DOH3-uyTg/TmI5M1flnKI/AAAAAAAABG0/GcJRiDnz2cQ/s1600/cover_978-3-938032-37-4.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/-I7DOH3-uyTg/TmI5M1flnKI/AAAAAAAABG0/GcJRiDnz2cQ/s320/cover_978-3-938032-37-4.jpg" width="210" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Weber has edited an excellent, well-written collection of essays investigating the Ptolemaic era, a collection (whose origins lie in 2007/2008) indicative of the advances made in the field since the 1980s when the imprecise term "multicultural" was first used to placate the “politically correct.” Weber’s introduction (pp. 9-29) makes clear that one is investigating cultural interactions,&amp;nbsp;&lt;i&gt;Kulturbegegnungen&lt;/i&gt;: a plural. The cultures and interactions are never static, nor is there a single&amp;nbsp;&lt;i&gt;Leitkultur&lt;/i&gt;. Weber proposes the investigation of five&amp;nbsp;&lt;i&gt;Problembereiche&lt;/i&gt;&amp;nbsp;that cut across disciplines: a. the concept of monarchy, in which the desire for dynastic unity led to the adaptation of the Egyptian concept of sibling marriage; b. the elite of the land, Egyptian and Greco-Macedonian maintaining their respective positions, but prosopographical details preclude assigning ethnics based on one’s name; c. religion, in which the Ptolemies were active patrons, but a clear division between divine worlds seems to have persisted; d. the situation in the chora, illuminated for the most part by papyrus-preserved “personal” histories; e. dislike of the Ptolemaic rule: the priesthood saw the Ptolemies as the bulwark against a&amp;nbsp;&lt;i&gt;Sintflut&lt;/i&gt;of chaos and anarchy; it remains difficult to assign specific reasons for others’ dissatisfaction. Weber ends with advice (p. 24): “Generalisierende Aussage in grosser Stil ueber&amp;nbsp;&lt;i&gt;die&lt;/i&gt;&amp;nbsp;griechische Elite oder&amp;nbsp;&lt;i&gt;die&lt;/i&gt;&amp;nbsp;Aegypter verbieten sich daher.”&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;etc at &lt;a href="http://bmcr.brynmawr.edu/2011/2011-09-07.html"&gt;BMCR&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://www.verlag-antike.de/va/titel/978-3-938032-37-4/inhalt"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;INHALTVERZEICHNIS&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt; &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Gregor Weber&lt;/span&gt;&lt;br /&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Kulturbegegnungen in Alexandreia und im ptolemäischen Ägypten. Begriffe – Probleme – Perspektiven  &lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Sitta von Reden&lt;/span&gt;&lt;br /&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Kulturbegegnung und wirtschaftliche Transformation in den ersten Generationen ptolemäischer Herrschaft  &lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Gregor Weber&lt;/span&gt;&lt;br /&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ungleicheiten, Integration oder Adaptation? Der ptolemäische Herrscher- und Dynastiekult in griechisch-makedonischer Perspektive  &lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Stefan Pfeiffer&lt;/span&gt;&lt;br /&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Das Dekret von Rosette. Die ägyptischen Priester und der Herrscherkult  &lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Marianne Bergmann&lt;/span&gt;&lt;br /&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Sarapis im 3. Jh. v.Chr.&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt; Stefan Schmidt&lt;/span&gt;&lt;br /&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Nekropolis – Grabarchitektur und Gesellschaft im hellenistischen Alexandreia  &lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Irmgard Männlein-Robert&lt;/span&gt;&lt;br /&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Zwischen Musen und Museion oder: Die poetische (Er-)Findung Griechenlands in den Aitien des Kallimachos  &lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Karl-Heinz Stanzel&lt;/span&gt;&lt;br /&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Neuer Wein in neuen Schläuchen? Kallimachos’ Iambik, die Mimepen Theokrits und die Mimiamben des Herodas  &lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Register&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Sachen, Orte, Personen&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Quellen&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Die Autorinnen und Autoren&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-460806337258139166?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://bmcr.brynmawr.edu/2011/2011-09-07.html' title='REVIEW: G. Weber (ed.), Alexandreia und das ptolemäische Ägypten: Kulturbegegnungen in hellenistischer Zeit.'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/460806337258139166'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/460806337258139166'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/09/review-g-weber-ed-alexandreia-und-das.html' title='REVIEW: G. Weber (ed.), Alexandreia und das ptolemäische Ägypten: Kulturbegegnungen in hellenistischer Zeit.'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-I7DOH3-uyTg/TmI5M1flnKI/AAAAAAAABG0/GcJRiDnz2cQ/s72-c/cover_978-3-938032-37-4.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-4460769550435102009</id><published>2011-09-02T07:41:00.006-05:00</published><updated>2011-09-02T07:54:59.334-05:00</updated><title type='text'>REVIEW of Livia Capponi, Roman Egypt.</title><content type='html'>&lt;br /&gt;&lt;center style="text-align: left;"&gt;&lt;span style="font-family: 'Trebuchet MS', Arial, 'Andale Mono';"&gt;Bryn Mawr Classical Review 2011.09.04&lt;/span&gt;&lt;/center&gt;&lt;center style="text-align: left;"&gt;&lt;span class="Apple-style-span" style="font-size: 19px; font-weight: bold;"&gt;Livia Capponi,&amp;nbsp;&lt;i&gt;Roman Egypt. Classical World Series&lt;/i&gt;. &amp;nbsp;&lt;a href="http://www.ducknet.co.uk/academic/title.php?titleissue_id=1000"&gt;London: &amp;nbsp;Bristol Classical Press, 2010&lt;/a&gt;. &amp;nbsp;Pp. 89. &amp;nbsp;ISBN 9781853997266. &amp;nbsp;$23.00. &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/center&gt;&lt;hr align="left" width="50%" /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-n2ztpYImoVI/TmDPYGElskI/AAAAAAAABGs/wcsqXPaYSzY/s1600/9781853997266.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: left;"&gt;&lt;span class="Apple-style-span" style="-webkit-text-decorations-in-effect: none; color: black;"&gt;&lt;b&gt;Reviewed by Nikolaos Lazaridis, California State University, Sacramento (lazaridis.nikolaos@gmail.com)&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-WxYj4yzqUak/TmDR2DsN1VI/AAAAAAAABGw/itMjz1hH7to/s1600/9781853997266.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-WxYj4yzqUak/TmDR2DsN1VI/AAAAAAAABGw/itMjz1hH7to/s320/9781853997266.jpg" width="203" /&gt;&lt;/a&gt;&lt;/div&gt;Livia Capponi, an enthusiastic and experienced papyrologist who is currently a lecturer in Ancient History at Newcastle University, has written a modest but well-documented introduction to Roman Egypt, a long historical period that begins with Augustus’ arrival at Alexandria on 1 October, 30 BC and ends with the Arab conquest of Egypt sealed by a treaty signed by the general ‘Amr ibn al-‘As and the patriarch Cyrus on 8 November 641. This introduction is intended for “students and teachers of Classical Civilization at late school and early university level”, according to the series’ mission statement on the back cover, even for “those with no previous knowledge of the classical languages and those who, before reading, did not even know what a papyrus was”, according to the author’s preface.&lt;br /&gt;&lt;br /&gt;Etc. at&amp;nbsp;&lt;a href="http://bmcr.brynmawr.edu/2011/2011-09-04.html"&gt;BMCR&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-4460769550435102009?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://bmcr.brynmawr.edu/2011/2011-09-04.html' title='REVIEW of Livia Capponi, Roman Egypt.'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/4460769550435102009'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/4460769550435102009'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/09/review-of-livia-capponi-roman-egypt.html' title='REVIEW of Livia Capponi, Roman Egypt.'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-WxYj4yzqUak/TmDR2DsN1VI/AAAAAAAABGw/itMjz1hH7to/s72-c/9781853997266.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-7384133998869823721</id><published>2011-08-31T08:50:00.000-05:00</published><updated>2011-08-31T08:50:43.305-05:00</updated><title type='text'>COMUNICAZIONI dell'Istituto Papirologico "G. Vitelli" 9,</title><content type='html'>COMUNICAZIONI dell'Istituto Papirologico "G. Vitelli" 9,&lt;br /&gt;Firenze, Istituto Papirologico "G. Vitelli" 2011,&lt;br /&gt;pp. 134 + XVI tavv.&lt;br /&gt;ISBN 978 88 87829 46 4&lt;br /&gt;prezzo 40 euro&lt;br /&gt;&lt;br /&gt;distribuzione:&lt;br /&gt;&lt;br /&gt;CASALINI LIBRI&lt;br /&gt;via Benedetto da Maiano 3, I-50014 Fiesole (FI)&lt;br /&gt;&lt;a href="http://www.ibs.it/code/9788887829464//comunicazioni-dell-istituto.html"&gt;Also at&amp;nbsp;ibs.it&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-7384133998869823721?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://vitelli.ifnet.it/Record.htm?record=19146472124919646549&amp;heading=Pubblicazioni+elenco+aggiornato' title='COMUNICAZIONI dell&apos;Istituto Papirologico &quot;G. Vitelli&quot; 9,'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/7384133998869823721'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/7384133998869823721'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/08/comunicazioni-dellistituto-papirologico.html' title='COMUNICAZIONI dell&apos;Istituto Papirologico &quot;G. Vitelli&quot; 9,'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-1989113373326402269</id><published>2011-08-31T08:43:00.000-05:00</published><updated>2011-08-31T08:43:36.464-05:00</updated><title type='text'>CLGP I v. 1 fasc. 3: Apollonius Rhodius (M Haslam), Aratus (R. Luiselli), Aristides (M. Sroppa) Archilochus (A. Porro),</title><content type='html'>Commentaria et Lexica Greca in Papyris reperta (CLGP) &lt;br /&gt;ediderunt G. Bastianini, M. Haslam, H. Maehler, F. Montanari, C. Römer, adiuvante M. Stroppa&lt;br /&gt;&lt;br /&gt;Pars I. Vol. 1. Fasc. 3. Apollonius Rhodius – Aristides&lt;br /&gt;&lt;br /&gt;Apollonius Rhodius, cur. M. Haslam&lt;br /&gt;Aratus, cur. R. Luiselli&lt;br /&gt;Archilochus, cur. A. Porro&lt;br /&gt;Aristides, cur. M. Stroppa&lt;br /&gt;&lt;br /&gt;Berlin/Boston, de Gruyter 2011, XXXVI + 200 pp. + V tabb.&lt;br /&gt;&lt;br /&gt;ISBN 978-3-11-019502-6&lt;br /&gt;e-ISBN 978-3-11-023902-7&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-1989113373326402269?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.degruyter.de/cont/serv/neutralMbwEn.cfm?rc=36244' title='CLGP I v. 1 fasc. 3: Apollonius Rhodius (M Haslam), Aratus (R. Luiselli), Aristides (M. Sroppa) Archilochus (A. Porro),'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/1989113373326402269'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/1989113373326402269'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/08/clgp-i-v-1-fasc-3-apollonius-rhodius-m.html' title='CLGP I v. 1 fasc. 3: Apollonius Rhodius (M Haslam), Aratus (R. Luiselli), Aristides (M. Sroppa) Archilochus (A. Porro),'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-1930385420788369312</id><published>2011-08-22T09:00:00.000-05:00</published><updated>2011-08-22T09:00:17.544-05:00</updated><title type='text'>Herbert Verreth, Toponyms in Demotic and Abnormal Hieratic texts from the 8th century BC till the 5th century AD (Trismegistos Online Publications, 5), Leuven, 2011 (719 p.).</title><content type='html'>Herbert Verreth,&lt;br /&gt;&lt;i&gt;Toponyms in Demotic and Abnormal Hieratic texts from the 8th century BC till the 5th century AD&lt;/i&gt;&lt;br /&gt;(Trismegistos Online Publications, 5),&lt;br /&gt;&amp;nbsp;Leuven, 2011 (719 p.).&lt;br /&gt;&lt;br /&gt;Blurb by Mark Depauw&lt;br /&gt;&lt;blockquote&gt;In the tradition of Calderini and Daris's Dizionario dei nomi geographici e topografici, this work offers a survey of all toponyms occurring in Demotic and Abnormal Hieratic texts from Egypt. For every toponym a basic identification and some bibliographical information is given, together with the references to all the texts (both documentary and literary) where the toponym occurs. For the moment 262 Abnormal Hieratic references are listed for 24 different places, and 12.672 Demotic references for 1098 different toponyms. For every attestation the name of the toponym is given as it occurs in the source, with a translation of its immediate context. To limit the number of pages, not all the available information has been copied in this printed volume, but further bibliography and additional remarks are accessible in the Trismegistos online database itself.&lt;br /&gt;A great help compiling these data was the (unpublished) master dissertation of Katelijn Vandorpe, Egyptische geografische elementen in Griekse transcriptie [Egyptian geographical elements in Greek transcription] (1988), which is now also available as a pdf at http://www.trismegistos.org/top.php.&lt;/blockquote&gt;&lt;br /&gt;Table of contents&lt;br /&gt;Introduction ... 6 &lt;br /&gt;Searching for toponyms in Trismegistos online	.. 18 &lt;br /&gt;The sigla for the Egyptian nomes in the following lists	... 23&lt;br /&gt;Toponyms mentioned in Abnormal Hieratic texts Geographical distribution of the Abnormal Hieratic texts ... 24 &lt;br /&gt;Geographical distribution of the toponyms in Abnormal Hieratic texts ... 26 &lt;br /&gt;Alphabetical survey of the toponyms in Abnormal Hieratic texts ... 27&lt;br /&gt;Toponyms mentioned in Demotic texts Geographical distribution of the Demotic texts ... 42 &lt;br /&gt;Geographical distribution of the toponyms in Demotic texts	... 51 &lt;br /&gt;Alphabetical survey of the toponyms in Demotic texts ... 72&lt;br /&gt;Survey of the most important constituent elements of the toponyms Adjectival forms ... 688 &lt;br /&gt;Districts, regions and countries ... 690 &lt;br /&gt;Divine names in toponyms ... 692 &lt;br /&gt;Geographical elements in toponyms ... 699&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-1930385420788369312?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.trismegistos.org/top.php' title='Herbert Verreth, Toponyms in Demotic and Abnormal Hieratic texts from the 8th century BC till the 5th century AD (Trismegistos Online Publications, 5), Leuven, 2011 (719 p.).'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/1930385420788369312'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/1930385420788369312'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/08/herbert-verreth-toponyms-in-demotic-and.html' title='Herbert Verreth, Toponyms in Demotic and Abnormal Hieratic texts from the 8th century BC till the 5th century AD (Trismegistos Online Publications, 5), Leuven, 2011 (719 p.).'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-657790365175479814</id><published>2011-08-12T10:56:00.000-05:00</published><updated>2011-08-12T10:56:50.195-05:00</updated><title type='text'>Droß-Krüpe, Kerstin. Wolle - Weber - Wirtschaft: die Textilproduktion der römischen Kaiserzeit im Spiegel der papyrologischen Überlieferung</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Droß-Krüpe, Kerstin.&amp;nbsp;&lt;i&gt;Wolle - Weber - Wirtschaft: die Textilproduktion der römischen Kaiserzeit im Spiegel der papyrologischen Überlieferung&lt;/i&gt;. Philippika, 46.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Wiesbaden: &lt;a href="http://www.harrassowitz-verlag.de/"&gt;Harrassowitz Verlag&lt;/a&gt;, 2011. x,&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;24,0 × 17,0 cm&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;304 p. € 78.00.&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;125,00 CHF&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;ISBN 9783447065160.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-jkuW7hfxUE4/TkVMptADUxI/AAAAAAAABGc/lVtFa755hXU/s1600/41OX1RmnSWL._SL500_AA300_.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-jkuW7hfxUE4/TkVMptADUxI/AAAAAAAABGc/lVtFa755hXU/s1600/41OX1RmnSWL._SL500_AA300_.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Textilien spielen zu allen Zeiten eine wichtige Rolle im sozialen und ökonomischen Gefüge von Gesellschaften. Zusammen mit Nahrung und Wohnung gehören sie zu den grundlegenden menschlichen Existenzbedürfnissen; sie schützen den Körper nicht nur vor extremen klimatischen Bedingungen, sie sind auch Ausdruck des geschlechtlichen, sozialen, beruflichen oder wirtschaftlichen Status’ des Trägers. Auch im Imperium Romanum nahm die Textilökonomie einen besonderen Stellenwert ein - nach der Landwirtschaft stellte sie das zweitwichtigste Betätigungsfeld dar und bot für zahlreiche Personen Verdienstmöglichkeiten. Einsichten in die kaiserzeitliche Textilproduktion erlauben vor allem ägyptische Papyri, die wie keine andere Quellengattung Auskunft über das Alltagsleben und das ökonomische Handeln von Individuen und Staat geben.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ausgehend von einem formalistischen Ansatz wirft die Studie Wolle - Weber - Wirtschaft neues Licht auf die kaiserzeitliche Textilproduktion. Kerstin Droß-Knüpe kann mit dem Einsatz von modernen ökonomischen Begrifflichkeiten und Denkmodellen als heuristische Kategorien Zusammenhänge innerhalb der antiken Textilökonomie sichtbar zu machen, die bisher verborgen geblieben sind. Zudem stellt sie neben die Analyse der Papyri Erkenntnisse aus der (experimentellen) Archäologie, um in einer interdisziplinären Annäherung die Abläufe dieses Wirtschaftssektors sichtbar zu machen und letztlich das Verständnis der antiken Ökonomie als Ganzes zu vertiefen. Am gut dokumentierten Beispiel des römischen Ägypten werden so Modelle zur Funktionsweise der Textilproduktion entwickelt, deren Gültigkeit sich auch für anderen Gebiete des Imperium Romanum erwarten lässt.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;                  &lt;/span&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;&lt;a href="http://www.harrassowitz-verlag.de/dzo/artikel/201/004/4000_201.pdf?t=1312992968"&gt;Inhalt&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;  &lt;/span&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;Vorwort … IX&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;1. Textilökonomie als Untersuchungsfeld antiker Wirtschaftsgeschichte &amp;nbsp;… 1&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;2. Rohstoffe der textilen Produktion &amp;nbsp;… 13 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;2.1.Wolle &amp;nbsp;… 13 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;2.1.1. Zur Schafhaltung in Ägypten &amp;nbsp;&amp;nbsp;… 13 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;2.1.2.Wollgewinnung … 19 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;2.2.Flachs/Leinen20 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;2.2.1. Zum Leinenanbau in Ägypten &amp;nbsp;&amp;nbsp;… 20 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;2.2.2.Leinengewinnung. … 21 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;2.3. Baumwolle, Seide und andere Fasern &amp;nbsp;… 22 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;2.3.1.Baumwolle. … 22 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;2.3.2.Seide … 23 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;2.3.3. Andere textile Rohstoffe &amp;nbsp;… 25&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;3. Vom Rohstoff zum Stoff&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; … 31&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;&amp;nbsp;3.1.Färben &amp;nbsp;… 31 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;3.2.Spinnen … 35 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;3.3.Weben &amp;nbsp;… 38 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;3.4.Walken … 42 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;3.5.Pressen … 45&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;4. Ökonomische Abläufe in der Textilproduktion &amp;nbsp;. … &amp;nbsp;47 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;4.1. Berufe und Spezialisierung in der Textilproduktion &amp;nbsp;&amp;nbsp;… &amp;nbsp;47 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;4.1.1.SpinnerundSpinnerinnen … 48 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;4.1.2.Färber … 51 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;4.1.3. Weber und Weberinnen &amp;nbsp;&amp;nbsp;. . . 58 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;4.1.4. Walker und Walkerinnen &amp;nbsp;&amp;nbsp;. . . 86 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;4.1.5. Überlegungen zur Existenz von Schneidern &amp;nbsp;. . . 89 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;4.1.6.AndereBerufe &amp;nbsp;. . . 93 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;4.2. Zur Ausbildung von Arbeitskräften &amp;nbsp;&amp;nbsp;. . . 103 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;4.3. Zu Infrastruktur und Lage der Werkstätten &amp;nbsp;. . . 120 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;4.4. Die Pacht von Arbeitsräumen &amp;nbsp;&amp;nbsp;. . .&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 142 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;4.5. Werkstattgröße und Zahl der Beschäftigten in einer Werkstatt &amp;nbsp;&amp;nbsp;. . . 151&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;&amp;nbsp;4.6. Organisationsformen in der Textilproduktion &amp;nbsp;. .. 170 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;4.7. ‚Zahlenspiele‘ – Überlegungen zu Aufwand und Ertrag der Textilproduktion &amp;nbsp;. . . 191 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;4.7.1.Steuern &amp;nbsp;&amp;nbsp;. . . 193 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;4.7.2. Kosten für Arbeitskräfte &amp;nbsp;&amp;nbsp;. . .&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 199 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;4.7.3. Kosten für Betriebsmittel &amp;nbsp;&amp;nbsp;. . . 202 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;4.7.4. Einnahmen für die Fertigung von Textilien &amp;nbsp;&amp;nbsp;&amp;nbsp;. . . 207 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;4.7.5. Exemplarische ‚Bilanz‘. . . 221&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;VIII&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="color: #141413;"&gt;Inhalt &lt;/span&gt;&lt;span style="color: #141413;"&gt;5. Textilproduktion in Heiligtümern der römischen Kaiserzeit &amp;nbsp;&amp;nbsp;. . . 233 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;6.Schlussbetrachtung &amp;nbsp;&amp;nbsp;. . . 245 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;7.Appendix &amp;nbsp;. . . 255&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;8. Quellen- und Literaturverzeichnis &amp;nbsp;. . . 257 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;8.1.Quellen &amp;nbsp;&amp;nbsp;. . . 257 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;8.1.1.Papyri&lt;/span&gt;&lt;i&gt;&lt;span style="color: #141413;"&gt;–&lt;/span&gt;&lt;/i&gt;&lt;span style="color: #141413;"&gt;Ostraka&lt;/span&gt;&lt;i&gt;&lt;span style="color: #141413;"&gt;–&lt;/span&gt;&lt;/i&gt;&lt;span style="color: #141413;"&gt;Tabulae &amp;nbsp;. . . 257 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;8.1.2.LiterarischeQuellen &amp;nbsp;. . . 262 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;8.1.3.Inschriften &amp;nbsp;. . . 264 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;8.1.4.Rechtstexte &amp;nbsp;. . . 264 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;8.1.5.WörterbücherundweitereHilfsmittel. . . . 264 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;8.1.6.Varia &amp;nbsp;. . . 265 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;8.2. Forschungsliteratur &amp;nbsp;. . . 265&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;9. Verzeichnis der Abbildungen und Tabellen &amp;nbsp;. . . 285&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;10.Indizes &amp;nbsp;. . . 287 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;10.1. Papyri – Ostraka – Tabulae...287 10.2.LiterarischeQuellen … 300 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413;"&gt;10.3.Inschriften &amp;nbsp;… 303 &lt;span class="Apple-style-span" style="font-family: 'Adobe Garamond Pro'; font-size: 10pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="color: #141413; font-family: 'Adobe Garamond Pro';"&gt;10.4.Rechtstexte … 304&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-657790365175479814?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.harrassowitz-verlag.de/' title='Droß-Krüpe, Kerstin. Wolle - Weber - Wirtschaft: die Textilproduktion der römischen Kaiserzeit im Spiegel der papyrologischen Überlieferung'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/657790365175479814'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/657790365175479814'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/08/dro-krupe-kerstin-wolle-weber.html' title='Droß-Krüpe, Kerstin. Wolle - Weber - Wirtschaft: die Textilproduktion der römischen Kaiserzeit im Spiegel der papyrologischen Überlieferung'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-jkuW7hfxUE4/TkVMptADUxI/AAAAAAAABGc/lVtFa755hXU/s72-c/41OX1RmnSWL._SL500_AA300_.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-251955188789656909</id><published>2011-08-02T09:03:00.002-05:00</published><updated>2011-08-02T09:07:01.068-05:00</updated><title type='text'>P. Sänger,  Veteranen unter den Severern und frühen Soldatenkaisern (P.Vet Aelii)</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Patrick Sänger&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: large;"&gt;Veteranen unter den Severern und frühen Soldatenkaisern&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Die Dokumentensammlungen der Veteranen Aelius Sarapammon und Aelius Syrion&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Band 48&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;a href="http://www.steiner-verlag.de/programm/fachbuch/altertumswissenschaften/alte-geschichte/reihen/view/titel/58610.html"&gt;Heidelberger Althistorische Beiträge und Epigraphische Studien&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;2011. &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;429 S., 21 s/w Abb.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;zahlr. Tab., Kartoniert&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;ISBN 978-3-515-09904-2&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;a href="http://www.steiner-verlag.de/uploads/tx_crondavtitel/datei-datei/9783515099042_i.pdf"&gt;INHALTVERZEICHNIS&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Kurztext&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-MDdbxPi9OGA/TjgEHu11tVI/AAAAAAAABGY/xQ9y69fUrcQ/s1600/61053a8498.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-MDdbxPi9OGA/TjgEHu11tVI/AAAAAAAABGY/xQ9y69fUrcQ/s1600/61053a8498.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Wie gestaltete sich das Leben römischer Veteranen nach der Beendigung der Dienstzeit und der Entlassung aus der Armee? Welche Position nahmen sie im sozialen und ökonomischen Gefüge des von ihnen gewählten Wohnortes ein? Kaum ein anderes Quellenmaterial als die in Ägypten erhalten gebliebenen Papyri hält mehr Antworten auf diese Fragen bereit.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Die von Patrick Sänger erschlossenen Dokumentensammlungen bzw. Archive der Veteranen Aelius Sarapammon und Aelius Syrion ermöglichen eine eingehende Analyse der sozio-ökonomischen Verhältnisse der beiden Protagonisten, die in Ankyronon, einem Dorf des mittelägyptischen Gaues Herakleopolites, beheimatet waren. Die zugehörigen 19 Archivtexte (P. Vet. Aelii) erstrecken sich über den Zeitraum vom Ende des 2. bis zur Mitte des 3. Jahrhunderts n.Chr. und werden teils in Erst-, teils in Neuedition vorgelegt. Diese Dokumente, die nicht nur aufgrund ihrer Zeitstellung, sondern auch ihrer Herkunft besonderes Interesse beanspruchen, dienen als Ausgangspunkt für eine Darstellung der sozio-ökonomischen Situation von Veteranen in Ägypten und anderen Provinzen des Imperium Romanum sowie für verwaltungs- und rechtshistorische Detailstudien.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-251955188789656909?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.steiner-verlag.de/programm/fachbuch/altertumswissenschaften/alte-geschichte/reihen/view/titel/58610.html' title='P. Sänger,  Veteranen unter den Severern und frühen Soldatenkaisern (P.Vet Aelii)'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/251955188789656909'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/251955188789656909'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/08/p-sanger-veteranen-unter-den-severern.html' title='P. Sänger,  Veteranen unter den Severern und frühen Soldatenkaisern (P.Vet Aelii)'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-MDdbxPi9OGA/TjgEHu11tVI/AAAAAAAABGY/xQ9y69fUrcQ/s72-c/61053a8498.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-12139312330484566</id><published>2011-07-26T11:20:00.001-05:00</published><updated>2011-07-26T11:20:52.882-05:00</updated><title type='text'>The EES Newletter</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-i_fPk0mmfM4/Ti7pAeArBhI/AAAAAAAABF8/UixdU1O_gOo/s1600/photo2.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/-i_fPk0mmfM4/Ti7pAeArBhI/AAAAAAAABF8/UixdU1O_gOo/s400/photo2.JPG" width="298" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-_RoUQtjyMsM/Ti7pEsvuhII/AAAAAAAABGA/wOM55jw6i4U/s1600/photo.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/-_RoUQtjyMsM/Ti7pEsvuhII/AAAAAAAABGA/wOM55jw6i4U/s400/photo.JPG" width="298" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;Not yet available at the website above&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-12139312330484566?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.ees.ac.uk/news/EESNewsletters.html' title='The EES Newletter'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/12139312330484566'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/12139312330484566'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/07/ees-newletter.html' title='The EES Newletter'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-i_fPk0mmfM4/Ti7pAeArBhI/AAAAAAAABF8/UixdU1O_gOo/s72-c/photo2.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-7440538001609563261</id><published>2011-07-26T11:07:00.003-05:00</published><updated>2011-07-26T15:17:53.082-05:00</updated><title type='text'>Ancient Lives</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, sans-serif; font-size: 10px; line-height: 10px;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.5em; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;div class="separator" style="clear: both; font-size: 1.2em; text-align: center;"&gt;&lt;img border="0" height="253" src="http://3.bp.blogspot.com/-Oafux5-YP28/Ti7mbAkOIEI/AAAAAAAABF4/dQuhpJHPgvU/s320/papyri.jpg" width="320" /&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ancient Lives is a collaboration between a diverse collection of Oxford Papyrologists and Researchers, The Imaging Papyri Project, The Oxyrhynchus Papyri Project, the Egypt Exploration Society and the following institutions.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; line-height: 1.5em; margin-bottom: 20px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;The papyri belong to the Egypt Exploration Society and their texts will eventually be published and numbered in Society's Greco-Roman Memoirs series in the volumes entitled&amp;nbsp;&lt;em style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;The Oxyrhynchus Papyri.&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;em style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;"&gt;&lt;a href="http://www.bbc.co.uk/news/uk-england-oxfordshire-14289685"&gt;BBC report&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-7440538001609563261?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.ancientlives.org/about' title='Ancient Lives'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/7440538001609563261'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/7440538001609563261'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/07/ancient-lives.html' title='Ancient Lives'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-Oafux5-YP28/Ti7mbAkOIEI/AAAAAAAABF4/dQuhpJHPgvU/s72-c/papyri.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-8843498348351919374</id><published>2011-07-21T09:12:00.002-05:00</published><updated>2011-07-21T09:15:09.495-05:00</updated><title type='text'>F. Naether, Die Sortes Astrampsychi</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-GP0zwrA0RI8/TigzUJXg6dI/AAAAAAAAAs0/VsxITAT6PUI/s1600/150250_78f145b7cf.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-GP0zwrA0RI8/TigzUJXg6dI/AAAAAAAAAs0/VsxITAT6PUI/s1600/150250_78f145b7cf.png" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;h3 style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; border-collapse: collapse; color: #003882; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 1em; font-weight: normal; line-height: 1.2em; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-transform: uppercase;"&gt;&lt;span class="Apple-style-span" style="color: black; font-size: 12px; line-height: 18px; text-transform: none;"&gt;&lt;h3 style="color: #003882; font-size: 1em; font-weight: normal; line-height: 1.2em; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-transform: uppercase;"&gt;FRANZISKA&amp;nbsp;NAETHER&lt;/h3&gt;&lt;h1 style="color: #003882; font-size: 1.2em; font-weight: bold; line-height: 1.2em; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Die Sortes Astrampsychi&lt;/h1&gt;&lt;h2 style="color: #003882; font-size: 1.1em; line-height: 1.2em; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 10px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Problemlösungsstrategien durch Orakel im römischen Ägypten&lt;/h2&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;"Du wirst deine Geliebte heiraten, aber es wird dir leid tun"; "Du wirst von deiner Frau erben, aber nicht als Alleinerbe". So spricht ein dem Pythagoras zugeschriebenes Orakel, das schon Alexander zur Weltherrschaft verholfen haben soll. Das Losbuch "Sortes Astrampsychi" ist auf römerzeitlichen Papyri und mittelalterlichen Handschriften in griechischer Sprache überliefert. Mit 92 vorformulierten Fragen und 1030 Antworten aus fast allen Lebensbereichen liegt eine ergiebige Quelle zur Sozialgeschichte Ägyptens vor - vom Überleben von Krankheiten über Geschäftsbeteiligungen hin zu Verhandlungstaktiken vor Gericht. Wichtige Fragestellungen dieses Kommentars zu den Sortes Astrampsychi zielen auf den Anwendungskontext und die Einordnung des Werks innerhalb der religiösen, divinatorischen und magischen Praktiken Ägyptens unter besonderer Berücksichtigung der "Ticket-Orakel" in demotischer, griechischer und koptischer Sprache.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h3&gt;&lt;div style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; border-collapse: collapse; color: #003882; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="autor" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-transform: uppercase;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;NAETHER, FRANZISKA&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Die Sortes Astrampsychi&lt;/span&gt;&lt;/strong&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;. Problemlösungsstrategien durch Orakel im römischen Ägypten&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;2010. XVIII,&amp;nbsp;491&amp;nbsp;pages.&lt;/span&gt;&lt;abbr style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" title="Orientalische Religionen in der Antike"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;ORA&amp;nbsp;3&lt;/span&gt;&lt;/abbr&gt;&lt;/div&gt;&lt;form action="http://www.mohr.de/en/nc/theology/series/detail/buch/en/nc/publisher/shopping-cart.html" method="post" name="basket_5048" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; border-collapse: collapse; color: #003882; line-height: 18px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;div style="margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;ISBN 978-3-16-150250-7&lt;/span&gt;&lt;/div&gt;&lt;/form&gt;&lt;div style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; border-collapse: collapse; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="color: #003882;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;cloth&amp;nbsp;&lt;/span&gt;&lt;span style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;€&amp;nbsp;109.00&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; border-collapse: collapse; line-height: 18px; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;English blurb&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; border-collapse: collapse; line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;"You will marry your girlfriend, but you will be sorry." "You will inherit from your wife, but you will not be the sole heir." These are the words of an oracle attributed to Pythagoras which supposedly also helped Alexander gain world supremacy. The "Sortes Astrampsychi" were transmitted on papyri from the Roman period and medieval manuscripts in Greek. Consisting of 92 pre-formulated questions and 1030 matching answers from nearly all areas of daily life, the oracle represents an important source for the social history of Egypt, for example its demography, economy and jurisdiction. In this commentary on the "Sortes Astrampsychi," the author focuses on the background of its use in antiquity and the contextualization among the religious, divinatory and magical practices of Egypt, in particular the "ticket" oracles in Demotic, Greek and Coptic.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Helvetica, Arial, sans-serif; font-size: small;"&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; border-collapse: collapse; font-size: 12px; line-height: 18px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; border-collapse: collapse; font-size: 12px; line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;BMCR review&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; border-collapse: collapse; font-size: 12px; line-height: 18px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Franziska Naether,&amp;nbsp;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Die Sortes Astrampsychi: Problemlosungsstrategien durch Orakel im römischen Ägypten. Orientalische Religionen in der Antike 3&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;. &amp;nbsp; Tübingen: &amp;nbsp;Mohr Siebeck, 2010. &amp;nbsp;Pp. 550. &amp;nbsp;ISBN 9783161502507. &amp;nbsp;$195.00. &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; border-collapse: collapse; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 12px; line-height: 18px;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;hr align="left" style="-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; border-collapse: separate; font-size: medium; line-height: normal;" width="50%" /&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; border-collapse: separate; font-size: small; line-height: normal;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; border-collapse: separate; line-height: normal;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Reviewed by Pieter W. van der Horst, Utrecht, The Netherlands (pwvdh@xs4all.nl)&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; border-collapse: separate; line-height: normal;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; border-collapse: separate; font-size: medium; line-height: normal;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Even though the text of the ancient lot oracle known as Sortes Astrampsychi is not one of central concern to classical scholarship, it has had its share of attention in recent years. The Teubner edition of the shorter version by G. M. Browne appeared in 1983, and in 2001 R. Stewart’s Teubner text of the longer version (the so-called ‘ecdosis altera’) came out;&lt;/span&gt;&lt;a href="http://www.blogger.com/post-edit.g?blogID=34522485&amp;amp;postID=8843498348351919374&amp;amp;from=pencil" name="t1"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;sup&gt;&lt;/sup&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;a href="http://bmcr.brynmawr.edu/2010/2010-08-43.html#n1"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;1&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;both scholars also published a series of valuable articles on this document. Stewart’s English translation of the text appeared in W. Hansen (ed.),&amp;nbsp;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Anthology of Ancient Greek Popular Literature&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;(Bloomington: Indiana University Press, 1998) 285-324. In 2006 an edition of the Greek text with a German translation was published by K. Brodersen,&amp;nbsp;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Astrampsychos: Das Pythagoras-Orakel&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;(Darmstadt: Wissenschaftliche Buchgesellschaft). And now we have the monumental and exhaustive study of the Sortes Astrampsychi by Franziska Naether, an immensely learned work that the author completed when she was only 29 years. The book is so densely packed with information on all possible aspects of the study of the Sortes Astrampsychi (and many related documents) that it is impossible to do justice to its contents in this short review. The book can best be characterized as a comprehensive contextualization of the Sortes Astrampsychi.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;a href="http://bmcr.brynmawr.edu/2010/2010-08-43.html"&gt;etc. at BMCR&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; border-collapse: collapse; font-family: Verdana, Helvetica, Arial, sans-serif; font-size: 12px; line-height: 18px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div id="hiddenlpsubmitdiv" style="display: none;"&gt;&lt;/div&gt;&lt;script&gt;try{for(var lastpass_iter=0; lastpass_iter &lt; document.forms.length; lastpass_iter++){ var lastpass_f = document.forms[lastpass_iter]; if(typeof(lastpass_f.lpsubmitorig2)=="undefined"){ lastpass_f.lpsubmitorig2 = lastpass_f.submit; lastpass_f.submit = function(){ var form=this; var customEvent = document.createEvent("Event"); customEvent.initEvent("lpCustomEvent", true, true); var d = document.getElementById("hiddenlpsubmitdiv"); for(var i = 0; i &lt; document.forms.length; i++){ if(document.forms[i]==form){ d.innerText=i; } } d.dispatchEvent(customEvent); form.lpsubmitorig2(); } } }}catch(e){}&lt;/script&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-8843498348351919374?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.mohr.de/nc/theologie/schriftenreihen/detail/buch/die-sortes-astrampsychi.html' title='F. Naether, Die Sortes Astrampsychi'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/8843498348351919374'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/8843498348351919374'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/07/f-naether-die-sortes-astrampsychi.html' title='F. Naether, Die Sortes Astrampsychi'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-GP0zwrA0RI8/TigzUJXg6dI/AAAAAAAAAs0/VsxITAT6PUI/s72-c/150250_78f145b7cf.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-7172957749375124694</id><published>2011-07-19T17:59:00.005-05:00</published><updated>2011-07-20T11:45:20.080-05:00</updated><title type='text'>43. Ständige Ägyptologenkonferenz (SÄK), Leipzig, 22.-24. Juli, 2011</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-KmJiC4d0Oew/TiYKxvpeAxI/AAAAAAAAAsw/7Q3g9Jx9Zyw/s1600/SA%25CC%2588K+Poster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="226" src="http://2.bp.blogspot.com/-KmJiC4d0Oew/TiYKxvpeAxI/AAAAAAAAAsw/7Q3g9Jx9Zyw/s320/SA%25CC%2588K+Poster.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://webs.wichita.edu/aloftus/Leipzig2011.pdf"&gt;Registration information here&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;/div&gt;&lt;div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black; font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;Freitag, 22.07. 2011&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;ab 12:00&lt;/b&gt; &lt;b&gt;Uhr&lt;/b&gt; Registration im Tagungsbüro (Seminargebäude, Raum S 204) &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;ab 13:00&lt;/b&gt; &lt;b&gt;Uhr&lt;/b&gt; Gelegenheit zur Besichtigung des 2010 neu eröffneten Ägyptischen Museums &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;14-16:00&lt;/b&gt; &lt;b&gt;Uhr&lt;/b&gt; Treffen der Studiengangsverantwortlichen (Thema: Flexibilisierung von BA und MA, Seminargebäude, Raum S 420) &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;14-16:00&lt;/b&gt; &lt;b&gt;Uhr&lt;/b&gt; „StudierendenSÄK“ (Thema: Studium – und danach?, Seminargebäude, Raum S 202)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;16:00&lt;/b&gt; &lt;b&gt;Uhr&lt;/b&gt; Begrüßung in Hörsaal 9 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Prof. Dr. Beate Schücking (Rektorin der Universität Leipzig) &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Prof. Dr. Hans-W. Fischer-Elfert Prof. Dr. Pirmin Stekeler-Weithofer (Präsident der Sächsischen Akademie der Wissenschaften zu Leipzig) &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Dr. Volker Rodekamp (Direktor des Stadtgeschichtlichen Museums Leipzig und Präsident des Deutschen Museumsbundes) &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Dr. Mamdouh el-Damaty (Botschaft der Arabischen Republik Ägypten, Berlin)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;16:30-max. 17:45&lt;/b&gt; &lt;b&gt;Uhr&lt;/b&gt; Berichte aus den Institutionen (über das INFO online hinausgehende Informationen) &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;Pause&lt;/b&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;18:15-19:15&lt;/b&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;Uhr&lt;/b&gt; Festvortrag von &lt;i&gt;Prof. Dr. Stefan Rebenich (Bern)&lt;/i&gt;:&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Zwischen Verweigerung und Anpassung. Die Altertumswissenschaften im „Dritten Reich“&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;19:30-22:00&lt;/b&gt; &lt;b&gt;Uhr&lt;/b&gt; Empfang im &lt;a href="http://www.grassimuseum.de/"&gt;Grassimuseum am Johannisplatz&amp;nbsp;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;Samstag, 23.07. 2011&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;&lt;/div&gt;&lt;div style="font: 10.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;09:00-09:15&lt;/b&gt; &lt;b&gt;Uhr&lt;/b&gt; Einführende Worte&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;09:15-09:45&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Die Ägyptologie im Nationalsozialismus: Umriss eines Forschungsgebietes&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;i&gt;Thomas Schneider (Toronto; gelesen von Claus Jurman)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;09:45-10:15&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Das Deutsche Haus in Theben 1904 bis 1958 – ein Spiegel deutscher Politik in der ägyptischen Provinz&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;i&gt;Daniel Polz (Kairo)&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;10:15-10:45&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ludwig Stern – ein Ägyptologe zwischen Keltologie und Bibliothek&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;i&gt;Barbara Magen (Hildesheim)&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;10:45-11:15 KAFFEEPAUSE&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;11:15-11:45&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Der lange Arm des Nationalsozialismus: Die politischen Einflüsse auf die Abteilung Kairo des DAI während der Amtszeit Hermann Junkers von 1929-1949&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;S&lt;i&gt;usanne Voß (Kairo/Köln)&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;11:45-12:15&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Hermann Junker – Ein deutsch-österreichisches Forscherleben zwischen Pyramiden, Kreuz und Hakenkreuz&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;i&gt;Julia Budka (Berlin/Wien); Claus Jurman (Wien)&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;12:15-12:45&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Das Institut für Ägyptologie der LMU München im Nationalsozialismus&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;i&gt;Thomas Beckh (München)&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;12:45-14:45 MITTAGSPAUSE&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;14:45-15:15&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ludwig Borchardt und sein „Institut für ägyptische Bauforschung und Altertumskunde“ in Kairo – Ein Beitrag zur Urgeschichte des Schweizer Instituts Kairo&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;i&gt;Cornelius von Pilgrim (Kairo)&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;15:15-15:45&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Bissing – Küthmann – Hölscher: Ägyptologie und Bauforschung zwischen Den Haag, Hannover und Ägypten 1922-1951&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;i&gt;Christian E. Loeben (Hannover)&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;15:45-16:15&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ein Ägyptologe in Königsberg. Zum Leben und Wirken Walter Wreszinskis&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;i&gt;Alexander Schütze (Leipzig/München&lt;/i&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;16:15-16:45 KAFFEEPAUSE&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;16:45-17:15&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Erich Lüddeckens – ein Pfarrerssohn auf Abwegen&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;i&gt;Heinz-Josef Thissen (Erftstadt)&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;17:15-17:45&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Die deutsche Ägyptologie zwischen 1945 und 1949 im Spiegel der Autorenkorrespondenz des Leipziger Verlages J.C. Hinrichs&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;i&gt;Anke Weber; Henning Franzmeier (Berlin)&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;17:45-18:15&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Hedwig Fechheimers Plastik der Ägypter – Ägyptologie, Kunstwissenschaft und jüdisches Schicksal&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;i&gt;Sylvia Peuckert (Berlin)&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;18:15-18:45&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Steindorffs Brief an Wilson&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;i&gt;Dietrich Raue (Leipzig)&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;18:45-19:15&lt;/b&gt; &lt;b&gt;Uhr&lt;/b&gt; Abschließende Diskussion&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;ab 19:30&lt;/b&gt; Abendveranstaltung in der Moritzbastei Leipzig, Universitätsstraße 20:00 Uhr Eröffnung des Buffets&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;ab 22:30 Uhr&lt;/b&gt; nicht mehr geschlossene Veranstaltung (Discobetrieb „All you can dance“, freier Eintritt für SÄK-Besucher), &lt;/span&gt;&lt;a href="http://www.moritzbastei.de/"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;www.moritzbastei.de&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;Sonntag, 24.07. 2011&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;09:30- 10:00&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Bericht des Deutschen Archäologischen Instituts, Abt. Kairo (DAI)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;i&gt;Ulrike Fauerbach&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;10:00- 10:30&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Bericht des Österreichischen Archäologischen Instituts, Zweigstelle Kairo (ÖAI)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;i&gt;Irene Forstner-Müller&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;10:30- 10:45&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Bericht des Schweizerischen Instituts für Ägyptische Bauforschung und Altertumskunde in Kairo&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;i&gt;Cornelius von Pilgrim&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;10:45- 11:00 KAFFEEPAUSE&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;11:00- 11:30&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Bericht des Internationalen Ägyptologenverbands (IAE)&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;i&gt;Ursula Verhoeven&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;11:30- 12:00&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Bericht des Sondersammelgebiets Ägyptologie der UB Heidelberg, Propylaeum, INFO online&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;i&gt;Nicole Kloth&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;12:00- 12:15&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Situation ägyptischer Museen in kommunaler Trägerschaft&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;i&gt;Katja Lembke, Christian E. Loeben&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;12:15- 12:30&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Bericht des Treffens der Studiengangsverantwortlichen&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;i&gt;Hans-W. Fischer-Elfert&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;12:30- 12:45&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Bericht der Studierenden SÄK&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;i&gt;Juliane Seemann, Marc Brose&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;12:45- 13:00&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt; text-autospace: none;"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Festlegung des nächsten Austragungsorts&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;NN&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="font: 10.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-7172957749375124694?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/7172957749375124694'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/7172957749375124694'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/07/43-standige-aegyptologenkonferenz-sak.html' title='43. Ständige Ägyptologenkonferenz (SÄK), Leipzig, 22.-24. Juli, 2011'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-KmJiC4d0Oew/TiYKxvpeAxI/AAAAAAAAAsw/7Q3g9Jx9Zyw/s72-c/SA%25CC%2588K+Poster.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-3601164504889392652</id><published>2011-07-14T13:48:00.001-05:00</published><updated>2011-07-14T13:48:29.050-05:00</updated><title type='text'>C. KUEHN, The Poetry of Dioscorus of Aphrodite in English Translation</title><content type='html'>&lt;blockquote&gt;These are the oldest surviving poems written by the hand of a known poet. Dioscorus’s sixth-century manuscripts, with revisions and corrections, were discovered on papyrus in 1905 beneath the village of Kom Ashkaw, Egypt (ancient Aphrodito). The manuscripts are now held in museums and libraries around the world. Although Dioscorus was an Egyptian, he composed his poetry in Greek, the cultural language of the Byzantine Era. This critical edition begins with one of Dioscorus’s masterpieces: Hymn to St. Theodosius. Once considered obscure, its meaning becomes clear when seen through the lens of Byzantine spirituality.&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-3601164504889392652?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.byzantineegypt.com/' title='C. KUEHN, The Poetry of Dioscorus of Aphrodite in English Translation'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/3601164504889392652'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/3601164504889392652'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/07/c-kuehn-poetry-of-dioscorus-of.html' title='C. KUEHN, The Poetry of Dioscorus of Aphrodite in English Translation'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-1693935127298285094</id><published>2011-07-08T10:28:00.001-05:00</published><updated>2011-07-08T10:29:36.337-05:00</updated><title type='text'>V. BARTOLETTI,   La corrispondenza di Heronino nei papiri fiorentini</title><content type='html'>La corrispondenza di Heronino nei papiri fiorentini&lt;br /&gt;(Osservazioni e note critiche ai testi)&lt;br /&gt;Tesi di Laurea di Menotti Stanghellini&lt;br /&gt;Relatore: Chiar.mo Prof. V. Bartoletti&lt;br /&gt;Anno Accademico 1957-58&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.trismegistos.org/arch/detail.php?tm=103"&gt;Heroninus Archive in general at Trimegistos&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-1693935127298285094?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.accademiafiorentina.it/biblioteca_on_line.html' title='V. BARTOLETTI,   La corrispondenza di Heronino nei papiri fiorentini'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/1693935127298285094'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/1693935127298285094'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/07/v-bartoletti-la-corrispondenza-di.html' title='V. BARTOLETTI,   La corrispondenza di Heronino nei papiri fiorentini'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-7970360039844923429</id><published>2011-07-07T12:51:00.001-05:00</published><updated>2011-07-07T12:51:44.889-05:00</updated><title type='text'>NYU Excavations at Amheida in Egypt's Dakhleh Oasis</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-DNW9c-EP5YQ/ThXxCg_H3AI/AAAAAAAAAqs/fsRNNbhwUqc/s1600/Screen+shot+2011-07-07+at+12.45.16+PM.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="212" src="http://3.bp.blogspot.com/-DNW9c-EP5YQ/ThXxCg_H3AI/AAAAAAAAAqs/fsRNNbhwUqc/s320/Screen+shot+2011-07-07+at+12.45.16+PM.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-oxzPgiRvjVQ/ThXxF8UbleI/AAAAAAAAAqw/DG_4IaI14Z4/s1600/090715-amheida-excavation02.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="160" src="http://1.bp.blogspot.com/-oxzPgiRvjVQ/ThXxF8UbleI/AAAAAAAAAqw/DG_4IaI14Z4/s320/090715-amheida-excavation02.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-ezvul4FaxfA/ThXxgVAirmI/AAAAAAAAAq4/qJrjG4zcC_E/s1600/800px-Flickr_-_isawnyu_-_Amheida_%2528XIX%2529.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="212" src="http://4.bp.blogspot.com/-ezvul4FaxfA/ThXxgVAirmI/AAAAAAAAAq4/qJrjG4zcC_E/s320/800px-Flickr_-_isawnyu_-_Amheida_%2528XIX%2529.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-ezvul4FaxfA/ThXxgVAirmI/AAAAAAAAAq4/qJrjG4zcC_E/s1600/800px-Flickr_-_isawnyu_-_Amheida_%2528XIX%2529.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #303030; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-size: 12px; line-height: 19px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-7970360039844923429?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.amheida.org/' title='NYU Excavations at Amheida in Egypt&apos;s Dakhleh Oasis'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/7970360039844923429'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/7970360039844923429'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/07/yu-excavations-at-amheida-in-egypts.html' title='NYU Excavations at Amheida in Egypt&apos;s Dakhleh Oasis'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-DNW9c-EP5YQ/ThXxCg_H3AI/AAAAAAAAAqs/fsRNNbhwUqc/s72-c/Screen+shot+2011-07-07+at+12.45.16+PM.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-8585902023210681570</id><published>2011-07-07T12:42:00.002-05:00</published><updated>2011-07-07T12:42:51.836-05:00</updated><title type='text'>Fifth International Society for Arabic Papyrology Conference, Carthage,  March 28-31, 2</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;Fifth International Society for Arabic Papyrology Conference, Carthage,&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;March 28-31, 2012&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;The fifth ISAP conference will be hosted by the Tunisian Academy of&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;Sciences, Letters and Arts, Beït Al-Hikma (/www.baitelhekma.nat.tn) in&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;Carthage. It will be organized by the International Society for Arabic&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;Papyrology in cooperation with the Institut français d’archéologie&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;orientale (Ifao) in Cairo.&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;The conference will start on the evening of Wednesday, March 28, and&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;continue through Saturday, March 31. The programme will include&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;20-minute lectures presenting text editions or studies based on&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;documentary material from the Islamic medieval world, workshops in which&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;unedited Arabic documents will be presented, and evening lectures. There&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;will also be the opportunity to visit the National Library of Tunisia&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;(Tunis) and the National Museum of Islamic Arts of Raqqada (Kairouan),&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;which hosts the only collection of Arabic payri in Tunisia, and&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;important early Islamic manuscripts written on parchment.&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;Participants are supposed to be or become members of the International&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;Society for Arabic Papyrology.&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;Summary&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;The fifth conference of the International Society for Arabic Papyrology&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;(ISAP) will take place at the Tunisian Academy of Sciences, Letters and&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;Arts, Beït Al-Hikma, in Carthage.&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;It will bring together scholars using documentary evidence to study the&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;history of the early Islamic world, including Arabic, Coptic, and Greek&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;papyri, paper and other documents, as well as epigraphic and numismatic&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;material. Participants may present their research either as 20-minute&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;papers or within the context of workshops on Greek, Coptic, and Arabic&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;papyrology and palaeography.&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;Conference Format&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;The Conference will include 1) text workshops and 2) sessions for the&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;presentation of 20-minute papers and 3) evening lectures at local&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;research institutes. Although the "official language" of the conference&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;is English, papers and workshops may be given in English, French,&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;German, or Arabic.&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;Text Workshops&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;These workshops will focus on a single text, or group of texts, to be&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;circulated in advance. The texts used may be in any of the languages of&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;the documentary sources relevant to the history of early Islamic Egypt&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;and the wider Mediterranean world (Greek, Coptic, or Arabic). A&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;translation of the text should also be circulated to allow for the&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;widest possible participation. The presenter will have the first thirty&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;minutes to introduce the text and its problems, and then the remaining&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;hour will be spent in discussion.&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;Paper Sessions&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;There will be several sessions during which three or four 20-minute&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;papers, followed by questions and discussion, will be read. While the&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;topics addressed need not focus exclusively on documentary evidence, it&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;is expected that documentary sources will be an integral and substantive&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;part of each paper.&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;Abstracts and Handouts&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;The deadline for 400-word abstracts is November 1 2011. Please send&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;abstracts to Sobhi Bouderbala (sbouderbala at&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;a href="http://ifao.egnet.net/"&gt;ifao.egnet.net&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;). If your&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;presentation will require audio-visual equipment of any kind, please&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;describe what is needed. Notification regarding the acceptance of&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;proposals will be made by the end of November 2011.&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;Also, please send a copy of all texts and translations to be used in the&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;text workshops by 15 February 2011. These will be made available to&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;participants.&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;Registration&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;There will be no conference fee charged. Participants who currently have&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;no membership should renew their membership in Carthage on the first day&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;of the conference. Payments have to be made in cash in Euros, dollars or&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;Tunisian dinars. If you are interested in joining ISAP, information can&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;be found at the ISAP sign-up website.&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;Please send a notice of intent to participate in the Conference to one&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;of the conference organizers, Petra Sijpesteijn (p.m.sijpesteijn at&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;a href="http://hum.leidenuniv.nl/"&gt;hum.leidenuniv.nl&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;) or Sobhi Bouderbala (sbouderbala at&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;a href="http://ifao.egnet.net/"&gt;ifao.egnet.net&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;)&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;Travel Subsidies&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;It is hoped that the Conference will be able to offer a few awards for&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;scholars not able to get institutional subventions for travel to Carthage.&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;Please let us know as soon as possible whether you will be in need for&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;such sponsoring.&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;Conference Organizers&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;If you have any further questions about the Conference, please contact:&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;Petra Sijpesteijn (p.m.sijpesteijn at&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;a href="http://hum.leidenuniv.nl/"&gt;hum.leidenuniv.nl&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;) or Sobhi&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;Bouderbala (sbouderbala at&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;a href="http://ifao.egnet.net/"&gt;ifao.egnet.net&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;) or check the conference&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;website (&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;a href="http://www.ori.uzh.ch/isap/Conference2012.html"&gt;http://www.ori.uzh.ch/isap/Conference2012.html&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;).&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-8585902023210681570?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.ori.uzh.ch/isap/Conference2012.html' title='Fifth International Society for Arabic Papyrology Conference, Carthage,  March 28-31, 2'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/8585902023210681570'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/8585902023210681570'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/07/fifth-international-society-for-arabic.html' title='Fifth International Society for Arabic Papyrology Conference, Carthage,  March 28-31, 2'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-121188209893381674</id><published>2011-06-17T12:53:00.002-05:00</published><updated>2011-06-17T18:46:46.323-05:00</updated><title type='text'>Claremount Coptic Encyclopedia</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;From the homepage of&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #885588; line-height: 30px;"&gt;&lt;a href="http://ccdl.libraries.claremont.edu/cdm4/browse.php?CISOROOT=/cce" style="color: #603060; text-decoration: underline;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Claremont Coptic Encyclopedia&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;homepage:&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-AggUsprpZl8/TfuUZRBdJuI/AAAAAAAAAqo/h7FD43vqQns/s1600/Dr_Atiya.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/-AggUsprpZl8/TfuUZRBdJuI/AAAAAAAAAqo/h7FD43vqQns/s200/Dr_Atiya.jpg" width="160" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;An invaluable reference tool for Coptic Studies is The Coptic Encyclopedia (Aziz S. Atiya, ed. NY: Macmillan, 1991). This monumental work, with approximately 2800 entries written by 215 scholars, covers treasures of Coptic language and literature; Copto-Arabic literature; Coptic art, architecture, archaeology, history, music, liturgy, theology, spirituality, monasticism; and biblical, apocryphal, social, and legal texts. The encyclopedia was the fruit of years of effort on the part of its Editor-in-Chief, Aziz S. Atiya (1898-1988, Distinguished Professor of History at the University of Utah), and its Principal Investigator, Lola Atiya (1917-2002, Doctor of Humane Letters). Donations by the Coptic communities in the Diaspora, a matching grant from the National Endowment for the Humanities from 1979 to 1990, along with numerous other sources, made the project possible.&lt;/span&gt;&lt;/blockquote&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-Nt5qLGvqIQo/TfuTQefyk-I/AAAAAAAAAqk/esKBd3U9sFs/s1600/CCE-12.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="164" src="http://3.bp.blogspot.com/-Nt5qLGvqIQo/TfuTQefyk-I/AAAAAAAAAqk/esKBd3U9sFs/s200/CCE-12.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;In 2009 the&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.cgu.edu/pages/674.asp"&gt;&lt;span class="Apple-style-span" style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Claremont Graduate University (CGU) School of Religion&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;acquired the right to develop an updated and continuously expanding and evolving web-based version of The Coptic Encyclopedia. Since then, the&amp;nbsp;&lt;/span&gt;&lt;a href="http://ccdl.libraries.claremont.edu/cdm4/browse.php?CISOROOT=/cce"&gt;&lt;span class="Apple-style-span" style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Claremont Coptic Encyclopedia (CCE)&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;has been gradually posting the articles of the 1991 Coptic Encyclopedia and will be continuously adding updates and new topics from the growing body of scholarship in Coptic studies at worldwide institutions. Again, the participation of the Coptic community in envisioning and funding this project was instrumental in the project coming to fruition. The partnership of CGU and the Coptic community is one of the missions of the Council for Coptic Studies at the&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.cgu.edu/pages/674.asp"&gt;&lt;span class="Apple-style-span" style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;CGU School of Religion&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;. Please visit the Council’s website at&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.cgu.edu/pages/5446.asp"&gt;&lt;span class="Apple-style-span" style="color: black;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;http://www.cgu.edu/pages/5446.asp&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;.&lt;/span&gt;&lt;/blockquote&gt;&lt;br /&gt;Thanks to &lt;a href="http://ancientworldonline.blogspot.com/2011/06/open-access-encyclopedia-claremont.html"&gt;Chuck Jones&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-121188209893381674?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://ccdl.libraries.claremont.edu/cdm4/browse.php?CISOROOT=/cce' title='Claremount Coptic Encyclopedia'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/121188209893381674'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/121188209893381674'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/06/claremount-coptic-enbcyclopedia.html' title='Claremount Coptic Encyclopedia'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-AggUsprpZl8/TfuUZRBdJuI/AAAAAAAAAqo/h7FD43vqQns/s72-c/Dr_Atiya.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-9177352572973018462</id><published>2011-06-17T09:44:00.000-05:00</published><updated>2011-06-17T09:44:45.560-05:00</updated><title type='text'>M. Albarrán Martínez, Prosopographia asceticarum aegyptiarum</title><content type='html'>&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Prosopographia asceticarum aegyptiarum&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-Y8tL1wbnxR4/TftoC2m0c0I/AAAAAAAAAqg/K_571fRBtgI/s1600/albarran-1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/-Y8tL1wbnxR4/TftoC2m0c0I/AAAAAAAAAqg/K_571fRBtgI/s200/albarran-1.jpg" width="139" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Aut.: María Jesús Albarrán Martínez&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Corpus prosopográfico recopilado a través de fuentes literarias, papirológicas y epigráficas, que recoge los datos biográficos de las ascetas egipcias atestiguadas durante el periodo cronológico de la Antigüedad Tardía (siglos IV- VIII d.C.), ordenados de acuerdo con una tipología claramente establecida. Este estudio, cuyo cuerpo fundamental lo constituye una nómina femenina ascética, está precedido por una introducción en la que se explica en qué consiste el volumen, la metodología de recopilación de los datos onomásticos, ros estudios anteriores sobre esta cuestión y las fuentes utilizadas. Cierra el volumen un índice de fuentes citadas que mejorará notablemente su consulta.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Colección &lt;a href="http://dvctvs.upf.edu/lang/en/team.php"&gt;DVCTVS,1&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Consejo Superior de Investigaciones Científicas&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Madrid, 2010&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Dpto. de Publicaciones del CSIC&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ficheros asociados: &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;a href="http://www.cchs.csic.es/sites/default/files/Novedad_cientifica/pdfs/albarran-1.pdf"&gt;albarran-1.pdf&lt;/a&gt;&amp;nbsp;(book cover only)&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-9177352572973018462?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.cchs.csic.es/es/node/275974' title='M. Albarrán Martínez, Prosopographia asceticarum aegyptiarum'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/9177352572973018462'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/9177352572973018462'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/06/m-albarran-martinez-prosopographia.html' title='M. Albarrán Martínez, Prosopographia asceticarum aegyptiarum'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-Y8tL1wbnxR4/TftoC2m0c0I/AAAAAAAAAqg/K_571fRBtgI/s72-c/albarran-1.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-6724009026251488836</id><published>2011-06-15T18:54:00.005-05:00</published><updated>2011-06-15T22:07:15.717-05:00</updated><title type='text'>J.M. Modrzejewski, Droit et justice dans le monde grec (J.Urbanik ed.)</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;Droit et justice dans le monde grec et hellénistique&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;by Joseph Mélèze Modrzejewski, edited by Jakub Urbanik&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;xxii-565 pp., 3 col pls. (&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Journal of Juristic Papyrology&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt; 2011)&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;ISBN-13: 978-83-918250-9-9&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;ISBN-10: 83-918250-9-4&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Table of Contents:&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Préface (par Eva Cantarella) – Avant-propos&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-O6FjQPCIa6k/TflHJI8lNyI/AAAAAAAAAqc/dYFXq21PCG0/s1600/63348.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-O6FjQPCIa6k/TflHJI8lNyI/AAAAAAAAAqc/dYFXq21PCG0/s1600/63348.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;I.&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt; Sources du Droit&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;1. La loi dans l'antiquité&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;2. Droit ptolémaïque&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;3. &lt;i&gt;Prostagmata&lt;/i&gt; et &lt;i&gt;diagrammata&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;4. L'ordonnance sur les cultures&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;II. &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;La justice à l’œuvre&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;5. &lt;i&gt;Adikia&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;6. La justice des Lagides&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;7. Continuités égyptiennes&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;8. Un partage de compétences&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;9. Une préhistoire des droits de l’homme&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;III. &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Délits et sanctions&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;10. L'homicide&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;11. Le prix du sang&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;12. La délation&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;13. Le délit religieux&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;14. L'injure verbale&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;15. L'apostasie&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;16. L'&lt;i&gt;apotympanismos&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;IV. &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Actes privés&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;17. Le document privée: essai d’une taxonomie&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;18. La famille en droit hellénistique&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;19. La famille: le témoignage des lettres privées&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;20. La famille: pères et fils&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;V. &lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Continuités grecques dans le monde romain &lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;21. Comment être Grec en Égypte sous l’empire?&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;22. La décade contre l’hebdomade&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;23. Les titulatures impériales&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;24. Un empire universel &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-6724009026251488836?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://www.oxbowbooks.com/bookinfo.cfm/ID/63348' title='J.M. Modrzejewski, Droit et justice dans le monde grec (J.Urbanik ed.)'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/6724009026251488836'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/6724009026251488836'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/06/jm-modrzejewski-droit-et-justice-dans.html' title='J.M. Modrzejewski, Droit et justice dans le monde grec (J.Urbanik ed.)'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-O6FjQPCIa6k/TflHJI8lNyI/AAAAAAAAAqc/dYFXq21PCG0/s72-c/63348.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-2921200675709373781</id><published>2011-06-13T12:24:00.005-05:00</published><updated>2011-06-15T19:22:56.920-05:00</updated><title type='text'>I PAPIRI LETTERARI CRISTIANI (Gedankschrift Mario Naldini)</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;I PAPIRI LETTERARI CRISTIANI&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Atti del convegno internazionale di studi in memoria di Mario Naldini. Firenze, 10-11 giugno 2010,&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;a cura di Guido Bastianini e Angelo Casanova,&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Firenze, Istituto Papirologico "G. Vitelli" 2011,&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;(&lt;/span&gt;&lt;a href="http://www.storiaeletteratura.it/catalog/pags/spip.php?breve136"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Studi e testi di Papirologia&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;, N.S. 13)&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;pp. VI, 210 + XXVII tavv., euro 50&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;ISBN 978 88 87829 45 7&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Premessa (G. Bastianini - A. Casanova),&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&lt;/span&gt;pp. V-VI&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Lectori salutem (C. Austin),&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&lt;/span&gt;p. 1&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;C. NARDI, Mario Naldini e la papirologia,&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;pp. 3-21&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;R. S. BAGNALL, The Readers of Christian Books: Further Speculations,&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&lt;/span&gt;pp. 23-30&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;G. BASTIANINI - G. CAVALLO, Un nuovo frammento di lettera festale&amp;nbsp;(PSI inv. 3779),&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&lt;/span&gt;pp. 3-45&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;P. PARSONS, A People of the Book?,&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&lt;/span&gt;pp. 47-57&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;J. CHAPA, Su demoni e angeli. Il Salmo 90 nel suo contesto,&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&lt;/span&gt;pp. 59-90&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;A. CARLINI - M. BANDINI, Il Pastore di Erma: nuove testimonianze e&amp;nbsp;vecchi problemi,&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&lt;/span&gt;pp. 91-105&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;E. GIANNARELLI, Papiri, letteratura cristiana antica e apocrifi del&amp;nbsp;Nuovo Testamento:&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;apporti e problemi vecchi e nuovi,&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&lt;/span&gt;pp. 107-122&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;O. ZWIERLEIN, Griechische Papyri in der Überlieferung der Acta&amp;nbsp;Apostolorum Apocrypha,&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;pp. 123- 145&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;P. MARRASSINI, Scoperta e riscoperta dell'Apocalisse di Pietro fra&amp;nbsp;greco, arabo ed etiopico,&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;pp. 147-160&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;J. GASCOU, La montagne d'Antinoopolis, hagiographie et papyrus,&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&lt;/span&gt;pp.&amp;nbsp;161-171&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;M. STROPPA, Un papiro inedito del Fisiologo (PSI inv. 295),&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&lt;/span&gt;pp.&amp;nbsp;173-192&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;D. MINUTOLI - R. PINTAUDI, Un codice biblico su papiro della&amp;nbsp;collezione Schoyen MS 187 (Esodo IV 16- VII 21),&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; pp. 193-205&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/34522485-2921200675709373781?l=papyrology.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://vitelli.ifnet.it/Record.htm?record=19146473124919646559&amp;heading=In+corso' title='I PAPIRI LETTERARI CRISTIANI (Gedankschrift Mario Naldini)'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/2921200675709373781'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/34522485/posts/default/2921200675709373781'/><link rel='alternate' type='text/html' href='http://papyrology.blogspot.com/2011/06/i-papiri-letterari-cristiani.html' title='I PAPIRI LETTERARI CRISTIANI (Gedankschrift Mario Naldini)'/><author><name>G.W. Schwendner</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-34522485.post-6601091337597964786</id><published>2011-06-09T20:55:00.006-05:00</published><updated>2011-06-11T10:12:43.078-05:00</updated><title type='text'>DEMOTIC CONGRESS: TITLES AND ABSTRACTS OF PAPERS (so far)</title><content type='html'>DEMOTIC CONGRESS: TITLES AND ABSTRACTS OF PAPERS RECEIVED AS OF 8 JUNE 2011&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Priestly Allowances in the Temple of Jeme&lt;/b&gt;&lt;br /&gt;Maha AKEEL (Helwan)&lt;br /&gt;A demotic ostracon in the collection of the Ashmolean Museum dates to the early Roman Period. It includes a list of amounts of wheat representing the allowances distributed to the priests in the temple of Jeme. The points of interest in this list are: (a) the appearance of women (priestesses) as recipients of wheat allowances, giving another dimension to the role played by Egyptian priestesses; (b) olyra (emmer wheat) is the usual crop used for priestly stipends not wheat as mentioned in this list; and (c) one of the allowances was received by an agent in the name of a priest.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;The Griffith Papyri in Oxford&lt;/b&gt;&lt;br /&gt;Carolin ARLT (Würzburg)&lt;br /&gt;The Ashmolean Museum houses the collection of the Griffith papyri, which were found in Soknopaiou Nesos and date to the Ptolemaic Period. 75 documentary texts were published by Edda Bresciani in 1975. The announced publication of the remainder of the papyri was never realized. Part of the project ‘Dime im Fayum – ein Tempel im Spannungsfeld von Tradition und Multikulturalität im hellenistisch-römischen Ägypten’, which is based at Würzburg University, is the publication and analysis of this ‘new’ material as well as a re-edition of the papyri already published by Bresciani. This paper will give an overview of the unpublished documentary material.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Demotic Texts from the Embalmer’s Cache of Menekhibnekau&lt;/b&gt;&lt;br /&gt;Ladislav BAREŠ, Jiří JANÁK and Renata LANDGRÁFOVÁ (Prague)&lt;br /&gt;The burial complex of Menekhibnekau belongs to a group of large Late Period shaft tombs that were built in the south-western part of the Abusir necropolis between approximately 530 and 525 B.C.E. While the superstructure of the tomb was almost completely destroyed by later stone quarrying, its underground parts were much better preserved, including the burial chamber of this dignitary who held more than twenty titles, including those of the highest rank. Inside the area of his tomb (but separated from its underground parts), a large embalmers’ cache was found, consisting of a shaft and an underground corridor with three large niches.&lt;br /&gt;Within the embalmers’ cache, over 300 large amphorae were discovered. About a tenth of these bore hieratic and demotic texts, and within some of the amphorae, smaller vessels were found, again often inscribed with hieratic and demotic texts.&lt;br /&gt;The hieratic texts identify materials used for mummification and days of the mummification process on which they were to be used. The demotic inscriptions are more varied, even though they are less numerous. They identify materials used for mummification – sometimes even exactly the same materials as the hieratic texts, but also record data completely unrelated to the process of mummification, such as the date of import of wine on an amphora originally from Samos.&lt;br /&gt;Our paper offers an analysis and evaluation of these demotic inscriptions and addresses the issue of why the embalmers’ workshop would contain vessels inscribed in two scripts (as well as, in part, a mixture of these two scripts).&lt;br /&gt;&lt;br /&gt;&lt;b&gt;The Ancient Near Eastern Background of Demotic Legal Terminology&lt;/b&gt;&lt;br /&gt;Alejandro F. BOTTA (Boston)&lt;br /&gt;Building upon the previous research of Muffs (1969); Porten (1968, 1992); Ritner (2002), and others, and my own ongoing research project, “A Dictionary of Ancient Near Eastern Legal Terms and Formulae”, this paper surveys Demotic legal terms and formulae placing them in their wider ancient Near Eastern context. The resulting data provide clearer and quantifiable evidence of both continuity and innovation within the Demotic-Egyptian and other ancient Near Eastern legal traditions. At the same time, they offer the necessary material for the comparative study of ancient Near Eastern formulae, and for the investigation of interaction and influence of legal traditions within the ancient Near East.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Deux papyrus inédits de Dime conservés à la Sorbonne&lt;/b&gt;&lt;br /&gt;Marie-Pierre CHAUFRAY (Paris)&lt;br /&gt;En 2008, deux rouleaux de papyrus ont été déroulés à l’Institut de Papyrologie de la Sorbonne. L’un d’entre eux (P. Sorb. Inv. 1447) est un contrat de mariage démotique avec une souscription grecque, provenant de Dime et datant de la fin de l’époque ptolémaïque. Le second papyrus (P. Sorb. Inv. 1148) est un extrait de la comptabilité du temple de Soknopaios contenant deux reçus de l’époque romaine, dont l’un est un versement de la part d’un collège de lésônis d’Isis. Ces documents inédits viennent compléter le corpus récemment publié par S. Lippert et M. Schentuleit dans les Demotische Dokumente aus Dime (Volume II: Quittungen, Wiesbaden, 2006 ; Volume III: Urkunden, Wiesbaden, 2010).&lt;br /&gt;&lt;br /&gt;&lt;b&gt;The Horhotep Letters from North Saqqara&lt;/b&gt;&lt;br /&gt;Sue DAVIES (London) and H.S. SMITH (Huntingdon)&lt;br /&gt;In this paper we will present four damaged demotic letters on papyrus mentioning a man named Horhotep found at the Sacred Animal Necropolis site in 1971/2.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Trismegistos People: A New Prosopographic and Onomastic Tool&lt;/b&gt;&lt;br /&gt;Mark DEPAUW (Leuven)&lt;br /&gt;The project Creating Identities in Graeco-Roman Egypt (K.U.Leuven, 2008-2012) studies the way people constructed identities through personal names in Egypt, 800 BC – AD 800. This paper introduces the various related databases which were developed for this purpose and which will be made available online in the summer of 2011. Currently some 60,000 Demotic references to people are included (some 15% of the total), as well as some 8,000 names which are attested in Egyptian. Some preliminary results of regional variation and chronological evolution of the anthroponyms will be presented.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Demotic Grammar in the Twenty-first Century: Propensities, Problems, Prospects&lt;/b&gt;&lt;br /&gt;Leo DEPUYDT (Providence)&lt;br /&gt;At the Seventh International Conference (1999) and in the contribution to its acts, I listed 19 studies on Demotic grammar published in the decade before, trying to show how the grammar of Demotic is less often studied than that of the other stages of Egyptian. Since then, 24 more studies have come to my attention. This paper aims to, (1) discuss recent trends, (2) address obstinate problems, and (3) discern topics in need of investigation. Special attention will be paid to sentence patterns as a critical principle of organization for the grammar of all stages of Egyptian.&lt;br /&gt;The study of Demotic grammar benefits not only Demotists. Demotic is a stage of Egyptian, whose history is the longest attested of any language, making it an extraordinary laboratory for the study of language evolution. Middle Egyptian receives disproportionate attention because of its status as classical idiom imitated down to the end of Egyptian history. But the second half of the history of Egyptian, encompassing Late Egyptian, Demotic, and Coptic, is much more transparently and amply documented than the first, Old and Middle Egyptian, hence offering superior conditions for studying language evolution.&lt;br /&gt;Inevitably, the road from Late Egyptian to Coptic passes through Demotic.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;De l’emploi du démotique sur les stèles du Sérapéum de Memphis&lt;/b&gt;&lt;br /&gt;Didier DEVAUCHELLE (Lille)&lt;br /&gt;À partir d’un corpus délimité, celui des stèles du Sérapéum de Memphis, peut-on comprendre pourquoi les scribes ont recours à telle ou telle écriture, voire à deux écritures pour une même stèle ? Pour tenter de répondre à cette question, je m’intéresserai à la place occupée par la cursive démotique dans ce corpus et à son
