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Bryn Mawr Classical Review 2009.08.56
Harald Froschauer (ed.), Zeichnungen und Malereien aus den Papyrussammlungen in Berlin und Wien. Papyrussammlung der Österreichischen Nationalbibliothek (Papyrus Erzherzog Rainer). Neue Serie XXI. Folge (MPER) XXXI. Berlin/New York: Walter de Gruyter, 2009. Pp. xvi, 121. ISBN 9783110207392. $112.00.
Reviewed by Eric M. Moormann, Radboud Universiteit Nijmegen (e.moormann@let.ru.nl)
Word count: 1836 words
The hot debate that is going on in Italy about the status of the Turin Papyrus named after the author of a text fragment by Artemidorus (P. Artemid.) as a genuine document or a forgery has not yet come to an end that satisfies the scholarly world. Outside Italy, however, more scholars than not seem to accept the extraordinary document, containing part of the Geographoumena by Artemidorus, including an uncompleted map and drawings of animals and of human figures as genuine. In any case, the lavish publications of the last couple of years have apparently kindled an interest for illustration of papyrus material. The book under review is an excellent example of this attention and, although the scraps of papyrus and parchment -- from 3 x 4 to 17 x 23 cm in size --rarely contain drawings of the same quality as the human heads on the recto of P. Artemid., they are worth being presented as examples of ancient drawing
Zeichnungen und Malereien aus den Papyrussammlungen in Berlin und Wien
[Drawings and Paintings on Papyrus and Parchment from the Papyrus Collections in Berlin and Vienna]
2008. 29.5 x 21 cm. XVI, 121 pages. 30 fig. 24 S. Tafelbeilage. Hardcover. Euro [D] 79.95 / for USA, Canada, Mexico US$ 112.00. *
ISBN 978-3-11-020739-2 Series: Mitteilungen aus der Papyrussammlung der Österreichischen Nationalbibliothek (Papyrus Erzherzog Rainer). Neue Serie (MPER) XXXI
Languages: German
Type of Publication: Monograph
About this Title
This volume presents an edition of twenty-six drawings on papyrus and parchment from the holdings of the papyrus collections in Berlin and Vienna. Starting from previously published material of illuminated papyri, parchments and papers, this study is intended as a contribution to the discussion about the use of sketches and models in the visual arts. The actual edition catalogue of the twenty-six drawings is prefaced by an introduction reflecting on the definition of the terms "sketch" and "model" and commenting on the term "pattern book".
The handbook illustrates 94 Greek literary papyrus texts from Egypt and Herculaneum and documents the different types of scripts used in copying works of Greek literature, from the earliest surviving bookrolls written in the 4th century BC up to the first century AD. The aim is twofold: (1) to establish their relative (and, wherever possible, absolute) chronological sequence, and (2) to distinguish and characterize their stylistic features. Specimens of different types of scripts (“hands”) that appear stylistically related have been grouped together. In their joint introduction, the authors summarize the main results of their investigation and attempt to identify the social and cultural factors that have determined the development of different types of Greek literary scripts during the Hellenistic and Augustan era. The book also contains a comprehensive bibliography and indices..
Hellenistic Bookhands is a tool for scholars and students of Classics, Greek papyrology, palaeography, and the transmission of Classical Greek literature
This book provides the first full edition and commentary of the Oxyrhynchus Glossary (POxy 1802 and 4812). This is a unique document both for the history of Greek lexicography and for the study of the cultural and linguistic exchange between the Greeks and the “others” in the Hellenistic near East. The fragment contains a fully alphabetized glossary with lemmas defined as “Persian,” “Babylonian,” and “Chaldaean”, as well as lemmas taken from Greek dialects or common Greek. The entries are rich in quotations from ancient authorities including Berossus, Apollodorus and Erasistratus. This glossary had never been analyzed in depth previously. Francesca Schironi provides a comprehensive introduction and commentary that places the Oxyrhynchus Glossary into the wider context of Greek lexicography and scholarship, discusses its interest for non-Greek languages and the problems related to linguistic exchanges in the Near Eastern areas, and shows the uniqueness and value of this document. The Oxyrhynchus glossary and this study will be of interest to classicists, papyrologists, comparative philologists, and scholars interested in the history of Greek lexicography and scholarship.